‘Johnny Delusional’ is the lead single from the self-titled album by FFS, a new project comprising of Glasgow based art school quartet FRANZ FERDINAND and everyone’s favourite quirky pop siblings SPARKS.
While ‘Johnny Delusional’ starts like the intro of FRANZ FERDINAND’s ‘Walk Away’, it then launches into a stomping indie rocker with Russell Mael’s trademark falsetto and Ron Mael’s piano interplay augmented by stabs of octave bass synth. Continue Reading ›
If there was ever a musical statement of intent, it has been made by GIORGIO MORODER’s most recent offering ‘74 Is The New 24’. It shows once again how electronic dance music should be done, and that there is no need to stoop down to guetta level or the retarded formulaic drops of harris and garrix… and no, their names do not merit the use of capital letters!
Distinctly Giorgio, ‘74 Is The New 24’ could almost be a medley of all his pioneering work. Continue Reading ›
Virgin Records celebrates its 40th Anniversary and although the label is now owned by the Universal Music Group, its colourful history is forever associated with the championing of new and unconventional music forms during its fledgling years.
Richard Branson started his empire with nothing more than a mail order outlet selling discounted records. So here are twenty albums from the iconic label which The Electricity Club considers significant in the development of electronic music. Continue Reading ›
There has been a resurgent interest in the work of GIORGIO MORODER thanks to his own life story being appropriately set to music by DAFT PUNK. But it was DONNA SUMMER’s ‘I Feel Love’ that brought the legendary producer to the world’s attention.
Here are twenty pieces of interest that tell the story of the pioneer’s creative journey in electronics with a nomination restriction of one track per project but also omitting some of his more obvious hits which the world already knows and loves. Continue Reading ›
After a quiet number of years even by their standards, SPARKS secured the backing of DEF Management and made a triumphant return in 1994 with the album ‘Gratuitous Sax & Senseless Violins’.
It was very much a determined comeback released on the German based Logic label. SPARKS’ career had been very up and down, but the Mael brothers were never deterred by public or media ambivalence and always returned like a phoenix from the flames just when people least expected it. Continue Reading ›