Eddie Bengtsson has been a trailblazing presence on the Swedish electronic music scene. Inspired by Synth Britannia, while best known for his involvement in PAGE and S.P.O.C.K, there have also been his solo adventures and collaborations.
So as a Beginner’s Guide to his vast catalogue of work under his many different guises, The Electricity Club presents eighteen songs which are decisively 'Just Like Eddie' with commentary from the man himself... Continue Reading ›
PAGE have had a loyal cult following back home in Sweden since their 1983 debut single ‘Dansande Man’. The duo of Eddie Bengtsson and Marina Schiptjenko released their self-titled debut album in 1992 while their final first phase release ‘Helt Nära’ came out in 1998.
With the news of a live return to London for PAGE in September alongside RATIONAL YOUTH + PSYCHE, Eddie Bengtsson spoke to The Electricity Club about space and the synthesizer frontier… Continue Reading ›
The Count and Countess of Swedish electronic pop are back-back-BACK! Eddie Bengtsson and Marina Schiptjenko initially came together in PAGE as far back as 1980, releasing their first single ‘Dansande Man’ in 1983.
Having already covered GARY NUMAN’s ‘Tracks’ in Swedish as ‘Spår’ and paid an initial Numanoid tribute on ‘Utanför’ for ‘Det Är Ingen Vacker Värld Men Det Råkar Vara Så Det’, PAGE have gone the full hog with the ultimate homage to the imperial years of the man born Gary Anthony James Webb. Continue Reading ›
Sweden is one territory where without doubt, some of the best synth based music has emerged. But a few years ago, strange things happened within the Swedish electronic music community as it began to eat itself…
Thankfully, one faction who are very much of the view that the synth is not dead is Romo Night Records, a label born out of a long standing club night founded in Gothenburg by Tobbe Lande and Tony Ersborg. Their first fruit of labours is ‘Romo Night Records Vol 1’. Continue Reading ›
Formed in 1980 in Sweden by Eddie Bengtsson and Marina Schiptjenko, PAGE marked the entry point of synthpop into the Nordic country, leading to decades of producing the best pop acts in Europe.
Returning with their new album 'Det Är Ingen Vacker Värld Men Det Råkar Vara Så Det Ser Ut', which translates as "There's No Beautiful World But It Happens To Look Like That", the veteran boy / girl combo ensure that they are still very valid, even 37 years on. Continue Reading ›