Tag: Margaret Berger

The Electricity Club’s 30 SONGS OF 2014

wasp TECWith a less intense release schedule than last year, it was a bit more straightforward for The Electricity Club to choose its songs of 2014.

Whereas 2013 had a short list of 45 songs, 2014 was closer to 35 although not the struggle to find 30 as was the case in 2012. So just missing out are CLIENT, KLEERUP and TODD TERJE featuring BRYAN FERRY, although not by much.

As usual, they are listed in alphabetical order and all have been released either in physical formats, or digitally as purchasable or free downloads during the calendar year. Thus although the excellent video for LIEBE’s ‘I Believe In You’ gained traction on MTV Europe in 2014 as well as being a favourite at TEC HQ, the song was actually released in 2013.

Tracks which are exclusive to streams, videos or DJ only promos are also not included; so QUIETER THAN SPIDERS ‘The Land Of Lost Content’ is not eligible. Limited to one song per artist moniker, here are TEC’s 30 Songs of 2014…


ANALOG ANGEL The Last Time

Analog Angel trinityThe transformation of Glaswegians ANALOG ANGEL in the last 18 months has been startling. From their third album ‘Trinity’, its closer ‘The Last Time’ was a big surprise, featuring a cinematic arrangement involving an orchestra cascading into an epic Pan-European journey heading eastwards. Recalling THE SISTERS OF MERCY’s ‘This Corrosion’, the virtual symphonic strings and gothic choirs gave an indication as to what OMD might have sounded like if Jim Steinman had been producing!

Available on the download album ‘Trinity’ via http://analog-angel.bandcamp.com/

http://www.analog-angel.com/


MARGARET BERGER Scream

Margaret-Berget-Scream‘Scream’ launched MARGARET BERGER’s first album ‘New Religion’ since 2006’s ‘Pretty Scary Silver Fairy’ although as yet, the new opus has yet to emerge. The Norwegian Idol finalist effectively revived her career with ‘I Feed You My Love’ which came fourth in Eurovision 2013. ‘Scream’ saw her continuing the ROBYN meets DEPECHE MODE template of her Eurovision smash and possessed an inherent industrialised darkness in an approach to quality pop that set itself apart.

Available as a download single via iTunes Norway through Macho Records

http://www.margaretberger.com/


CLAUDIA BRÜCKEN Nevermind

CLAUDIA BRUCKEN-NevermindThe original first lady of cinematic electronic pop surprised everyone when she appeared on the cover of her third album ‘Where Else…’ with a guitar strapped to her back. But while the record had a folk and blues influence, the synthesized textures that Ms Brücken has been best known for were still very much part of the package. The launch single ‘Nevermind’ could be seen as a musical reply to OMD’s ‘Stay With Me’. A lovely mix of electronics and acoustic, she appears to be driven by a new artistic zest.

Available on the album ‘Where Else…’ via Cherry Red Records

http://www.claudiabrucken.co.uk


DAVIDGE featuring EMI GREEN Sleepwalking

DAVIDGE SleepwalkingDAVIDGE is best known for his work with MASSIVE ATTACK and has been involved in game and film soundtracks for many years. His first solo album ‘Slo Light’ was an impressive debut, containing many of the elements that marked his work with the Bristolian triphoppers. ‘Sleepwalking’ was a haunting number beautifully voiced by EMI GREEN which recalled the ethereal quality of COCTEAU TWINS’ Elizabeth Fraser and the electronically assisted Weimer Cabaret of ‘Felt Mountain’ era GOLDFRAPP.

Available on the album ‘Slo Light’ via 7Hz Recordings

http://www.neildavidge.com/


ERASURE Be The One (Paul Humphreys Remix)

ERASURE VioletFlameFollowing the disappointment of 2011’s FRANKMUSIK driven ‘Tomorrow’s World’, ‘The Violet Flame’ produced by Richard X saw ERASURE express an infectious zest for the future. The songs began with pre-recorded dance grooves from Vince Clarke as represented by the euphoric opening track ‘Dead Of Night’. The best number from the package turned out to be a ballad remixed by Paul Humphreys who added some of the beautiful Synth-Werk magic that characterised OMD’s ‘English Electric’ to ‘Be The One’.

Available on the boxed set edition of ‘The Violet Flame’ via Mute Artists / Pledge Music

http://www.erasureinfo.com


FEATHERS Wild Love

FEATHERS Only OneReleased in time for their DEPECHE MODE support tour in Europe, ‘Wild Love’ was far more dance-oriented than anything FEATHERS attempted on their debut album ‘If All Now Here’. While a heavy beat dominated, the essential component of a song remained, building to a suitably epic chorus providing that euphoric lift. The gated trance elements in the second chorus were a particular highlight, especially when backed by a screeching falsetto counterpoint. But just as it got going, it faded out!

Available on the download EP ‘Only One’ via http://feathers.bandcamp.com/album/only-one

http://www.feathers.fm/


GAZELLE TWIN Exorcise

GAZELLE TWIN Unflesh artThe moniker of Elizabeth Bernholz, GAZELLE TWIN has acquired an impressive host of admirers including JOHN FOXX, GARY NUMAN and CLINT MANSELL. Her second album ‘Unflesh’ has allowed the Brighton based songstress to extract her demons with some artistic violence. One of the highlights ‘Exorcise’ was an impressively aggressive cross between PINK FLOYD’s ‘One The Run’ and KRAFTWERK’s ‘Home Computer’. Its uneasy resonance was aided by Bernholz’s harsh, deadpan commentary.

