Tag: System F

TEC’s 25 FAVOURITE SYNTH INSTRUMENTALS Of The 21ST CENTURY

Today, electronic instrumental music is everywhere, but often in the form of tedious dance tracks with no tunes all over Beatport and social media.

Luckily, there are still exponents of the classic synth instrumental, and thanks to the rise of the Synthwave sub-genre, there is currently a sympathetic environment for more esoteric and melodic musical offerings.

The key to a good instrumental is it either has to be very melodic to make up for the lack of vocals or very unobtrusive so that while the music is interesting enough to be listened to, it can also be ignored. Thus a Eurorack modular tutorial cannot credibly count as a valid release… 😉

As a follow-up to TEC’s 25 SYNTH INSTRUMENTALS Of The CLASSIC ERA, with a limit of one track per artist, The Electricity Club presents its 25 FAVOURITE SYNTH INSTRUMENTALS Of The 21ST CENTURY in chronological and then alphabetical order…


SYSTEM F Insolation (2000)

While Dutch producer Ferry Corsten hit paydirt with club hits such as ‘Out Of The Blue’ and ‘Cry’ as SYSTEM F, the debut album pointed towards the Trance’s link to electronic pop. As well as a collaboration with Marc Almond entitled ‘Soul On Soul’, the long player included the beautifully majestic classic instrumental ‘Insolation’ which took a breather from the usual four-to-the floor format.

Available on the album ‘Out Of The Blue’ via Premier

http://www.ferrycorsten.com/


PPK ResuRection – Perfecto Edit (2001)

PPK were a Russian trance duo comprising of  Sergei Pimenov and Alexander Polyakov. The original melody of ‘ResuRection’ came from Eduard Artemyev’s synthesized theme from the epic 1979 Soviet movie ‘Siberiade’ which won the Grand Prix at the Cannes Film Festival. Easily mistaken for JEAN-MICHEL JARRE, the thrusting seven minute ‘Perfecto Edit’ in particular was like an exuberant rocket launch set to music.

Originally released by Perfecto Records, currently unavailable

http://promodj.com/ppk


LADYTRON Turn It On (2002)

With a piercing synthphonic riff, scat vocoder, robotic bass and a rigid programmed beat, ‘Turn It On’ saw LADYTRON take a bleep forward with an attempt at a KRAFTWERK track for the 21st Century via Liverpool, Glasgow and Sofia. But as it headed towards its final third, it detoured back to Liverpool and turned into ‘Electricity’ in a cheeky homage to Merseyside’s original electronic trailblazers OMD.

Available on the album ‘Light & Magic’ via Telstar

http://www.ladytron.com/


FROST Klong (2003)

A Norwegian electronic duo consisting of Aggie Peterson and Per Martinsen, FROST released their second album ‘Melodica’ to a positive response, thanks to some production assistance by RÖYKSOPP on two tracks. The beautiful Arctic serenity of ‘Klong’ featuring local trumpeter Nils Petter Molvær alongside layers of gorgeous crystalline synths was one of the album’s highlights that easily outdid anything by GROOVE ARMADA and didn’t rely on using samples either.

Available on the album ‘Melodica’ via Frost World Recordings

https://frostnorway.com/


MYLO Emotion 96.8 (2004)

‘Destroy Rock & Roll’ was the well-received debut album by Scottish DJ Myles MacInnes that alongside DAFT PUNK and BASEMENT JAXX, summed up the sample laden dance music that was prevalent at the time. Produced on a computer in his own bedroo, the album’s best track however was the more downtempo, MOBY-esque richness of ‘Emotion 96.8’ with its beautiful sweeping synth melodies and unobtrusive rhythm structure. A follow-up to the long player has yet to appear.

Available on the album ‘Destroy Rock & Roll’ via Breastfed

http://www.mylo.tv/


ORBITAL Pants (2004)

With a hypnotic Motorik rhythm, pulsating bleeps and spacey whirs driving a moodier template along the lines of cult German experimentalists EMAK, Phil and Paul Hartnoll continued their primarily instrumental template on their ‘Blue Album’, although SPARKS contributed vocals to a totally unrelated track called ‘Acid Pants’. The brothers split shortly after the long player’s release, but returned in 2009 to play The Big Chill Festival.

