Tag: Stephen Mallinder (page 1 of 3)
Developing on a childhood fascination with electronic sound, after finishing art school, Ben Edwards set up a music studio in London and began acquiring discarded vintage synthesizers to equip it.
So by way of a Beginner’s Guide to Benge, here are 18 examples of his work, subject to a limit of one track per artist moniker or combination, presented in yearly and then alphabetical order. As his own blog says “It’s full of stars”! Continue Reading ›
CREEP SHOW is an electronic meeting of minds between eclectic US singer / songwriter John Grant and the dark analogue electro of WRANGLER, the trio comprising Stephen Mallinder, Phil Winter and Benge.
The first fruit of this collaboration is 'Mr Dynamite' - an album which was recorded in Cornwall following the move of Benge’s Memetune studio from its original Hoxton location. ‘Mr Dynamite’ is a really fresh and uncontrived sounding album. Continue Reading ›
CREEP SHOW sees a dream team collaboration between US singer-songwriter and professed synth-lover John Grant with the established experimental electro triad of Stephen Mallinder, Benge and Phil Winter, collectively known as WRANGLER.
The Electricity Club spoke to CREEP SHOW about the gestation of the album, the impact of Benge’s studio relocating to Cornwall and some of the tech involved in the making of their album ‘Mr Dynamite’. Continue Reading ›
HANNAH PEEL launched her acclaimed second album ‘Awake But Always Dreaming’ with an emotional live presentation in the heart of London.
Only a stone’s throw from her basement studio where most of the album was recorded, St Leonard’s Church in Shoreditch was the setting for an event to raise awareness of the effects of memory loss and dementia. It is said that one-in-three people will develop dementia. Continue Reading ›
After the release of their debut album ‘LA Spark’ in 2014, 2016 has seen a ramping up of activity in the WRANGLER camp, with June’s modular synth remix album ‘Sparked’ being shortly followed by a new collection of 9 tracks which make up ‘White Glue’.
When played back-to-back with ‘LA Spark’, its successor is less dense texturally (there are fewer string chords) and features far more complexity in its interlocking of monophonic synthesizer parts. Continue Reading ›