DISQO VOLANTE is Korean-American multi-instrumentalist Matthew Booth, a man who loves his synthpop, but also his sax!
Following his debut EP ‘re: lit’ in 2016, Booth’s latest offering is a five track affair entitled ‘Yellow Fervor’; having learned some lessons from some of the more overdriven aspects of that first release, ‘Yellow Fervour’ has better production values and adds a funkier twist to proceedings. ‘Yellow Fervor’ has better production values and adds a funkier twist to proceedings. Continue Reading ›
Like PET SHOP BOYS, NEW ORDER collaborated with other artists from quite an early stage in their career, as well as later working on their own various projects during the band’s recurring hiatuses. Bernard Sumner in particular relished the opportunity to further his craft by recording with other artists.
So here are 20 tracks which encapsulate the spirit of NEW ORDER through the medium of collaboration and joint working, restricted to one track per project and presented in chronological order. Continue Reading ›
There are many bands from the Synth Britannia-era that are often perceived as being electronic, when in fact they either started off in a traditional band format and integrated synthesizers/sequencers or remained like that throughout most of their career.
ULTRAVOX, NEW ORDER and GARY NUMAN all fell into that format, but what about others who have successfully managed to meld the rigidity and coldness of electronics with the more human element of guitars. Continue Reading ›
Shiny danceable electronic pop is what KNIGHT$ is all about and as the vehicle of James Knights, formally of SCARLET SOHO, his ethos is to make synthwaves with his brand of sparkly Britalo!
It’s been a busy time for the Winchester based singer/songwriter. Having just returned from a successful German tour opening for WOLFSHEIM’s Peter Heppner, James Knights unpacked his suitcase and kindly chatted to The Electricity Club about his upcoming plans for KNIGHT$... Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›