Tag: Marina & The Diamonds (page 1 of 2)
In the five years since its formation on 13th March 2010, The Electricity Club has reviewed over a hundred gigs and witnessed some fabulous live performances as well as some not so great ones… one was so bad in fact, TEC declined to submit a review in the end!
Listed in chronological order with a restriction of one headline gig per artist, here are The Electricity Club’s 30 favourite gigs from the period between 2010 to 2014… modesty prevents The Electricity Club from listing its own events. Continue Reading ›
The year began with the housewives’ favourite astronomer Brian Cox naming several synth friendly classics like OMD’s ‘Messages’ and DURAN DURAN’s ‘Friends Of Mine’ in his choices for ‘Desert Island Discs’ as well as declaring an appreciation of ULTRAVOX.
And as with the strap line to ‘Close Encounters Of The Third Kind’ (which featured the use of an ARP 2500 to communicate with the aliens incidentally!), it proved to many a synth enthusiast that “we are not alone”! Continue Reading ›
The Family Jewels by the delectable MARINA & THE DIAMONDS was a great, quirkily tuneful debut with barking mad lyrics and staccato melodies fuelled by plenty of SPARKS inspired Fe-Mael Intuition.
But the Greco-Welsh songstress has since shed her wholesome brunette locks for what appears to be an ironic exploration into the world of the archetypal All-American blonde starlet with Electra Heart. “It’s an Ode to dysfunctional love” Marina said in her press release. Continue Reading ›
The Electricity Club came into being on 15th March 2010 following the HEAVEN 17 aftershow party at Sheffield Magna. It also saw the release of a new album by OMD, their first since 1996 as well as the emergence of new acts such as VILLA NAH, MIRRORS and HURTS.
In a tremendous year for all things electro, this was The Electricity Club’s Top 30 songs of 2010 in alphabetical order by artist. Continue Reading ›
2010 saw the return of the male synthpop act, smart boys with their toys and their nods towards the classic era of Synth Britannia. Leading the way were VILLA NAH and MIRRORS who both fused quality songs with vintage sounds and crisp contemporary percussive frameworks.
Meanwhile HURTS, the enigmatic duo who many predicted for major success in 2010, rattled the cages of the style over substance brigade. Continue Reading ›