“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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Giving your back catalogue an orchestral rework has become the thing to do of late, be it using classical musicians as a bolster for a full band performance such as the farewell live A-HA shows at the Royal Albert Hall, or the recent performances by the likes of COVENANT, VNV NATION or OOMPH as part of the Gothic Meets Classics concerts where synths are replaced by wood, brass and strings.
One musician who has worked with large orchestral groups over the years is MIDGE URE. Continue Reading ›
The Roman town of Verulamium, now the city of St Albans, was the location for the final night of successful 30 date UK tour featuring MIDGE URE, THE CHRISTIANS and ALTERED IMAGES.
Between them, THE CHRISTIANS and ALTERED IMAGES had 7 Top 20 hit singles between them, while MIDGE URE’s various career exploits have been well documented. And as Ure gleefully sang on ‘Love’s Great Adventure’, “I stood the test of time”. Continue Reading ›
MIDGE URE needs no introduction as one of the UK’s most highly regarded songwriters and musicians. Having become fascinated by KRAFTWERK when they hit the UK charts with ‘Autobahn’ in 1975, he purchased his first synth, a Yamaha CS50 in 1977.
Best known for his involvement in ULTRAVOX and VISAGE, The Electricity Club looks back at MIDGE URE’s great adventure in electronic music via this twenty track Beginner’s Guide, with a restriction of one track per album / project… Continue Reading ›