Available on the album ‘Unflesh’ via Anti-Ghost Moon Ray

http://www.gazelletwin.com/


GIRL ONE & THE GREASE GUNS No Longer Spellbound

GIRLONE-no-longer-spellboundThis mysterious combo with their lo-fi noise and motorik beats have revealed a series of energetic singles over the past two years including ‘Jessica 6’, a frantic salvo sounding like THE PIPETTES fronting an OMD assisted JOY DIVISION. But GIRL ONE & THE GREASE GUNS revealed a much softer side with ‘No Longer Spellbound’. With its beautiful atmospheric quality smothered in icy synth strings and grainy vox samples, if ‘Twins Peaks’ had been set in The Lake District, then the theme tune might sound a like this.

Available on the download EP ‘No Longer Spellbound’ via Squirrel Records

http://www.squirrelrecords.co.uk/girl-one-and-the-grease-guns/


HERCULES & LOVE AFFAIR feat JOHN GRANT I Try To Talk To You

HERCULES & LOVE AFFAIR I Try To Talk To YouImagine Jim Morrison getting it on down at The Danceteria circa 1982! ‘I Try To Talk To You’ featuring the expansive baritone vocals of JOHN GRANT combined the best of classic New York electro disco and grand piano theatrics with an emotively soulful vocal. The courageous lyrics found Grant recalling when he discovered he was HIV positive. “I asked John to dig deep with his lyrical contribution” recalls HERCULES & LOVE AFFAIR mainman Andy Butler, “I had no idea he would dig so deep”.

Available on the album ‘The Feast Of The Broken Heart’ via Moshi Moshi

http://herculesandloveaffair.net/

http://johngrantmusic.com/


HUGH I Can’t Figure You Out

HUGH_ART_APPROVED‘I Can’t Figure You Out’ sounds like another product of Scandinavia but in fact, HUGH hail from South London. The captivating, naive lead vocal from Izzy Brooks states “you know just how I feel” as she makes handle with care pleas like “don’t toy with me” and “careful with my heart” while the intensity builds like a pressure cooker. And this is all before a time signature change and some frustrating despair is released with her spirited jazzy refrain of “No, I can’t figure you out!” Now, who hasn’t been here before?

Available on the download EP ‘I Can’t Figure You Out’ via Hughlovehugh

http://hughmusic.co.uk/


IAMAMIWHOAMI Hunting For Pearls

iamamiwhoami-Hunting-for-Pearls-2014-300x300IAMAMIWHOAMI, the electronic multimedia project fronted by Jonna Lee and produced by Claes Björklund returned with their second opus ‘Blue’. ‘Hunting For Pearls’ featured wonderfully pulsing sequences and trancey atmospheres, coupled with a beautifully rich vocal from Lee. With a mysterious falsetto reach, the air may be cold outside but inside, things are warm. If KATE BUSH made a modern electronic dance record at ABBA’s Polar Studios, it would probably sound like this.

Available on the album ‘Blue’ via towhomitmayconcern

http://www.towhomitmayconcern.cc/


I AM SNOW ANGEL Let Me Go

iamsnowngel_360Deep from within the Adirondack Mountains comes the beautifully gentle electronica of I AM SNOW ANGEL. The self-produced vehicle of singer / songwriter Julie Kathryn, the music evokes images of icy landscapes and crystalline hydro basins. The best track from her debut EP, ‘Let Me Go’ is rich in understatement and a Nordic styled tour de force swathed in melancholy, full of dreamy escapism. The full length album ‘Crocodile’ released in the Autumn did not disappoint either with its quietly subversive nature.

Available on the download EP ‘I Am Snow Angel’ via Amazon

http://iamsnowangel.com/


KID MOXIE Lacuna

Kid-Moxie-1888With a breathier, more continental direction towards cinematic pop, The Kid effectively grew up with her second album ‘1888’. KID MOXIE’s widescreen soundscapes and dreamy demeanour saw a much more focussed work. ‘Lacuna’ means “an empty space” yet this song is filled with an enigmatic mystery as Elena Charbila applied some of the je nais se quoi first piloted on 2008’s ‘La Romance D’Hiver’ to the drifting, almost abstract electronic soundscape… and then there’s the pretty isolated piano ending!

Available on the download album ‘1888’ via Undo Records

http://www.facebook.com/kidmoxie


KLEERUP featuring SUSANNE SUNDFØR Let Me In

Having delivered one of the best synth based debut albums in recent years, any new KLEERUP recording now lives with a high degree of expectation. ‘Let Me In’ featuring SUSANNE SUNDFØR, who voiced several tracks on RÖYKSOPP’s ‘The Inevitable End’ album, came over like KARIN PARK if she had joined latter day ROXY MUSIC. Retaining the original appeal of KLEERUP’s debut, ‘Let Me In’ was brilliantly classic and yet modern with its more organic template and even funky template.

Available on the download EP ‘As If We Never Won’ via Warner Music

http://kleerup.net/


MACHINISTA Pushing The Angels Astray

Xenoglossy_coverMACHINISTA’s pairing of John Lindqwister and Richard Flow specialise in synthpop with a rock’n’roll edge. Their best offering from their debut album ‘Xenoglossy’ was the schaffel propelled ‘Pushing The Angels Astray’. Despite discussing the spectre of immortality, the sombre aura was balanced with a marvellous melodic line and fabulous chorus like ALPHAVILLE in their prime. The Nordic region continually shows how electronic music is done and many could do a lot worse than to observe how MACHINISTA go about their craft.

Available on the download album ‘Xenoglossy’ via Juggernaut Music Group

http://www.machinistamusic.com/


MARNIE Wolves

marnie_wolves_rsReleased in the week of the Scottish Independence Referendum, MARNIE’s ‘Wolves’ was an appropriately soaring anthem “for anyone that doesn’t believe in sticking with the status quo, for anyone who has the heart to try and make a difference”. Certainly, the positive response she received for her debut long player ‘Crystal World’ and a return to her homeland has no doubt inspired her own independence. But with MARNIE due to release a second solo album in 2015, what does this all mean for LADYTRON?