Available on the album ‘Blue Album’ via Orbital Music

http://orbitalofficial.com/


MOBY Homeward Angel (2005)

From ‘Hymn’ to ‘First Cool Hive’ to ‘A Seated Night’, the man born Richard Melville Hall is a master of the instrumental. The solemn ‘Homeward Angel’ closed MOBY’s comparatively conventional and sample-less ‘Hotel’ album with a solemn yet uplifting slice of mood music that in retrospect, was incongruous with the main act. However, since leaving Mute in 2008, his more recent self-released albums such as ‘Destroyed’ and ‘Innocents’ have displayed this more esoteric quality.

Available on the album ‘Hotel’ via Mute Records

http://moby.com/


RÖYKSOPP Alpha Male (2005)

A ten minute instrumental epic, ‘Alpha Male’ came from RÖYKSOPP’s under rated second long player, one that moved away from the chill-out climes of ‘Melody AM’ into much darker sonic territory. The track’s lengthy ambient intro was interrupted by a mighty metronomic beat and the sort of progressive synth overtures that would have made JEAN-MICHEL JARRE proud.

Available on the album ‘The Understanding’ via Wall Of Sound Records

http://royksopp.com/


JOHN FOXX Kurfurstdendam (2006)

Since his musical return in 1997 with ‘Shifting City’, JOHN FOXX has practically had albums coming out of his ears in song-based, ambient and soundtrack formats, both solo and in collaboration with other artists. The spacey mechanical Schaffel of ‘Kurfurstdendam’ came from an imaginary soundtrack he called ‘Tiny Colour Movies’, inspired by a friend’s birthday screening of a private film collection comprising of random surveillance clips and offcuts from Hollywood.

Available on the album ‘Tiny Colour Movies’ via Metamatic Records

http://www.metamatic.com/


SISTA MANNEN PÅ JORDEN Space-Elevator (2007)

Few acts actually genuinely sound like their name… SISTA MANNEN PÅ JORDEN, which translates as “the last man in space”, is the solo project of Swedish synthpop trailblazer Eddie Bengtsson, he of PAGE and S.P.O.C.K fame. The frantic ‘Space-Elevator’ with its swimmy string synths and Sci-Fi derived melody acted as an effective Moroder-esque interlude on his excellent sixth album ‘Tredje Våningen’.

Available on the album ‘Tredje Våningen’ via Energy Rekords

http://www.moonbasealpha.space/


TENEK Ice Fields (2007)

Borrowing the distinctive bassline from SIMPLE MINDS’ 1981 single ‘Love Song’, the British duo put together this lively danceable instrumental for their debut TENEK EP. With a modern mechanical groove coupled to their trademark synth rock, the almost funky ‘Ice Fields’ became an early live favourite, although the duo have focussed on more song based adventures for their three albums to date, ‘Stateless’, ‘On The Wire’ and ‘Smoke & Mirrors’.

Available on ‘EP1+’ via https://tenek.bandcamp.com/album/ep1

http://www.tenek.co.uk/


KLEERUP Hero (2008)

In 2007, Andreas Kleerup, producer and one-time drummer for THE MEAT BOYS, undertook his first mainstream collaboration with fellow Swede ROBYN. The success of ‘With Every Heartbeat’ led to the recording of his self-titled debut album which featured a number of brilliant instrumentals. ‘Hero’ was its perfect start and with a solid bassline and strong choral timbres, it had the vibe of how OMD might have sounded if they had formed in the 21st Century.

Available on the album ‘Kleerup’ via EMI Music

http://kleerup.net/


DAFT PUNK Tron Legacy – End Titles (2010)

While most of the ‘Tron Legacy’ soundtrack album was arranged and orchestrated by Joseph Trapanese, DAFT PUNK’s spiky electronics and drum machine were kept in alongside the epic strings for the end titles of the sequel to the 1982 movie ‘Tron’. There were nods to Wendy Carlos who composed the score to the original film, with Thomas Bangalter focusing on the heroic themes while Guy-Manuel de Homem-Christo was more inclined to generating the darker elements.

Available on the soundtrack album ‘Tron Legacy’ via Walt Disney Records

https://www.daftpunk.com/


047 Kanpai! (2011)

Forming in 2001, Swedish duo 047 began their chiptune experiments thought a mutual appreciation of vintage video games. But after their debut long player, Peter Engström and Sebastian Rutgersson began to incorporate melodic song based elements and vocals into their music. The end results led to the impressive second album ‘Elva’, but they celebrated their chiptune influenced roots with the jolly YELLOW MAGIC ORCHESTRA salute of ‘Kanpai!’

