The Electricity Club once described NIGHT CLUB as sounding like “Britney fronting NINE INCH NAILS”. Now re-quoted by some other media outlets, that description appears to have stuck.
‘Alice In Wonderland’ author Lewis Carroll had a disorder which caused him to have hallucinations about shrinking and chatting to anxious leporids, but what would he have made of this video to ‘Candy Coated Suicide’? NIGHT CLUB will also be headlining two August shows in Sheffield and London. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
CHRIS PAYNE is best known as being a long standing member of GARY NUMAN’s band between 1979 to 1990.
More recently, he has returned to the synthpop fold, co-writing five songs with RUSTY EGAN for his new album ‘Welcome To The Dancefloor’.. With the revival of his old side project ELECTRONIC CIRCUS as well, CHRIS PAYNE chatted to The Electricity Club about... Continue Reading ›
NIGHT CLUB have been active since 2011, and have since taken off enormously in Tinseltown, getting numerous gigs for television shows.
Larger than life front lady Emily Kavanaugh, joined by the master of synth Mark Brooks, have produced a "more bombastic and aggressive" sound on their latest long player 'Requiem For Romance'. TEC is chatting to the LA based duo about their latest offering and the highlights of their career. Continue Reading ›
2016 will forever be remembered as the year when a significant number of cultural icons and popular musical figures left us; DAVID BOWIE, PRINCE, TOMITA, PETE BURNS, COLIN VERNCOMBE, KEITH EMERSON, DON BUCHLA and LEONARD COHEN were just some of the names who sadly departed.
But despite sadness that loomed, the year did produce some good music, particularly in the second half of the year, although in all, 2016 was not a vintage year for electronic pop. Continue Reading ›