Available as a download single via Les Disques du Crépuscule

http://www.helenmarnie.com


METROLAND Thalys

thalys‘Trans Europe Express’ 21st Century style as Belgium’s favourite passengers METROLAND embarked on a maroon coloured rail journey through France and Germany via the Benelux basin on ‘Thalys’. The full length 11 minute version rhythmitised metal on metal while there were also London, Paris and Düsseldorf edits in this musical tie-in with the Thalys high speed train operator.

Available on the download EP ‘Thalys (London)’ via Alfa Matrix

http://www.metrolandmusic.com/


NIGHT CLUB She Wants To Play With Fire

NIGHT CLUB Black Leather Heart_Cover_finalFrisky vocalist Emily Kavanaugh and moody producer Mark Brooks began writing songs as NIGHT CLUB with the goal of creating dark – yet commercially accessible – synthpop. Developing on the Britney gone electro goth sound of their glorious 2013 single ‘Poisonous’, ‘She Wants To Play With Fire’ treaded on the darker, sleazy side of life and dysfunctional relationships with Kavanaugh out to take on her demented love rival.

Available on the download EP ‘Black Leather Heart’ via Gato Blanco

http://www.nightclubband.com


KARIN PARK Look What You’ve Done

KARIN PARK Look What You've DoneIssued as a trailer for her new album ‘Apocalypse Pop’, ‘Look What You’ve Done’ is a feisty development of ‘Restless’ from KARIN PARK’s previous album ‘Highwire Poetry’. Wrestling within a fiery glam schaffel and a catchy chorus like an angry GOLDFRAPP, with THE KNIFE venturing into more uncompromising climes, the ‘other’ Karin ably fills the void now left vacant by the Drejers in avant pop. ‘Look What You’ve Done’ is a fine example of the Swede’s ambition to fit into both pop and experimental worlds.

Available as a download single via State Of The Eye Recordings

http://www.karinpark.com/


PAWWS Give You Love

pawws-sugarWith LITTLE BOOTS having gone dance and LA ROUX veering away from synthpop, there is now a vacancy for a new kooky homegrown female synth talent. One of the possible candidates is PAWWS, otherwise known on her passport as Lucy Taylor. She has labelled her music “upsetting disco” and ‘Give You Love’ lives up to that description. Certainly those who prefer their music with rough edges and are averse to female fronted synthpop will have their touch paper lit even further with this exquisite pop number.

Available on the download EP ‘Sugar’ via Best Fit Recordings

https://www.pawwsmusic.co.uk


HANNAH PEEL Fabricstate

HannahPeel-FabricstateSince playing with JOHN FOXX, HANNAH PEEL’s own music has used more electronics alongside her beloved violin, musicbox, piano and trombone. ‘Fabricstate’ starts as a beautiful understated number before being bolstered by an unexpected but amazing whirring synth solo around a series of percussive clusters. When the warmth of the synthesizer is exploited and coupled with a classically trained background, the hybrid can result in a quietly subversive organic and technological fusion.

Available on the download EP ‘Fabricstate’ via My Own Pleasure

http://www.hannahpeel.com


FIFI RONG Next Pursuit

FifiRong-nextpursuitOne musician taking electronic music into some intriguing fusions is Beijing born FIFI RONG. ‘Next Pursuit’ crosses the vocal mystery of KELLI ALI and the quirkiness of MOLOKO while throwing in a touch of LANA DEL REY and MAZZY STAR too. Crucially, the intriguingly soulful ‘Next Pursuit’ also adds in rhythmical variation as the rhythms click into action during the higher register vocal refrains while the verses are held together with a smokey allure.

Available on the download EP ‘Next Pursuit’ via Ditto Music

http://www.fifirong.com


ROBYN & RÖYKSOPP Monument (The Inevitable End Version)

ROYKSOPP ROBYNEdited and rethought for ‘The Inevitable End’ album, ‘Monument’ was originally a spacey 10 minute epic now tightened to a more bite size and dare one say it, more enjoyable format sans saxophone over a hypnotic two chord structure. As usual, ROBYN’s vocals are edgy and nonchalant while RÖYKSOPP’s electronic soundtrack ably hit the spot with its energized octave-jumping bassline.

Available on the album ‘The Inevitable End’ via Dog Triumph / Cooking Vinyl

http://royksopp.com/

http://robyn.com/


SIN COS TAN Love Sees No Colour

SIN COS TAN Love SeeWith their third album in as many years, Finnish duo SIN COS TAN went the concept album route for ‘Blown Away’, a midlife crisis story of a man who becomes a drug courier and goes on a journey of excess, fast money and hedonism. First single ‘Love Sees No Colour’ dressed NEW ORDER’s love technique in an OMD stylee with the result being a kaleidoscopic tune that managed to mix sunshine with melancholy.

Available on the album ‘Blown Away’ via Solina Records

http://sincostan.net/


SUSANNE SUNDFØR Fade Away

Susanne Sundfør - fade awayThe Nordic vocalist of the moment has to be SUSANNE SUNDFØR who has worked with M83 and KLEERUP. But she is probably best known for her work with fellow Norwegians RÖYKSOPP. Propelled by a pulsing electronic backbone, ‘Fade Away’ from Sundfør’s forthcoming album ‘Ten Love Songs’ sees her in rousing form with a tune that at times sounds almost like Scandinavian gospel. Meanwhile, a fabulous synth solo gets thrown into the bargain too.

