Returning to London on SATURDAY 2ND MARCH 2019 to open TEC005 will be Glaswegian synthpop duo RAINLAND. Having accompanied ASSEMBLAGE 23 on two UK tours, their rousing stage manner make them perfect as cheerleaders to begin any live presentation.
While The Electricity Club opted for an IRN-BRU, the pair settled down with a wee dram each to ponder the state of the synth nation and much more… Continue Reading ›
‘The Potential Of Noise’ is a touching insight into the late Conny Plank, undoubtedly one of the most innovative and important studio exponents in popular music.
Directed by his son Stephan with Reto Caduff, the film sees him embarking on a journey to rediscover his father’s impact and his importance in music history. As the studio in the converted farmhouse in Wolperath was also the family home, Stephan grew up around the artists who his father worked with. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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Giving your back catalogue an orchestral rework has become the thing to do of late, be it using classical musicians as a bolster for a full band performance such as the farewell live A-HA shows at the Royal Albert Hall, or the recent performances by the likes of COVENANT, VNV NATION or OOMPH as part of the Gothic Meets Classics concerts where synths are replaced by wood, brass and strings.
One musician who has worked with large orchestral groups over the years is MIDGE URE. Continue Reading ›