One of Sweden’s biggest exports and otherwise a much underrated Synth Princess, KARIN PARK returns with ‘Blue Roses’.
Her last long player ‘Apocalypse Pop’ showed a further growth in what can only be described as a neoclassical amalgamation of synth and then Park took to the stage, performing in the Norwegian version of ‘Les Miserables’, playing the role of Fantine. 'Blue Roses' continues the trends set on ‘Apocalypse Pop’, with the eponymous single creeping from a melancholic affair. Continue Reading ›
It’s interesting to think that when Bernard Sumner and Stephen Morris were in their 20s, NEW ORDER gigs would be around three quarters of an hour but with both now in their 60s, the band are onstage for close to 2 hours and 20 minutes!
The pair with younger founder member Gillian Gilbert and new recruits Phil Cunningham and Tom Chapman played their only UK gig of 2018 at London’s Alexandra Palace and delivered a superb show that acknowledged their history. Continue Reading ›
Celebrating their career with a lavish 10 disc boxed set, ‘Keychains & Snowstorms: The SOFT CELL Story’ features material from both periods of the duo including their imperial phase when they had a continuous run of hit singles between 1981-1984 and the 2001-2003 reunion.
Dave Ball said: “It’s got a lot of stuff, there’s a great book that comes with it which has got quotes from people like Neil Tennant and Trent Reznor, so it’s interesting … if anybody is a serious fan, I think it’s a must!“ Continue Reading ›
When London based electronic disco duo HEARTBREAK first appeared, they prided themselves on being “kind of how the 80s would sound today if the 90s hadn't got in the way”. HEARTBREAK went into hiatus with just one album 'Lies' to their name.
Sebastian Muravchik and Ali Renault have announced an unexpected return with a reunion gig. The duo kindly chatted to The Electricity Club about what has been happening over the last few years within the HEARTBREAK camp. Continue Reading ›
Producer and remixer Richard Philips, better known as Richard X, began his musical career creating bootlegs or mash-ups, an illegal creative practice of combining two existing records to make an entirely new track.
As a result of often working on just singular tracks with artists, Richard X has a large and diverse portfolio; The Electricity Club lists eighteen of his most notable tracks, with a limit of one track per artist and presented in chronological and then alphabetical order… Continue Reading ›