Available as a download single via Sonnet Sound / Kobalt

http://susannesundfor.com/


TRUST Peer Pressure

Rescue, Mister TrustOne act establishing themselves in 2014 were TRUST from Toronto. Led by the polarising “Eeyore gone goth” moodiness of Robert Alfons, the ironically titled ‘Joyland’ was a excellent second album that captured the sleazy nature of a 21st Century SOFT CELL and attached it to the grumpiness of LEONARD COHEN. ‘Peer Pressure’ was a frantic but funky uptempo number featuring Alfon’s trademark vocal pitch shift technique that proved misery and dancing could actually go together.

Available on the album ‘Joyland’ via Arts & Crafts

http://ttrustt.com/


TWINS NATALIA Set Love Free

TWINS NATALIA The Destiny RoomTouchingly melancholic with classic Weimar Cabaret melodies and vibrant Kling Klang interplay, TWINS NATALIA conjured up memories of holiday romances with pretty German frauleins and flirty French mademoiselles. Debut long player ‘The Destiny Room’ was many years in the making and did not disappoint. With the PET SHOP BOYS styled neo-orchestrated statement of ‘Set Love Free’, the song theatrically climaxed like a pomped up ‘Rent’ as a wonderful slice of joie de vivre to finish the main act.

Available on the album ‘The Destiny Room’ via Anna Logue Records

http://twinsnatalia.blogspot.de/


MIDGE URE Dark, Dark Night

MIDGE URE fragileWhile the romantically uptempo ‘Become’ was inevitably the focal point of MIDGE URE’s ‘Fragile’ album, there were other songs that were easily its equal. The most notable of these was ‘Dark, Dark Night’, an online collaboration with MOBY. Though derived from ‘Rockets’ on MOBY’s ‘Destroyed’ opus, Ure exploited the original’s rich symphonic string sounds and chilled vibes. Building to an amazing climax with melodic screeches and a tremendous guitar solo from Ure, this was a partnership made in heaven.

Available on the album ‘Fragile’ via Hypertension Music

http://www.midgeure.co.uk/


VILE ELECTRODES Pandora’s Box

VILE ELECTRODES Pandoras BoxVILE ELECTRODES capitalised on their profile from supporting OMD’s German tour in 2013 by snaring prestigious Schallwelle Awards for Best International Act and Best International Album for their debut ‘The future through a lens’. ‘Pandora’s Box’ was an excellent previously unreleased song full of wobbling analogue vigour that initially came with the lavish ‘Pack Of Wolves’ three CD package and set the scene for a much anticipated follow-up long player.

Available on the download EP ‘Empire Of Wolves’ via http://vileelectrodes.bandcamp.com/

https://www.facebook.com/vileelectrodes


WRANGLER Lava Land

WRANGLER-LaSparkWRANGLER’s manifesto is to harness “lost technology to make new themes for the modern world”. And their signature track is ‘Lava Land’, a superb cross between CABARET VOLTAIRE and prime ‘Metamatic’ era JOHN FOXX but with a modern twist. Stephen Mallinder’s voice manipulations range from demonic gargoyle to stern drowning robot. The frantic pace is strangely danceable, but the mood is distinctly unsettling and dystopian when the screeching steam powered Logan string machine kicks in.

Available on the album ‘LA Spark’ via MemeTune

https://www.facebook.com/mallinderbengewinter


Text by Chi Ming Lai
Wasp photo by Chi Ming Lai
15th December 2014

KARIN PARK + MARGARET BERGER Launch New Singles at Melodi Grand Prix

Scandipop songstresses KARIN PARK and MARGARET BERGER appeared together for a joint performance at Norway’s Melodi Grand Prix, the country’s selection vehicle for the Eurovision Song Contest.

MARGARET BERGER was last year’s entry with the DEPECHE MODE influenced ‘I Feed You My Love’ and came a respectable fourth place although ultimately, it deserved to win. The song was co-written by KARIN PARK so the reunion of the pair was an apt occasion as Norway planned their next Eurovision assault.

Their marvellous duet on ‘I Feed You My Love’ was preceded by a medley of Park and Berger’s brand new singles.

Appearing with her metalhead brother David on drums, KARIN PARK’s latest offering ‘Look What You’ve Done’ is a fine development of ‘Restless’ from her last album ‘Highwire Poetry’.

Wrestling within a punchy glam schaffel, the fact that Park can appear on as mainstream a show as Eurovision while experimenting with the more leftfield side of electronic music shows that with THE KNIFE venturing into more uncompromising climes, the other Karin could fill the void now left by the Drejers in avant pop. Having already released the more esoteric ‘Shine’ to launch the campaign for her new album, ‘Look What You’ve Done’ is a key indicator of KARIN PARK’s ambition to fit into both pop and experimental worlds.

Meanwhile, ‘Scream’ sees the launch of ‘New Religion’, MARGARET BERGER’s first album since 2006’s ‘Pretty Scary Silver Fairy’. The one-time victor of Norwegian Idol effectively relaunched her career with ‘I Feed You My Love’ so her third long player is eager anticipated. ‘Scream’ sees her continuing the sub-ROBYN template of her Eurovision smash.

In a style which is leftfield by mainstream standards, ‘Scream’ possesses an inherent industrialised darkness away from her previously more overtly commercial leanings on songs such as the perfect melancholic pop of ‘Will You Remember Me Tomorrow?’. Whatever, this is an approach to quality pop that sets itself apart.


margaret-berger-screamKARIN PARK ‘Look What You’ve Done’ is available via State Of The Eye Recordings

MARGARET BERGER ‘Scream’ is available via Macho Records

http://www.karinpark.com/

http://www.margaretberger.com/


Text by Chi Ming Lai
22nd March 2014

The Electricity Club’s 30 SONGS OF 2013

In one of the most productive years ever for electronic pop music, The Electricity Club has found it extremely difficult to whittle down the list to 30 songs.

