2019 was good for new music. The first two thirds of the year was particularly strong for up-and-coming talent, while a number of veterans returned to making music with synths for the first time in many years.
Inevitably, the quality of new releases couldn’t be sustained and things tailed off during the Autumn period. As per usual with a restriction of one song per artist moniker and presented in alphabetical order, these are The Electricity Club’s 30 SONGS OF 2019… Continue Reading ›
It often takes an album for an act to more fully realise their sound. This has certainly been the case for SOFTWAVE with their debut ‘Game On’. With the influence of big voiced singers such as Celine Dion, Tina Turner, Madonna, Gwen Stefani and Avril Lavigne, the Danish couple add a twist to sub-ERASURE flavoured synthpop.
From their studio in Herlev, Catrine Christensen and Jerry Olsen kindly talked to The Electricity Club about ‘Game On’... Continue Reading ›
Since their debut EP ‘Together Alone’ in 2016, Danish duo SOFTWAVE have been gaining momentum with well-received live performances and endorsements from luminaries such as one-time member of THE HUMAN LEAGUE Jo Callis and former Numan sideman Chris Payne.
And now sees the release of the couple’s debut long player with a declaration that it’s all now ‘Game On’. Continue Reading ›
Some of the best independent synth driven acts were at gathered together at Electrowerkz for Synth Wave Live 2.
Held in collaboration with various outlets and The Electricity Club, artists and enthusiasts from around the world made the trip to London and were welcomed by Rusty Egan for one of his famed DJ sets for those who like it electronic. An event’s quality can often be reflected by its clientele and among those attending were Sarah Blackwood, Jonathan Barnbrook and Rudi Esch. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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