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TEC Gold: INTERVIEW ARCHIVE

Today is The Electricity Club’s seventh birthday and our big portfolio of interviews reads like a Who’s Who? of electronic pop music. Whether you are interested in the pioneers of the genre or newer, up-and-coming acts, there is something for you.

They are archived in an easy-to-use page. From ex-members of KRAFTWERK, JAPAN, THE HUMAN LEAGUE, SOFT CELL and DEPECHE MODE, to OMD, MIDGE URE and HEAVEN 17, to KITE, MIRRORS and VILE ELECTRODES, they are all here. More inside ›

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TEC’s 25 FAVOURITE ARTIST COLLABORATIONS

LoweSumnerMarrTennantArtist collaborations can be seen in several ways. They are either a chance to take the best elements of great bands to form an even greater supergroup, or as has happened in many cases, there is a watering down of prime concepts which results in a fragmented mess of little interest to anyone.

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MARSHEAUX Featuring JAMES NEW Now This Is Fun

mirrors10Following the positive critical reception of the initial vinyl and download release of ‘A Broken Frame’, MARSHEAUX are to finally release a 2CD deluxe edition on Undo Records featuring newly recorded versions of the original B-sides ‘Now This Is Fun’ and ‘Oberkorn’.

The MARSHEAUX’s new version of ‘Now This Is Fun’ is particularly special as it features the majestic vocals of James New,

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Five Years of TEC: WHILE MY SYNTH GENTLY BLEEPS

TEC 5 yearsThe Electricity Club celebrates its fifth anniversary and it has been a glorious journey. The site came into being on 15th March 2010 after the founding team discussed having an online platform to feature the best in new and classic electronic pop music.

The decision to finally launch The Electricity Club came at the HEAVEN 17 aftershow party for their triumphant gig at The Magna Science Park on 6th March 2010.

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Five Years of TEC: 25 Favourite Artist Introductions 2010 – 2014

TEC 5 years-02When The Electricity Club became reality on 13th March 2010, it was on the back of a resurgence in electronic pop music. TEC’s ‘Introducing…’ feature was a platform to showcase promising new talent within the genre and proved that electronic music had not been killed off by Britpop.

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