ZIMBRU are an intriguing synth assisted Romanian art pop four-piece comprising of Teodora Retegan, Paul Bucovesan, Andrei Bobiș and Oana Pop, their songs characterised by Retegan’s deep forlorn expression.
The title of their debut EP ‘Little Creatures’ suggests a TALKING HEADS influence, reinforced by the band’s moniker being a near namesake to ‘I Zimbra’, although "Zimbru" is actually the Romanian word for the European bison. Continue Reading ›
FAKE TEAK were actually first name checked on The Electricity Club by VILE ELECTRODES back in 2011. With diverse influences such as Krautrock, Afrobeat, funk, rock and electronica, the band has since evolved and it would be fair to say they have a unusual hybrid sound that falls neither into exclusively synth or alternative music circles.
After a long gestation period, the London-based quartet finally get to release their self-titled debut long player. Continue Reading ›
When Andy Pandy and Teddy were “waving goodbye” at the end of each episode, what was actually going on once the box was shut? Was it really “time to go home” or were the pair partying the night away?
London-based combo FAKE TEAK with their brilliant new video ‘Bears Always Party The Right Amount’ show that like girls, bears just wanna have fun in one of the best independent low-budget music videos to have been made in recent years. Continue Reading ›
FAKE TEAK was founded by singer, bass player and synthesist Andrew Wyld back in 2011. Completing the line-up of the London-based quartet are Alastair Nicholls on guitar, synthesizer, bass + vocals plus Joanna Wyld on synthesizer + vocals and Andrea Adriano on drums, production + vocals.
With a love of vintage hardware and a quirky new single ‘Post Office Tower’ b/w ‘Breathless’ just out, it was natural that FAKE TEAK would relish an opportunity for a round of Vintage Synth Trumps... Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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