With her quirky electronically driven avant disco, Los Angeles based SINOSA has charmed audiences with her debut single ‘If U Must Dance’.
Knowingly oddball with a delightful vocal nonchalance, the former member of FOL CHEN cites influences such as LAURIE ANDERSON and BROADCAST. Indeed, with a glitchy ambience amongst the beats, ‘If U Must Dance’ is what LITTLE BOOTS could have been had she put her mind to it. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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From Happy Robots Records, the stable that brought the world ARTHUR & MARTHA, RODNEY CROMWELL and HOLOGRAM TEEN, comes PATTERN LANGUAGE.
The debut mini-album ‘Total Squaresville’ offers an optimistic melodic take on the synth instrumental without going into full symphonic JEAN-MICHEL JARRE territory, while also avoiding some of the electronic dirges that often pass for avant-garde experiments in sound. Continue Reading ›