With her performance art ethos, Melbourne-based SUI ZHEN offers surreal observations on the intersections between human life and technology.
With echoes of Los Angeles songstress SINOSA, ‘Perfect Place’ is a delightfully odd but accessible trailer to SUI ZHEN’s brand new long playing offering 'Losing, Linda', the genesis of which began during an artistic residency in Japan and completed in Australia under the trauma of her mother's ill health and eventual passing. Continue Reading ›
Alison Goldfrapp and Tara Busch need to watch out, there’s a new synth girl in town, she’s got a Moog Sub Phatty and she’s going to use it…
Leeds based singer / songwriter IMI is gifted with a most glorious soprano but not only that, she applies that and her love of analogue synths to an intelligent avant pop aesthetic. IMI’s recently released EP 'Lines' contains three dramatically layered electronic mood pieces that encapsulate the early cinematic ambition of GOLDFRAPP. Continue Reading ›
2018 saw JEAN-MICHEL JARRE celebrate 50 years in the business and whether the world really needed another of his compilations, ‘Planet Jarre’ was probably one of the better collected representations of his work for casual admirers.
SOFT CELL made a totally unexpected return for a huge one-off farewell gig at London’s O2 Arena; and with it came a boxed set, the ‘Northern Lights’ single and other new recordings which have raised hopes for a new album. Continue Reading ›
2018 was a year of good songs rather than good albums, with many of long players not as consistent or as of high a standard as the bumper crop from the Class of ’17.
Interestingly, three graduates from the 'Some Bizarre Album' made it into the final list, thus highlighting the longevity of that particular vinyl showcase some 37 years on! So with a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2018 presented in alphabetical order… Continue Reading ›
Wacky and wondrous, young Norwich duo LET’S EAT GRANDMA gave a refreshing sign at London’s Heaven that the anti-X Factor generation really does exist!
Comprising of Rosa Walton (vocals, keyboards + guitar) and Jenny Hollingworth (vocals, keyboards, recorder + sax), the pair met as 4 year olds at school. Often acting as if they were twins, their "experimental sludge pop" was showcased via their appropriately titled debut album ‘I, Gemini’, a work crammed with vivid imagination. Continue Reading ›