Available on the album ‘Elva’ via Killing Music

http://www.047.se/


MARSHEAUX Now & Never (2012)

‘The E-Bay Queen Is Dead’ was collection of rarities from the MARSHEAUX archives. While Marianthi Melitsi and Sophie Sarigiannidou have done a fair number of cover versions in their time, they are not really known for doing instrumentals. But the electro-boppy ‘Now & Never’ was a very promising wordless demo that Vince Clarke would have approved of; as one of his former DEPECHE MODE colleagues once sang: “words are very unnecessary…”

Available on the album ‘The E-Bay Queen Is Dead’ via Undo Records

http://marsheaux.com/


SOFT METALS Hourglass (2012)

Fusing Detroit techno with more European experimental forms, Patricia Hall and Ian Hicks’ second SOFT METALS album ‘Lenses’ featured the fabulous instrumental ‘Hourglass’. As Hall put it: “I really wanted to write lyrics for that one, but was never quite satisfied with what I came up with. I decided it would be better to let that one be an instrumental. I think it holds up on its own. It’s nice to give the listener a chance to interpret its meaning on its own rather than direct them with words”.

Available on the album ‘Lenses’ via Captured Tracks

https://www.facebook.com/SOFTMETALS/


VILE ELECTRODES The future through a lens (2013)

Anais Neon and Martin Swan’s tribute to ‘Assault On Precinct 13’, ‘The future through a lens’ was a moody but booming instrumental that began their excellent debut longer player of the same name, which later netted a Schallewelle Award for ‘Best international Album’ in 2014. With their vast array of analogue synthesizers and exquisite taste for sound textures, it won’t be too surprising if VILE ELECTRODES aren’t offered some soundtrack opportunities in the near future.

Available on the album ‘The future through a lens’ via
https://vileelectrodes.bandcamp.com/album/the-future-through-a-lens

http://www.vileelectrodes.com/


TODD TERJE Delorean Dynamite (2014)

Although making his name within EDM circles, the Norwegian producer born Todd Olsen paid a musical tribute to ‘Back To The Future’ and its futuristic gull-wing doored Delorean DMC-12 car with this suitably driving Synthwave instrumental. Unlike other so-called dance producers, Terje is conversant with electronic music history and possesses a wry sense of humour, as evidenced by the witty wordplay of track titles like ‘Inspector Norse’ and his own DJ moniker.

Available on the album ‘It’s Album Time’ via Olsen Records

http://toddterje.com/


BLANCMANGE Cistern (2015)

After the first phase of BLANCMANGE, Neil Arthur and Stephen Luscombe worked within the TV and film industry, scoring soundtracks and incidental music. Although best known for his voice, Neil Arthur’s instrumentals have been a continual form of expression. The brilliant ‘Cistern’ comes over like an imaginary Bond Theme for a retro-futuristic world. The wordless wonder that is the parent album ‘Nil By Mouth’ is an unsung masterpiece.

Available on the album ‘Nil By Mouth’ via Blanc Check

http://www.blancmange.co.uk


RODNEY CROMWELL Baby Robot (2015)

Adam Cresswell’s sombre vocals and the darker lyrical themes on his debut RODNEY CROMWELL album ‘Age Of Anxiety’ took a breather with the bright and breezy ‘Baby Robot’. With sweet synthesizer melodies, pretty glints of glockenspiel and a bouncy beatbox, the instrumental was inspired by birth of his son. “Yes, ‘Baby Robot’ is the one track on the album that’s 100% upbeat as it is about the experience of being a father” he gleefully told The Electricity Club.

Available on the album ‘Age Of Anxiety’ via https://happyrobotsrecords.bandcamp.com/

http://www.happyrobots.co.uk/


DARKNESS FALLS Thunder Roads (2015)

While Danish duo DARKNESS FALLS are better known for their melancholic Nordic vocals and neo-gothic overtones on songs like ‘The Void’, the dark synthy instrumental ‘Thunder Roads’ proved to be one of the most striking tracks on their second album ‘Dance & Cry’. With a punchy drum machine mantra and menacing reverberant sequence, it was augmented by guitar screeches and sombre six string basslines reminiscent of JOY DIVISION and THE CURE.

