One-time Leeds Polytechnic art students SOFT CELL set the blueprint for acts such as PET SHOP BOYS and ERASURE with their stark synthesizer driven pop and were undoubtedly ahead of their time. Marc Almond and Dave Ball had an amazing run of Top 40 hit singles between 1981-1984.
On a sunny August day, Dave Ball took time out from preparations for the final concert and kindly chatted to The Electricity Club about SOFT CELL and their life of vice… Continue Reading ›
To celebrate the second anniversary of internet station Artefaktor Radio, some of the best independent synth driven acts were at gathered together at Electrowerkz for Synth Wave Live 2.
Held in collaboration with Bombshell Radio, Portobello Radio and The Electricity Club, artists and enthusiasts from around the world made the trip to London and were welcomed by Rusty Egan for one of his famed DJ sets for those who like it electronic. Continue Reading ›
Like PET SHOP BOYS, NEW ORDER collaborated with other artists from quite an early stage in their career, as well as later working on their own various projects during the band’s recurring hiatuses. Bernard Sumner in particular relished the opportunity to further his craft by recording with other artists.
So here are 20 tracks which encapsulate the spirit of NEW ORDER through the medium of collaboration and joint working, restricted to one track per project and presented in chronological order. Continue Reading ›
Although he became a noted producer during the height of punk, it was with THE HUMAN LEAGUE’s ‘Dare’ that Martin Rushent’s reputation as an electronic music pioneer was forged.
Focussing primarily on his work with synthesizers and technology, The Electricity Club looks back at the post-punk career of Martin Rushent. With a limit of one track per album project and presented in chronological order, here is a Beginner’s Guide to the late, great man… Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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