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Tag: Sarah P (page 1 of 4)

THE ELECTRICITY CLUB 2CD Compilation

Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre. Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›

SARAH P. Mneme

SARAH P. has been described as “an electropop goddess” and the video to her new single ‘Mneme’ more than reinforces that very image. Starring the Berlin-based songstress as Mneme, the visual accompaniment also features dancer Clio ‘Lil Cli’ Arvaniti as Aoide and actress Dora Pantazopoulou as Melete; the key themes explored are playfulness and sisterhood in commemoration of more carefree times, all under the glorious Athenian sun. Continue Reading ›

Introducing AFTERDARK

In a period of some competent if quite average releases from independent British electronic acts, one pleasant surprise has been the debut single from AFTERDARK. The project of Kent-based vocalist and songwriter Marie Williamson, ‘Gravity’ was written after she attended An Evening with Rusty Egan at Pizza Express Maidstone, having been inspired by The Blitz Club’s DJ’s many enlightening anecdotes and his 'Welcome To The Dancefloor' album. Continue Reading ›

SARAH P. Millennial Girl

‘Millennial Girl’ by SARAH P. is a musical commentary on societies’ obsession with perfection and the perception that others' lives seem so much more accomplished. More guitar assisted and faster paced than her more dreamy but afflicted offerings, 'Millennial Girl' does capture a spacey vibe despite the use of more live sounding elements. Filmed near Athens by George Geranios, Sarah’s hair and make-up on a brand new visual accompaniment Sophie Sarigiannidou of MARSHEAUX. Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

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