The standard has been extremely high and songs which would have made the listing in previous years have been left off. This has meant the controversial omission of DEPECHE MODE.

Despite being as popular as ever, grossing over $99 million during the ‘Delta Machine’ tour, once a shortlist for 2013 was drawn, the competition was so stiff that nothing from the album even scraped in!

Yes, 2013 has been that good and wonderful songs by the likes of KELLI ALI, ELEVEN:ELEVEN, GAZELLE TWIN, GHOST CAPSULES, GOLDFRAPP, HANNAH PEEL, IAMX, KOVAK, MOBY, NIGHT ENGINE, NINE INCH NAILS, SAY LOU LOU, and SOFT METALS have just missed inclusion too!

So the songs on this alphabetical list have been released in physical formats, or digitally as purchasable or free downloads during the calendar year with a limit of one song per artist moniker. Thus, the glorious doom fest of ‘Gloryhole’ by TR/ST (which has been on regular rotation at TEC HQ in 2013) has also been excluded as it came out in early 2012!! Despite TEC’s efforts to bring the best in new electronic pop, occasionally we rather embarrassingly miss the boat 😉


ADULT. Idle (Second Thoughts)

ADULT-TWTFallThe new ADULT. album ‘The Way Things Fall’ was fittingly described by one observer as “a snuff film version of Speak & Spell”. The fears of relationships and the outside world have very much fuelled the dystopian demeanour of ADULT. While still retaining their distinctive edge, their mutant love songs have a magnetic charm. This was particularly evident on the fabulous single ‘Idle (Second Thoughts)’, a vibrant electro hybrid of GINA X PERFORMANCE and SIOUXSIE & THE BANSHEES which showcased a strange blend of menace and melody.

Available on the album ‘The Way Things Fall’ via Ghostly International

http://adultperiod.com/


ANALOG ANGEL We Won’t Walk Away

ANALOG ANGEL PrideMoving away from the industrial battleground in which they made their name, ANALOG ANGEL began the year with the enjoyably immediate ‘We Won’t Walk Away’, a laudable tribute to OMD’s classic ‘Organisation’ era. Complete with primary chord structures, one-fingered melodies and motorik rhythm programming, there was even a hint of the dulcet tones of Andy McCluskey in John Brown’s vocal. But just one thing though… Paul Humphreys wants his Prophet 5 back 😉

Available on the download EP ‘Pride’ via Carbon 12 Records

http://www.analog-angel.com/


KARL BARTOS Without A Trace Of Emotion

‘Without A Trace Of Emotion’ saw KARL BARTOS conversing with his showroom dummy Herr Karl and confronting his demons as an ex-member of the world’s most iconic electronic group. The most straightforward pop song on the ‘Off The Record’ album, its autobiographical resignation was not unlike ‘Life’ from ‘Communication’. But whereas his former colleague Wolfgang Flür vented his spleen in book form with ‘I Was A Robot’, Bartos took a more ironic musical approach with the line “I wish I could remix my life to another beat”, a wry reference to ‘The Mix’ project which drove him to madness and out of Kling Klang!

Available on the album ‘Off The Record’ via Bureau B

http://www.karlbartos.com/


BEF feat DAVID J ROCH Same Love

bef_darkThe concept of BEF’s ‘Music Of Quality & Distinction Vol3 – Dark’ is dark interpretations of perceivably upbeat songs using a variety of guest vocalists. One of the beauties of this type of project is how seemingly incongruous elements are fused together for a blissful whole. Here, melodramatic Sheffield singer/songwriter DAVID J ROCH tackles BILL WITHERS’ ‘Same Love’ via Martyn Ware’s wonderful arrangement blending a neo-acapella intro into a meaty electro-disco tune with spacey whistles and haunting invader games like GIORGIO MORODER producing SPACE’s ‘Magic Fly’.

Available on the album ‘Music of Quality & Distinction Vol3 – Dark’ via Wall Of Sound

http://www.britishelectricfoundation.com


MARGARET BERGER I Feed You My Love

margaret bergerCo-written by Swedish electro songstress KARIN PARK, Norway’s Eurovision Song Contest 2013 entry came fourth. ‘I Feed You My Love’ was like ROBYN and KELLY CLARKSON fronting ‘Songs Of Faith & Devotion’ era DEPECHE MODE. In fact, its performer MARGARET BERGER came second in the 2004 series of Norwegian Idol so the description was quite apt. The on-paper incongruous outcome was leftfield by Eurovision standards but perhaps not entirely shockingly, it got nul points from the United Kingdom; it summed up mainstream tastes in the UK and the country’s general Euro scepticism if nothing else!

Available as a download single via Macho Records

http://www.facebook.com/pages/Margaret-Berger/101820056564427


CHVRCHES The Mother We Share

CHVRCHES The Mother We ShareThe saviours of synthpop had an amazing year with sold out club shows and five dates supporting DEPECHE MODE in Europe. CHVRCHES‘ most accessible track ‘The Mother We Share’ was synthpop perfection with the concept of TAYLOR SWIFT gone electro having uprooted to Berlin. It deservedly scooped Popjustice’s Twenty Quid Music Prize for best UK single. Despite its wonderfully catchy chorus, it was not wholly bubblegum with its plethora of futuristic sounds and strange noises! Lauren Mayberry, Iain Cook and Martin Doherty delivered on their promise with an impressive debut album ‘The Bones Of What You Believe’, save the two incongruous indie synth numbers sung by Doherty!

