Essex duo Paul Hammond and Ian Cooper recently returned as ULTRAMARINE with their ‘Signals into Space’ album.
Initially part of A PRIMARY INDUSTRY, the pair have guided ULTRAMARINE on an eclectic musical pathway taking in along the way folk, acid house, Latin, jazz and techno influences.
Paul Hammond and Ian Cooper kindly spoke about their new album, their musical history together and the experience of working with SOFT MACHINE’s Robert Wyatt. Continue Reading ›
Essex duo ULTRAMARINE are probably best known for their 1991 album ‘Every Man & Woman is a Star’. Arguably Paul Hammond and Ian Cooper pioneered the Folktronica genre.
After a fourteen year hiatus, the duo returned with a pair of singles in 2011 and this has led to ULTRAMARINE’s ‘Signals into Space’, their first full length album since 2013’s ‘This Time Last Year’. This time around there are collaborations with vocalist Anna Domino who contributes to four tracks. Continue Reading ›
Sitting on the sofa with my now thirteen year old daughter, who over the years has acquired a rather sarcastic sense of humour (who on Earth does she get that from?!) and pondering how to approach this task of reviewing ‘The Electricity Club’ compilation, makes us both burst out with hearty laughter.
After all, she wants to rise to the occasion properly, and review things "just like Mummy does". Children have the innate ability to always tell the truth... Continue Reading ›
Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
Scottish singer and songwriter PAUL HAIG was a member of JOSEF K who released their only album ‘The Only Fun In Town’ on Postcard Records in 1981. After he went solo, he released some of the best electronic pop singles of the period on the prestigious Belgian label Les Disques du Crépuscule.
This Autumn sees Haig return to Les Disques du Crepuscule to present his most ambitious studio album yet, he spoke to The Electricity Club about his musical adventure in ‘The Wood’… Continue Reading ›