Available on the album ‘Dance & Cry’ via Fake Diamond Records

http://darknessfallsmusic.com/


JEAN-MICHEL JARRE & BOYZ NOISE The Time Machine (2015)

JEAN-MICHEL JARRE’s first album for since ‘Teo & Tea’ in 2007 was a two volume opus entitled ‘Electronica’; it features collaborations with a number of synth pioneers and modern day dance artists including BOYZ NOISE aka Berlin DJ Alexander Ridha. This climactic track took on a new life as the set closer on the French synth maestro’s ‘Electronica’ world tour, with a lasered 3D visual feast that required no special glasses! BUT BEWARE OF FLASHING IMAGES! 😉

Available on the album ‘Electronica 1 – The Time Machine’ via Columbia Records

http://jeanmicheljarre.com/


JOHN CARPENTER Utopian Façade (2016)

The horror film king recorded his ‘Lost Themes’ series in collaboration with his son Cody and his godson Daniel Davies as standalone pieces, without the pressure of having to put the music to moving images. The second volume was completed on a tighter schedule to accompany a world concert tour and thus replicated some of the challenging moods in his soundtrack work with tracks like ‘Utopian Façade’ recalling his classic movie soundscapes.

Available on the album ‘Lost Themes II’ via Sacred Bones

http://www.theofficialjohncarpenter.com/


KYLE DIXON & MICHAEL STEIN Stranger Things (2016)

Dixon and Stein are members of the Texan group SURVIVE and their accompanying music to ‘Stranger Things’, a cross between ‘ET’, ‘The Goonies’ and ‘Alien’, sent electronic music fans into online meltdown with its use of vintage analogue synths. With a soundtrack influenced by the horror flicks of Dario Argento and of course John Carpenter, the one minute opening title music to the acclaimed drama series said all that was needed to be said in its brooding dissonant tones.

Available on the soundtrack album ‘Stranger Things – Volume 1’ via Invada Records

https://www.facebook.com/survivesurvive/


TINY MAGNETIC PETS Klangfarben (2016)

As would be expected from a title like ‘Klangfarben’, this vibrant instrumental from Dublin trio TINY MAGNETIC PETS is an enjoyable homage to Germanic music forms, with a loose percussive feel that still maintains that vital degree of Motorik. A word meaning “soundcolour”, it refers to a technique whereby a musical line is split between several instruments, rather than assigning it to just one instrument, thereby adding timbre and texture to proceedings.

Available on the EP ‘The NATO Alphabet EP’ via https://tinymagneticpets.bandcamp.com/

https://www.facebook.com/Tiny-Magnetic-Pets-69597715797/


Text by Chi Ming Lai
25th April 2017

TEC’s 25 FAVOURITE ARTIST COLLABORATIONS

Artist collaborations can be seen in several ways.

LoweSumnerMarrTennantThey are either a chance to take the best elements of great bands to form an even greater supergroup, or as has happened in many cases, there is a watering down of prime concepts which results in a fragmented mess of little interest to anyone.

So here are 25 artist collaborations that actually worked; the list is restricted to one song per main act, defined as being the one who released the parent album.

That means PET SHOP BOYS, who have been among the most ubiquitous and willing of conspirators, get to appear as themselves and as guests of ELECTRONIC and DAVID BOWIE while NEW ORDER’s Bernard Sumner appears as part ELECTRONIC as well as also moonlighting for THE CHEMICAL BROTHERS and Philip Oakey of THE HUMAN LEAGUE gets in there twice as a guest.

Over more recent years, there appears to have much more freedom for artists to collaborate, notably with SPARKS recently unveiled collaboration with Glasgow based art rockers FRANZ FERDINAND, named rather straightforwardly FFS. And this is reflected by this list here which has a bias towards new millennium recordings, although The Electricity Club is pleased to say, this is a CALVIN HARRIS free zone 😉


SYLVIAN SAKAMOTO Bamboo Houses (1982)

Sylvian SakamotoBoth David Sylvian and Ryuichi Sakamoto were beginning to make their artistic presence felt outside of JAPAN and YELLOW MAGIC ORCHESTRA, and having collaborated on ‘Taking Islands in Africa’, another project was always on the cards. ‘Bamboo Houses’ expanded on the electro-acoustic textures of ‘Tin Drum’ over a catchy percussive framework courtesy of Steve Jansen. Sylvian delivered his usual mournful vocal but Sakamoto’s monologue and marimba gave the track that extra ethnic authenticity.

