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Tag: Mute Records (page 1 of 7)

CHRIS LIEBING featuring POLLY SCATTERGOOD And All Went Dark

Noted techno exponent Chris Liebing has unveiled a stark new track featuring Mute label mate Polly Scattergood entitled ‘And All Went Dark’. The brooding minimalist electronic piece basically does what it says on the tin, with an eerily poetic spoken contribution from Scattergood where the Essex songstress is haunted by a “dark shadow on my shoulder” and how “a sickness took hold early on”! ‘And All Went Dark’ is from Liebing’s new album ‘Burn Slow’ to be released by Mute Artists. Continue Reading ›

DOCUMENTARY EVIDENCE Interview

Documentary Evidence is an unofficial Mute Records website run by freelance music journalist Mat Smith. Smith compiles an end of year Top 10 albums listing and in 2017, he controversially included TAYLOR SWIFT’s ‘Reputation’ at No4 above the No6 placed ‘Spirit’ from DEPECHE MODE. Mat Smith gave an explanation as to why last year, he preferred Taytay over Essex Dave and presented his Documentary Evidence… Continue Reading ›

CHRIS CARTER Chemistry Lessons Volume One

Best known as a founding member of THROBBING GRISTLE, Chris Carter releases his first solo album in 17 years. Together with Cosey Fanni Tutti, Peter Christopherson and Genesis P-Orridge, THROBBING GRISTLE enthralled and irritated audiences. Over a generous helping of 25 tracks, ‘Chemistry Lessons Volume One’ captures Carter’s enthusiasm for the limitless possibilities of science, with more than a nod towards the work of THE BBC RADIOPHONIC WORKSHOP. Continue Reading ›

PAUL STATHAM Interview

The silent success story of the ‘Some Bizzare Album’ has to be Paul Statham; while his band B-MOVIE were unable to achieve a foothold in the mainstream, the guitarist later found considerable success as a songwriter and producer. Although B-MOVIE reformed in 2004, Statham has continued his songwriting and production career in parallel. He kindly took time out of his busy schedule to answer some questions about his career outside of B-MOVIE… Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

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