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Tag: Parallels (page 1 of 2)

FUTURECOP! featuring PARALLELS Edge Of The Universe

Featuring the delightful vocals of Holly Dodson from Canadian synthpop trio PARALLELS, ‘Edge Of The Universe’ is the new single by FUTURECOP! The project of Mancunian Manzur Iqbal and his first new material since 2014, ‘Edge Of The Universe’ is a synthetic burst of Manga colour not far off the catchy sweetly flavoured ‘Metropolis’ album which gained PARALLELS some well-deserved momentum internationally. Continue Reading ›

PARALLELS + NINA Live at Zigfrid Von Underbelly

London’s Zigfrid Von Underbelly played host to two of the best acts currently bridging synthpop and synthwave, PARALLELS and NINA. For Toronto trio PARALLELS, this was their first UK gig as part of a short European jaunt also taking in Sweden and France. Meanwhile for NINA, it was her first full live performance since the release of her acclaimed debut album ‘Sleepwalking’. PARALLELS and NINA made a perfect pairing, more than complimenting each other in style, mood and sound. Continue Reading ›

NINA Sleepwalking

‘Sleepwalking’ is the long-awaited debut album from the classically trained German songstress NINA. It was her third single ‘My Mistake’ that became her breakthrough song. It contains some of her most personal work yet. Beginning the long player, nocturnal warmth exudes from ‘Beyond Memory’, demonstrating how NINA’s own brand of pulsating electronic pop acts as a bridge between synthwave and synthpop. Continue Reading ›

PARALLELS Interview

Canadian synthpop trio PARALLELS rode on some well-deserved international momentum in 2017 following the release of their third album ‘Metropolis’. The Toronto combo formed in 2008. Singer, songwriter and synthesist Holly Dodson took time out from rehearsals to chat about the continuing progression of PARALLELS and their first live appearance in London which is happening alongside German songstress NINA in March… Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

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