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Tag: Sacred Bones Records (page 1 of 3)

HILARY WOODS Birthmarks

Written over the course of two years, Sacred Bones artist Hilary Woods has documented the intensity of giving life and the labour of childbirth in her latest album ‘Birthmarks’ as a metaphor for the human condition. Recorded during the winter of 2019 in Galway and Oslo in collaboration with experimental Norwegian producer Lasse Marhaug while heavily pregnant, it is the former JJ72 bassist's second long player. Continue Reading ›

JENNY HVAL The Practice Of Love

‘The Practice Of Love’ is Norwegian songstress Jenny Hval’s seventh album and the opposite of its self-explanatory predecessor ‘Blood Bitch’ which included stark confessionals such as ‘The Great Undressing’ and ‘Conceptual Romance’. Released on Sacred Bones Records, home of ZOLA JESUS and THE SOFT MOON, ‘The Practice of Love’ is quietly subversive like I AM SNOW ANGEL, a body of gentle and mature synthy pop with an ethereal quality. Continue Reading ›

Lost Albums: MORT GARSON Mother Earth’s Plantasia

Released on the short-lived Homewood Records in 1976, ‘Mother Earth's Plantasia’ by Mort Garson became one of those rare sought after albums, thanks to the fact that most of the copies pressed had actually been given away for free by its esteemed creator. With its inventive use of the Moog IIIC modular synthesizer with a plethora of cosmic textures, it possessed a transcendental quality that was the antithesis of the FM rock that was dominating the American airwaves at the time. Continue Reading ›

SPELLLING Mazy Fly

“A winged spirit” moving through SPELLLING’s new album is ‘Mazy Fly’. Chrystia Cabral, known as SPELLLING, is based in the Bay Area. Having started sound experimentation in 2015, her first long player ‘Pantheon of Me’ in 2017 was drawn from images in her dreams, making her vision as unique as it is ubiquitous. 'Mazy Fly' follows in the footsteps of dream imagination, combining the elements of fear of destruction and the thrill of the exploration of the unknown. Continue Reading ›

TEC’s 2018 End Of Year Review

2018 saw JEAN-MICHEL JARRE celebrate 50 years in the business and whether the world really needed another of his compilations, ‘Planet Jarre’ was probably one of the better collected representations of his work for casual admirers. SOFT CELL made a totally unexpected return for a huge one-off farewell gig at London’s O2 Arena; and with it came a boxed set, the ‘Northern Lights’ single and other new recordings which have raised hopes for a new album. Continue Reading ›

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