Tag: Peter Hook (page 2 of 3)
Despite their success, NEW ORDER still got their hands dirty in helping to produce a number of acts for Factory Records and other associated labels. ‘NEW ORDER Presents Be Music’ gathers a selection of these varied recordings.
This is a lavishly boxed 36 track 3CD affair that documents variations on the NEW ORDER theme before solo projects like ELECTRONIC, REVENGE, THE OTHER TWO and MONACO took over. Continue Reading ›
After many years of trials and tribulations, Rusty Egan finally presents ‘Welcome To The Dancefloor’. It’s a collection of thirteen songs that explore a varied range of topics from the euphoria of clubland to the celebration of musical heroes to personal bereavement.
Indeed, several of the songs started off as recordings for the rebooted VISAGE. Chris Payne who co-wrote ‘Fade To Grey’ had submitted several compositions... Continue Reading ›
For those that have followed Peter Hook’s post-NEW ORDER activities, it is quite apparent that he is one of THE hardest working touring musicians around.
Hook had previously brought his ‘Movement’ / ’Power, Corruption & Lies’ show to the intimate SUB89 Reading venue in 2013, and now it was the turn of the subsequent two NEW ORDER works ‘Low-Life’ and ‘Brotherhood’ to receive an airing. Continue Reading ›
Düsseldorf paid homage to its electronic music history with a three day event of lectures, discussions and live music. The ELECTRI_CITY CONFERENCE celebrated the work of pioneers like KRAFTWERK, DAF, RIECHMANN, NEU! and LA DÜSSELDORF, as well as reflecting its worldwide influence.
A year in the planning, the organisers assembled an impressive line-up of artists, musicians and academics which read like a ‘Who’s Who?’ of electronic music. Continue Reading ›
Factory Records was one of the most iconic record labels that emerged post-punk. Founded in 1978 by Granada TV presenter Tony Wilson and actor Alan Erasmus, Wilson became more widely known for his TV series ‘So It Goes’ so was seen as a champion of new music.
Via its great and not so good and using a restriction of one song per artist moniker, The Electricity Club gives its own take on Factory Records’ arty, but chaotic adventure. Continue Reading ›