Available on the DAVID SYLVIAN compilation ‘A Victim of Stars 1982-2012’ via Virgin Records

http://www.davidsylvian.com/

http://sitesakamoto.com/


MIDGE URE & MICK KARN After A Fashion (1983)

MidgeUre+MickKarn‘After A Fashion’ was a blistering sonic salvo that crossed the best of JAPAN’s rhythmical art muzak with ULTRAVOX’s ‘The Thin Wall’. However, it stalled at No39 in the UK singles charts and sadly, there was to be no album. But Karn later played on Ure’s ‘Remembrance Day’ in 1988 and Ure briefly joined JBK, the band formally known as JAPAN sans David Sylvian for an aborted project in 1992 that resulted in two songs ‘Cry’ and ‘Get A Life’. Sadly Karn passed away in 2011 after losing his battle against cancer.

Available on the MIDGE URE album ‘No Regrets’ via Music Club Deluxe

http://www.midgeure.co.uk/

http://mickkarn.net/


SHARPE & NUMAN Change Your Mind (1985)

Sharpe+Numan-Change-Your-MindVery much seen as the odd couple, the duo’s promotional photos captured the curly haired jazz funk aficionado with The Iceman! Bill Sharpe was pianist with jazz fusion group SHAKATAK. Together with their drummer Roger Odell, they had written a piece of computerised electrofunk that needed a vocal. Engineered by Nick Smith who had also been working with GARY NUMAN, he suggested that the former Mr Webb would be ideally suited to the futuristic backing. ‘Change Your Mind’ reached No17 in the UK.

Available on the SHARPE & NUMAN album ‘Automatic’ via Cherry Pop

http://www.numan.co.uk

http://www.billsharpe.com


LES RITA MITSOUKO & SPARKS Singing In The Shower (1990)

singing in the showerIn France, LES RITA MITSOUKO became unlikely pop stars thanks to danceable hit singles such as ‘Marcia Baïla’ and ‘C’est Comme Ça’. Vivacious singer Catherine Ringer and oddball instrumentalist Fred Chichin were influenced by the eccentric overtures of SPARKS and with a moniker in a similar vein to the Mael Brothers’ breakthrough LP ‘Kimono My House’, an artistic union was inevitable. With the two duos “feeling dirty and feeling clean”, the catchy ‘Singing In The Shower’ was a hit in Europe.

Available on the LES RITA MITSOUKO album ‘Marc & Robert’ via Virgin France

http://www.catherineringer.com/

http://allsparks.com/


ELECTRONIC featuring PET SHOP BOYS The Patience Of A Saint (1991)

electronic‘The Patience Of A Saint’ from ELECTRONIC’s debut was undoubtedly the highlight of that album. Featuring the involvement of both PET SHOP BOYS, the witty exchange between Bernard Sumner and Neil Tennant was accompanied by a gorgeous backing track of drum machine, swimmy string synth and minimal guitar. Incidentally, the song was premiered in front of 60,000 people when ELECTRONIC, with Tennant and Lowe in tow, supported DEPECHE MODE at Dodger Stadium in August 1990.

Available on the ELECTRONIC album ‘Electronic’ via Warner Music

http://www.feeleverybeat.co.uk/

http://www.petshopboys.co.uk/


808 STATE featuring IAN McCULLOCH Moses (1993)

808State-GorgeousFollowing the departure of founder member Martin Price, ‘Gorgeous’ was 808 STATE’s first album as a three piece. Featuring early mash-up experiments based around UB40, THE JAM and JOY DIVISION, one of the wholly original compositions though was ‘Moses’, a rare electronically backed outing by ECHO & THE BUNNYMEN’s Ian McCulloch. Sounding like NEW ORDER with a Scouse snarl, the unusual but enjoyable partnership was the highlight of the album.