Available on the album ‘The Bones Of What You Believe’ via Virgin Records

http://www.chvrch.es/


ELECTRONIC CIRCUS Roundabout

ELECTRONIC CIRCUS RoundaboutELECTRONIC CIRCUS are led by Chris Payne, the keyboard and viola virtuoso who was a member of GARY NUMAN’s band between 1979 to 89 and featured prominently on the Top10 single ‘Complex’. He notably co-wrote ‘Fade To Grey’ which became a huge international hit for VISAGE. With his adopted home surroundings very much the backbone of ‘Roundabout’, the track itself possessed a sexy and authentic Gallic charm, courtesy of Chris’ wife Dominique. The exquisite, almost naïve vocals over the most incessant synth riff either had listeners dancing with delight or irritated to the point of submission… the seemingly banal words were actually a very clever metaphor for midlife!

Available as a download single via Coverdrive Records

http://www.electronic-circus.com


FEATHERS Land Of The Innocent

feathers_land_of_the_innocentIt had to happen and the world found its female DEPECHE MODE! Led by vocalist / songwriter / programmer Anastasia Dimou, the sound was probably more like post-apocalyptic BANGLES or BELINDA CARLISLE with gothic overtones in hindsight. The first single ‘Land Of The Innocent’ was a wondrous epic based around the arpeggio of ‘Ice Machine’ and driven by a hard incessant beat. Possessing an industrial gloom with an enlightening pop sensibility, it was what LADYTRON would have sounded like if they had formed in a Texan desert rather than spectre of Merseyside!!

Available on the album ‘If All Now Here’ via http://feathers.bandcamp.com/

http://www.feathers.fm/


FOTONOVELA feat MIRRORS Our Sorrow

FOTONOVELA Our SorrowNot content with producing MARSHEAUX and collaborating with OMD on ‘Helen Of Troy’, Greek production duo FOTONOVELA unveiled a new sophomore opus which was more song based using a number of prominent international vocalists. One of the numbers ‘Our Sorrow’ featured the majestic voice of James New from the missing-in-action MIRRORS. The string synth laden ditty was in the vein of classic OMD and with the South Coast combo calling it a day in 2013, this was a fitting way to depart The Hall Of Mirrors.

Available on the album ‘A Ton Of Love’ via Undo Records

http://www.facebook.com/undofotonovela

http://www.facebook.com/theworldofmirrors


JOHN FOXX & JORI HULKKONEN Evangeline

JOHN FOXX and JORI HULKKONEN had worked together previously but never before on a body of work with a conceptual theme. Their latest collaboration took on a grainier downtempo template and the lead track ‘Evangeline’was all the more beautiful for it. Full of depth, coupled with an anthemic chorus and vibrant exchange of character throughout, this rousing yet soothingly futuristic number was quite otherworldly. The title of the parent EP said it all…

Available on the EP ‘European Splendour’ via Sugarcane Records

http://www.metamatic.com/

http://www.jorihulkkonen.com


GIRL ONE & THE GREASE GUNS Jessica 6

GIRL ONE AND THE GREASE GUNS - JESSICA 6Nobody really knows for sure who are GIRL ONE & THE GREASE GUNS but names like Sissy Space Echo, Warren Betamax, Charles Bronson Burner and Bruce LeeFax are commensurate with their manifesto “to thrive on causing confusion with a mixture of pure synth pop and more experimental electronic sounds”. ‘Jessica 6’ is a tribute to the cult Sci-Fi favourite ‘Logan’s Run’. The eerie post-punk cacophony laced with icy Yamaha string machine makes it the perfect belated choice for the soundtrack. Add in a frantic reverbed backbeat and it all comes over like THE PIPETTES fronting collaboration between JOY DIVISION and OMD.

Available as a download single via Squirrel Records

http://www.squirrelrecords.co.uk/girl-one-and-the-grease-guns/


GOLDFRAPP Thea

From a long player with distinctly orchestrated and acoustic overtones, ‘Thea’ was the most overtly electronic song on ‘Tales Of Us’. Alison Goldfrapp’s vocal soared angelically, surrounded by very subtle synthetic dance textures and layers of percussive craft. While the beat was mechanical, it didn’t sound out of place on the very organic parent album.

Available on the album ‘Tales Of Us’ via Mute Records

https://www.goldfrapp.com


KID MOXIE The Bailor

kid moxie-the bailorKID MOXIE is the musical vehicle of Los Angeles based Elena Charbila. Her first full length album ‘Selector’ was bolstered by a MARSHEAUX remix of its best song ‘Medium Pleasure’. Always sounding her best when adopting a breathy continental vocal style, Elena Charbila recorded possibly her best song yet as KID MOXIE with ‘The Bailor’, a dreamy and sexy tunes that glistened in the Aegean Sea. The Wayfarer remix of the song was also issued later in the year in aid of The David Lynch Foundation .

Available as a download single via Kid Moxie

http://www.facebook.com/kidmoxie


MARNIE The Hunter

LADYTRON’s Helen Marnie released her long awaited debut solo album ‘Crystal World’ in the summer. Recorded in Iceland, it suitably captured the island’s beautifully relaxed but volatile atmosphere. Its opening track ‘The Hunter’ was a tremendous calling card and the vibrant electropop single that LADYTRON never quite got round to releasing. Very pretty and delectably glacial, the tune was vocally and musically expansive like an Arctic escapist fantasy, melancholic but free of doom.

Available on the album ‘Crystal World’ via Les Disques Du Crespuscle

http://www.facebook.com/helen.marnie.official


MARSHEAUX August Day

marsheaux_cover-inhaleMARSHEAUX’s fourth album ‘Inhale’ had been a long time coming. And it appeared as though the Greek financial crisis had loomed heavy over its making, resulting in moodier, midtempo numbers taking centre stage. ‘August Day’ though was a grower, developing on the maturer outlook apparent on the album’s concept, with a hint of CHVRCHES’ steadier paced output. Less immediate but overwhelmingly dreamy, it captured the senses after multiple listens.

