Having started as a group of performers, the enterprise that is now FISCHERSPOONER consists of core members Warren Fischer and Casey Spooner, who are joined by a troupe of dancers and singers.
Their first album came in 2001, named ‘#1’, cleverly released on many labels, to be followed by ‘Odyssey’ which brought a more defined electro pop sound. The current offering ‘Sir’ is being produced by none other than Michael Stipe from REM. Continue Reading ›
Shiny danceable electronic pop is what KNIGHT$ is all about and as the vehicle of James Knights, formally of SCARLET SOHO, his ethos is to make synthwaves with his brand of sparkly Britalo!
It’s been a busy time for the Winchester based singer/songwriter. Having just returned from a successful German tour opening for WOLFSHEIM’s Peter Heppner, James Knights unpacked his suitcase and kindly chatted to The Electricity Club about his upcoming plans for KNIGHT$... Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
Bridging the gap between Synth Britannia and Acid House, PET SHOP BOYS first found international success with ‘West End Girls’ in 1986.
Since their imperial phase, they have shown their versatility in projects ranging from producing or remixing other artists and running their own Spaghetti Records label to assorted theatre, film and ballet commissions. So presented in chronological order with a limit of one track per artist project, here are 20 tracks by PET SHOP BOYS… collaboratively!
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“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›