Tag: Outland (page 1 of 2)
POLYCHROME’s brand of filmic dreamwave as showcased on their self-titled 2018 debut album found favour with TV producers and advertising agencies around the world.
Having recently signed to Outland Recordings, both parties are celebrating their union with the release of a brand new single ‘Starts With A Kiss’. Vicky Harrison chatted to The Electricity Club about the evolving sound of POLYCHROME. Continue Reading ›
Over the last 10 years, The Electricity Club has been a voice for the discerning enthusiast of electronic pop.
With a balancing act of featuring the classic pioneers of the past alongside the emergent new talent for the future, The Electricity Club has become well known for its interviews and reviews, asking the questions people have always wanted to ask while celebrating the continuing development of the synthesizer in popular music.
Many artists have built a strong relationship with The Electricity Club. So with the site celebrating its first 10 years, presented here are greetings and messages from some people who you might know… Continue Reading ›
Founded by Brett Simpson and Stuart McLaren, Outland have become one of the best known synthwave and retrowave brands in the UK. Having organised big events in London, Glasgow and Toronto, alongside summer sunset boat cruises, Outland recently launched a record label.
Stuart McLaren kindly took time out from his busy schedule to talk to The Electricity Club about Outland’s aspirations and progression within the realms of modern synth music. Continue Reading ›
French musician MORGAN WILLIS is something of a synthwave veteran. He’s been extremely prolific since his 2012 debut long playing release ‘Science Fiction’ and the 2015 electro-funk flavoured ‘Night Rider’ to become a respected exponent of the sub-genre.
His latest offering ‘Dreamer’ has been called a “synthpop fairy-tale” and certainly this primarily instrumental set has been bolstered by the sweet feminine magic of PARALLELS, NINA and KEL. Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›