Available on the album ‘Inhale’ via Undo Records

http://www.marsheaux.com


MESH The Way I Feel

MESH Automation BabyMESH’s founders Mark Hockings and Richard Silverthorn know their audience so the lattice of danceable electro-rock continued on their best album yet ‘Automation Baby’. But the beautiful ‘The Way I Feel’ showed a more sensitive side with hints of Ennio Morricone. Shaped by acoustic guitar and string machine washes, the atmospheric maturity that MESH were now showcasing was a welcome surprise.

Available on the album ‘Automation Baby’ via Dependent

http://www.mesh.co.uk/


MONARCHY feat DITA VON TEESE Disintegration

Monarchy_Dita_Von_TeeseMONARCHY’s ‘Disintegration’ featured the sexy burlesque queen DITA VON TEESE on vocals. With its vampish disco crashing into elements of GIORGIO MORODER, it sounded like the SCISSOR SISTERS gone right and even threw in a few VISAGE frequency warbles! ‘Disintegration’ was a rather excellent, stomping floor filler of the first degree with some hook laden energy and cooing feline appeal.

Available as a download single via Hacan Sound

http://www.monarchysound.com/

http://www.dita.net/


GIORGIO MORODER Racer

giorgio-moroder-racer-1GIORGIO MORODER is now 73 years old but is as vital as ever having produced the dance track of the year! Commissioned by Google Chrome for their online game ‘Racer’, the piano line was like ULTRAVOX reworked for Studio 54 while the whirring synths and trancey elements made it come over like history of modern electronic dance music squashed into 4 minutes. But as these ideas were mostly borrowed from Da Maestro himself, it was now his time to grab it all back. Moroder easily rivalled any young hopeful with a set of double decks and a laptop.

Available as a free download single via Google Play

http://www.moroder.net/


ALISON MOYET Changeling

AlisonMoyet-changelingALISON MOYET made a return to the electronic experimentation that made her famous as one half of YAZOO on her new album ‘the minutes’. With contemporary synthesized backing over a powerful rhythm construction and stuttering guitar textures courtesy of new collaborator Guy Sigsworth, Moyet’s deep emotional vocal resonated on ‘Changeling’ with a confidence and energy that dispelled the public’s perception of her as just a jazz singer!

Available on the album ‘the minutes’ via Cooking Vinyl.

http://www.alisonmoyet.com


NIGHT CLUB Poisonous

NIGHT CLUB Love CaSUALTYPositively feline but dysfunctionally dark like Britney gone emo, NIGHT CLUB‘s cutely subversive ‘Poisonous’ based itself, like STEFY’s lost 2007 single ‘Chelsea’, around the riff of ‘Sweet Dreams (Are Made of This)’. This superb slice of catchy electronic pop from the LA combo of Emily Kavanaugh and Mark Brooks roused with a huge crossover potential while possessing a sinister edge.

Available on the download EP ‘Love Casualty’ via Gato Blanco

http://nightclubband.com


NOBLESSE OBLIGE Hotel California

NOBLESSE OBLIGE are French theatrical performer Valerie Renay and German producer Sebastian Lee Philipp who specialise in a brand of abstract Weimer cabaret tinged with a dose of electro Chanson. NOBLESSE OBLIGE’s lengthy funereal deadpan cover of THE EAGLES’ ‘Hotel California’ highlights the chilling subtext of the lyrics to its macabre conclusion! The synthesizer interpretation of the original song’s iconic twin guitar solo will either be seen as total genius or sacrilege!

Available on the album ‘Affair Of The Heart’ via Repo Records

http://www.noblesseoblige.co.uk/


GARY NUMAN Who Are You?

LOW-RES Gary Numan - Splinter - album artwork FINAL (2)‘Who Are You?’ is one of those great uptempo anthemic songs in the vein of ‘Listen To My Voice’ from 2000’s ‘Pure’ that confirms when GARY NUMAN hits the target, he hits bulls-eye! Written for a film about a musician with schizophrenic personality, it fitted well with the parent album ‘Splinter’ and its ‘Songs From A Broken Mind’. The album wasn’t just one-dimensional riff monsters and the varied material was some of Numan’s best work for years.

Available on the album ‘Splinter (Songs From A Broken Mind)’ via Mortal Records / Cooking Vinyl

http://www.numan.co.uk


OMD Stay With Me

OMD-English-ElectricThe standard of ‘English Electric’ was so high that any one of its song based tracks could have made the list. But ‘Stay With Me’ just gets the nod as the album’s hidden gem. The first Paul Humphreys lead vocal for OMD since 1986’s ‘Forever Live & Die’, the song was originally demoed as ‘Idea 3’ and voiced by Andy McCluskey. Ever the master of melody and inspired by events around him, Humphreys reworked it into a more straightforward love song but added a beautiful cinematic resonance. Indeed, it comes over a bit like ‘Love Theme From St Elmo’s Fire’ meets ‘Souvenir’ with subtle lashings of white noise!