Available on the 808 STATE album ‘Gorgeous’ via ZTT Records

http://www.808state.com/

http://www.bunnymen.com/


ELEKTRIC MUSIC featuring ANDY McCLUSKEY Kissing The Machine (1993)

ElektricMusic-EsperantoRecorded for his ELEKTRIC MUSIC project after leaving KRAFTWERK, Karl Bartos’ collaboration with OMD’s Andy McCluskey featured one of his best melodies synth melodies. Bartos told The Electricity Club: “He suggested we do something together and I was up for it… We picked some cassettes and finally I found the opening notes of ‘Kissing The Machine’. A month later he sent me a demo”. With fabulously surreal lyrics about a love affair with a sexy robot, it became a cult favourite. OMD resurrected the song in 2013.

Available on the ELEKTRIC MUSIC album ‘Esperanto’ via SPV Records

http://www.karlbartos.com/

http://www.omd.uk.com/


LEFTFIELD LYDON Open Up (1993)

Leftfield_Open_UpJohn Lydon had shown himself to be open to collaboration following 1984’s ‘World Destruction’ as TIME ZONE with electro rap pioneer Afrika Bambaataa. But ‘Open Up’ with the then relatively unknown dance duo LEFTFIELD came as something of a surprise. Lydon was suitably angry as he reflected on the tensions of his adopted home with a screaming “Burn Hollywood, burn!” over an intense electronic soundtrack. LEFTFILELD would later work with Afrika Bambaataa themselves on ‘Afrika Shox’ in 1999.

Available on the LEFTFIELD album ‘A Final Hit’ via Sony Music

http://www.leftfieldmusic.com/

http://www.johnlydon.com/


DAVID BOWIE featuring PET SHOP BOYS Hallo Spaceboy (1996)

hallo_spaceboyBLUR’s Alex James once remarked that having a PET SHOP BOYS remix was like having your dog being taken for a walk, but then, when it came back, it was a different dog! PET SHOP BOYS certainly re-produced this Bowie/Eno composition from ‘1.Outside’ into a much more commercial proposition, even utilising the cut-up technique to decide which words Neil Tennant would sing. Reaching No12, ‘Hallo Spaceboy’ became Da Dame’s biggest UK hit since ‘Jump They Say’ in 1990!

Available on the DAVID BOWIE album ‘Nothing Has Changed’ via EMI Music

http://www.davidbowie.com/

http://www.petshopboys.co.uk/


THE CHEMICAL BROTHERS featuring BERNARD SUMNER Out Of Control (1999)

Chemical Bros-Out_of_control‘Out Of Control’ was THE CHEMICAL BROTHERS’ sonic template actually fulfilling its potential within a song based format with Bernard Sumner as the willing conspirator. ‘Out Of Control’ had everything from a bombastic backbeat and cerebral sequences to bizarre lyrics, especially when Sumner resigned that “maybe my moustache is too much…”. The association with Sumner continued when they produced NEW ORDER’s terrific ‘Here To Stay’ for Factory Records biopic ’24 Hour Party People’.

Available on THE CHEMICAL BROTHERS album ‘Singles 93-03’ via Virgin Records

http://www.thechemicalbrothers.com/

http://www.neworder.com


SYSTEM F featuring MARC ALMOND Soul On Soul (2001)

marc almond+system fFerry Corsten had a huge international hit in 1999 with ‘Out Of The Blue’ under his SYSTEM F moniker. It highlighted the spiritual connection between synthpop and trance so to substantiate the link further, the Rotterdam based producer recruited MARC ALMOND to guest on the blinding ‘Soul On Soul’ for a spirited, club friendly workout. This all tied in nicely with SOFT CELL’s comeback album ‘Cruelty Without Beauty’ which finally arrived in Autumn 2002.

Available on the album ‘Out Of The Blue’ via Tsunami Records

http://www.ferrycorsten.com/

http://www.marcalmond.co.uk/


X-PRESS2 featuring DAVID BYRNE Lazy (2002)

lazyThe Dumbarton born TALKING HEADS frontman was back in the mainstream limelight for the first time since the band disbanded in 1991 with this superb online collaboration with British DJ duo X-PRESS2. David Byrne gave his best afflicted ‘Psycho Killer’ meets ‘Once In A Lifetime’ warble for what became a No2 UK chart hit. He later reworked ‘Lazy’ with orchestral embellishments for his 2004 solo long player ‘Grown Backwards’.

