Tag: Ollie Wride (page 1 of 3)
The rise of NINA to become The Queen Of Synthwave has been remarkable. The German-born songstress has successfully straddled the line between synthwave and synthpop.
Although NINA’s popwave is still more than evident, this new record unveils a darker aesthetic and an air of cyber-expressionism. NINA spoke to The Electricity Club from her home city of Berlin about her continuing musical adventures. Continue Reading ›
The Electricity Club celebrates its tenth birthday and it really has been synthly the best. It is still pushing the envelope, continuing to reflect the interests of people who love the Synth Britannia era and have a desire to hear new music seeded from that ilk. With artists like ANI GLASS, IMI, KNIGHT$, NINA, MECHA MAIKO, GEISTE and PLASMIC among those on the cusp of a wider breakthrough, there is still more excellent music still to be created, discovered and savoured. Continue Reading ›
Founded by Brett Simpson and Stuart McLaren, Outland have become one of the best known synthwave and retrowave brands in the UK. Having organised big events in London, Glasgow and Toronto, alongside summer sunset boat cruises, Outland recently launched a record label.
Stuart McLaren kindly took time out from his busy schedule to talk to The Electricity Club about Outland’s aspirations and progression within the realms of modern synth music. Continue Reading ›
What a 2019 it has been for Ollie Wride. Having made his name as the vocalist of FM-84 with songs like ‘Running In The Night’, he made his first steps towards a parallel solo career.
Co-produced by Michael Oakley, the resultant album ‘Thanks In Advance’ was one of the best of the year, a collection of MTV friendly pop, synth rock and colourful ballads. One of the album’s highlights ‘I'm A Believer’ has been given a sympathetic and enjoyable makeover by FM ATTACK. Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›