Available on the album ‘English Electric’ via BMG

http://www.omd-messages.co.uk/english-electric-in-profile/


PET SHOP BOYS Fluorescent

pet-shop-boys-electric“Incandescent…”; yes the hypnotic ‘Fluorescent’ was basically a buzzy dancefloor makeover of ‘Fade To Grey’ with the chilling Polymoog string preset from VISAGE’s original remaining in the mix while waves of synth sirens attacked it like a Martian invasion. The parent album was ‘Electric’ by name and electric by nature, and easily the PET SHOP BOYS‘ best body of work since ‘Very’. It more than made up for 2012’s lame duck ‘Elysium’…

Available on the album ‘Electric’ via X2 / Kobalt Records

http://www.petshopboys.co.uk


QUEEN OF HEARTS United

A stomping electro disco number produced by Mark Reeder who previously has remixed JOHN FOXX, DEPECHE MODE and PET SHOP BOYS, QUEEN OF HEARTS‘ cooing Bush-like howls and breathy euphoria are a total delight to the ears while the mighty cavernous sound provides the heat! Yet ‘United’ has ended up as the B-side of the less satisfactory ‘Secret’. However, if songs like this are being seen as outtakes, this is all a good sign for her debut album in 2014 which is eagerly awaited…

Available on the download EP ‘Secret’ via Night Moves

http://iamqueenofhearts.com/


REPUBLICA Christiana Obey (TENEK remix)

Originally, written by Saffron with noted producer Andy Gray, ‘Christiana Obey’ had been doing the airplay rounds in 2012 but finally secured a formal release to coincide with REPUBLICA’s touring comeback this year. With its suitably big chorus, Saffron was on good anthemic form while a meaty remix from TENEK enhanced the song even further and made it ready to go!

Available on the EP ‘Christiana Obey’ via Republica Music

http://www.republicamusic.co.uk/


POLLY SCATTERGOOD Wanderlust

Wanderlust-PSPOLLY SCATTERGOOD made her debut in 2009 with a self-titled album released on the iconic Mute Records. With key influences such as BJORK and KATE BUSH, it combined jubilant experimental pop with her innocent, affected vocals. From her second album ‘Arrows’, ‘Wanderlust’ realised her potential with a slice of deliciously wired avant pop in the GOLDFRAPP vein, although closer scrutiny revealed it to be more like electronic COCTEAU TWINS with that rousing air of fragility.

Available on the album ‘Arrows’ via Mute Artists

http://www.pollyscattergood.com/


SIN COS TAN Moonstruck

SIN COS TAN afterlifeThe Finnish duo of Juho Paalosmaa and Jori Hulkkonen swiftly followed up their acclaimed eponymous debut of 2012 with ‘Afterlife’. Hulkkonen told The Electricity Club back in 2011 that it was being a fan of PET SHOP BOYS that inspired him to make music. ‘Moonstruck’ is a fine melancholic beat ballad in the Tennant/Lowe tradition where Paalosmaa’s emotive lost boy demeanour blends wonderfully with the sweeping drifts and building swathes of synth strings. It is also possibly the best song of its type that Neil and Chris never recorded.

Available on the album ‘Afterlife’ via Solina Records

http://sincostan.net/


VILE ELECTRODES Damaged Software

The Future Through A LensLike ‘Twin Peaks’ meets ORBITAL, ‘Damaged Software’ was an enticing piece of electro from Anais Neon and Martin Swan which affirmed their status as Britain’s premiere independent synth duo. With a tour supporting OMD in Germany where they encountered the likes of Karl Bartos and Wolfgang Flür backstage, their vile adventure of meeting former KRAFTWERK members continued when they shared the bill with Michael Rother at Elektrofest. Three years in the making, the parent album ‘The future through a lens’ was well worth the wait.

Available on the album ‘The future through a lens’ via https://vileelectrodes.bandcamp.com/album/the-future-through-a-lens

http://www.vileelectrodes.co.uk


WESTBAM feat RICHARD BUTLER You Need The Drugs

Westbam-you-need-the-drugs-coverTechno DJ WESTBAM celebrated 30 years in the music business with an intriguing mature collection of songs under the title of ‘Götterstrasse’. While the theme of the album centred on the joy and euphoria of underground nightlife, the album’s magnificent launch single ‘You Need The Drugs’ was not actually a celebration of illicit substance use. Voiced brilliantly by THE PSYCHEDLIC FURS’ Richard Butler, WESTBAM himself said it was “the first explicit electronic appeal AGAINST the use of drugs with a clear message: drugs are a bore!”. From a brilliant album that also featured vocalists as diverse as Iggy Pop, Bernard Sumner, Brian Molko, Lil’ Wayne and Kanye West, ‘Götterstrasse’ was the surprise electronic release of the year.

Available on the album ‘Götterstrasse’ via Warner Music Germany

http://www.westbam.de/dt/en/


Text by Chi Ming Lai
16th December 2013

MARGARET BERGER I Feed You My Love

Electro songstress KARIN PARK has co-written a song that is in the running to be Norway’s Eurovision Song Contest 2013 entry… and it’s a goody, UK entries are NEVER like this!!!

‘I Feed You My Love’ could be best described as ROBYN and KELLY CLARKSON meeting ‘Songs Of Faith & Devotion’ era DEPECHE MODE.

In fact, its performer MARGARET BERGER came second in the 2004 series of ‘Norwegian Idol’ so the description is quite apt.

Yes, the song veers a bit on the rock side but the melody is strong… very important for capturing those pan-European ears. KARIN PARK’s collaborators on ‘I Feed You My Love’ are Robin Lynch and Niklas Olovson who have worked under the moniker of MACHOPSYCHO with Pink, Jessica Simpson, Natalie Imbruglia and The Backstreet Boys.

The on-paper incongorous partnership has produced an unusual (by mainstream standards) but wonderful song blend that has reached the 2nd semi-final of Melodi Grand Prix, Norway’s Eurovision song selection vehicle. It will be broadcast tonight, 26th January 2013 on NRK.


‘I Feed You My Love’ is released by Macho Records and available via iTunes, Amazon and the usual digital outlets

https://www.facebook.com/margaretbergerofficial/

http://www.karinpark.com/


Text by Chi Ming Lai
26th January 2013