Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
This November sees the release of a box set of ‘Upstairs at Eric’s’, ‘You & Me Both’, an 8 song remix set and some previously unreleased John Peel / David Jensen BBC session tracks.
YAZOO were a candle that burned stunningly bright, only creating two albums (excepting live and compilation works) before Vince Clarke and Alison Moyet split and went their separate ways. YAZOO’s gestation started whilst Clarke was still in DEPECHE MODE. Continue Reading ›
Noted techno exponent Chris Liebing has unveiled a stark new track featuring Mute label mate Polly Scattergood entitled ‘And All Went Dark’.
The brooding minimalist electronic piece basically does what it says on the tin, with an eerily poetic spoken contribution from Scattergood where the Essex songstress is haunted by a “dark shadow on my shoulder” and how “a sickness took hold early on”! ‘And All Went Dark’ is from Liebing’s new album ‘Burn Slow’ to be released by Mute Artists. Continue Reading ›
Documentary Evidence is an unofficial Mute Records website run by freelance music journalist Mat Smith. Smith compiles an end of year Top 10 albums listing and in 2017, he controversially included TAYLOR SWIFT’s ‘Reputation’ at No4 above the No6 placed ‘Spirit’ from DEPECHE MODE.
Mat Smith gave an explanation as to why last year, he preferred Taytay over Essex Dave and presented his Documentary Evidence…
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Best known as a founding member of THROBBING GRISTLE, Chris Carter releases his first solo album in 17 years. Together with Cosey Fanni Tutti, Peter Christopherson and Genesis P-Orridge, THROBBING GRISTLE enthralled and irritated audiences.
Over a generous helping of 25 tracks, ‘Chemistry Lessons Volume One’ captures Carter’s enthusiasm for the limitless possibilities of science, with more than a nod towards the work of THE BBC RADIOPHONIC WORKSHOP. Continue Reading ›