Since The Electricity Club caught THE SOFT MOON at the beginning of the year for their London date at The Dome in Tufnell Park, the act has been touring constantly in support of new album ‘Criminal’.
Essentially the one-man project of Oakland multi-instrumentalist Luis Vasquez, he kindly took time out from his busy schedule to discuss the challenges of making of 'Criminal', his diverse range of influences and the impact of working as a solo musician. Continue Reading ›
Hilary Woods was just 20 when she first found fame as the bassist of Irish trio JJ72. In 2014, she started making music again with her resultant EPs ‘Night’ and ‘Heartbox’ both finding media acclaim. June 2018 sees the release of her debut album ‘Colt’, recorded on eight-track in an abandoned flat somewhere in Dublin and mixed in Berlin.
With a prestigious appearance at Robert Smith's Meltdown 2018 following not long after, Hilary Woods kindly chatted to The Electricity Club about her return… Continue Reading ›
Following the remarkable success of her latest album, the American songstress, who loves all things Russian, comes back with a few “additions” to the stunningly personal record that was ‘Okovi’.
Nika Roza Danilova, also known as Nicole Hummel, is the artist behind the ZOLA JESUS project. Known and adored for her darker fuller synth productions, the intensity of her vocals and the poignant subjects of her lyrics, Danilova brought back the frosty aura to her recent offering. Continue Reading ›
With fourth album ‘Criminal’ now doing the rounds, The Dome in Tufnell Park was filled to the brim as Oakland’s THE SOFT MOON performed the only UK date on their current tour.
Essentially the one-man project of Luis Vasquez, their live line-up is expanded with the addition of Luigi Pianezzola on bass / synths and Matteo Vallicelli on live / electronic drums including a nifty four pad retro Simmons combo. Continue Reading ›
THE SOFT MOON is essentially a one-man project comprising of multi-instrumentalist and producer Luis Vasquez. Hailing from Oakland in the USA, THE SOFT MOON gained wider exposure when they supported DEPECHE MODE on the EU leg of their ‘Delta Machine’ tour.
With a sound that distills both synth-heavy Krautrock and dark Post-Punk guitars+bass, ‘Criminal’ is the outfit’s fourth album following their emergence in 2010 with their eponymous debut. Continue Reading ›