Trent Reznor is now (and has been for a while) in the very enviable position of having complete creative control over NINE INCH NAILS; millions of record sales and lucrative film soundtrack work have positioned the act in a situation where they can pretty much do anything they like stylistically or artistically.
This element of control is evidenced over the last two years where NIN have eschewed the album format, releasing shorter clusters of tracks. Continue Reading ›
KITE BASE released their debut long player ‘Latent Whispers’ in 2017. Comprising of two bass guitars and electronics courtesy of a Dave Smith Instruments Tempest drum machine affectionately named Alan, the dynamic duo are SAVAGES' bassist Ayşe Hassan and the haunting vocal presence of Kendra Frost.
Kendra Frost kindly took time out to chat to The Electricity Club about the ongoing progression of KITE BASE, as well as her new found passion for synth building and sound design. Continue Reading ›
The Electricity Club once described NIGHT CLUB as sounding like “Britney fronting NINE INCH NAILS”. Now re-quoted by some other media outlets, that description appears to have stuck.
‘Alice In Wonderland’ author Lewis Carroll had a disorder which caused him to have hallucinations about shrinking and chatting to anxious leporids, but what would he have made of this video to ‘Candy Coated Suicide’? NIGHT CLUB will also be headlining two August shows in Sheffield and London. Continue Reading ›
Producer and remixer Richard Philips, better known as Richard X, began his musical career creating bootlegs or mash-ups, an illegal creative practice of combining two existing records to make an entirely new track.
As a result of often working on just singular tracks with artists, Richard X has a large and diverse portfolio; The Electricity Club lists eighteen of his most notable tracks, with a limit of one track per artist and presented in chronological and then alphabetical order… Continue Reading ›
If Karin Dreijer and Trent Reznor made a record together, then they might sound like Norwegian leftfield duo SOFT AS SNOW. After two EPs ‘Glass Body’ and ‘Chrysalis’ released in 2014 and 2015 respectively, the Berlin based pairing of Oda Egjar Starheim and Øystein Monsen finally make the plunge on the long playing trail with their first album ‘Deep Wave’ out in April 2018.
‘Snake’ is a fine calling card for ‘Deep Wave’, with stuttering drum machine and whirring synth bass. Continue Reading ›