Available on the X-PRESS2 album ‘Muzikizum’ via Skint Records

http://www.skintentertainment.com/artists/skint/x-press-2

http://davidbyrne.com/


JUNKIE XL featuring DAVE GAHAN Reload (2003)

RadioJXL‘Reload’ was a welcome relief after DEPECHE MODE’s paradoxically titled ‘Exciter’. The brief sojourn with Dutch producer Tom Holkenborg aka JUNKIE XL proved once and for all how well Dave Gahan’s voice worked on uptempo electronic dance tracks. He may be more interested in  MUMFORD & SONS these days, but frankly, over a lively synth laden backbone is where he sounds best. The ‘Radio JXL: A Broadcast from the Computer Hell Cabin’ album also featured guest vocals from GARY NUMAN!

Available on the JUNKIE XL album ‘Radio JXL: A Broadcast From the Computer Hell Cabin’ via EMI Music

http://www.junkiexl.com/

http://www.davegahan.com


ERASURE featuring CYNDI LAUPER (2007)

erasure-storm-chaserMs Lauper was heading towards a career renaissance with her excellent ‘Bring Ya To The Brink’ album in 2008 so her collaboration with ERASURE in 2007 was quite timely. A soulful slice of Trans-Atlantic synthpop, ‘Early Bird’ was an enjoyable duet between her and Andy Bell that turned out to be the one of the more memorable tracks that emerged from ERASURE’s rather lukewarm ‘Light At The End Of The World’ sessions.

Available on the ERASURE EP ‘Storm Chaser’ via Mute Records

http://www.erasureinfo.com/

http://www.cyndilauper.com


LITTLE BOOTS featuring PHILIP OAKEY Symmetry (2009)

untitledAt the time ‘Symmetry’ was unveiled, THE HUMAN LEAGUE had not released any new material since 2001. With a fabulous chorus, this was the nearest thing to a new HUMAN LEAGUE track with Victoria Hesketh doing her best Susanne Sulley impression. So when it was Phil talking, it was magic. “Tell me your dreams and I’ll tell you all my fears” he announced, as they complimented each other in a way that had not really even been heard on a League record before.

Available on the LITTLE BOOTS album ‘Hands’ via 679 Recordings

http://www.littlebootsmusic.co.uk

http://www.thehumanleague.co.uk


MY ROBOT FRIEND featuring ALISON MOYET Waiting (2009)

my robot friend+moyet-waitingMY ROBOT FRIEND aka Howard Rigberg famously created the song ‘We’re The Pet Shop Boys’ in honour of Messrs Tennant and Lowe, who subsequently covered it by way of a reverse compliment. Rigberg went recruited ALISON MOYET for her first purely electronic adventure since the YAZOO days on ‘Waiting’. This welcome union with its off-kilter synth sounds alongside her voice no doubt helped ignite her interest in working within the genre again, the result of which was 2013’s ‘the minutes’.

Available on the MY ROBOT FRIEND album ‘Soft-Core’ via Double Feature/Worried Rainbow

http://www.myrobotfriend.com/

http://www.alisonmoyet.com/


PET SHOP BOYS featuring PHILIP OAKEY This Used To Be The Future (2009)

pet_shop_boys_yes_etc_50‘This Used To Be The Future’ was a dream trioet, exclusive to ‘Yes etc’, that featured Neil Tennant, Philip Oakey and Chris Lowe. With Lowe actually singing as opposed to just speaking, this triumphant celebration of yesterday’s tomorrow saw Oakey deadpan in that classic disappointed tone that things didn’t quite turn out how Raymond Baxter predicted on ‘Tomorrow’s World’! In that much loved HUMAN LEAGUE style, he finally resigns himself and at grunts“AMEN!”.

Available on the PET SHOP BOYS album ‘Yes: Further Listening 2008-2010’ via EMI Music

http://www.petshopboys.co.uk/

http://www.thehumanleague.co.uk


RÖYKSOPP featuring ROBYN The Girl & The Robot (2009)

girl&therobotThe centrepiece of RÖYKSOPP’s third album ‘The Girl & The Robot’ was perhaps the culmination of ROBYN’s steady rise as a truly independent female artist. Despite having gained success in 1997 with the R’n’B tinged ‘Show Me Love’, ROBYN’s superiors at BMG reacted negatively to her new electropop aspirations inspired by fellow Swedes THE KNIFE. Frustrated, ROBYN bought herself out of her contract and set up her own Konichiwa Records, giving her the freedom to work with whoever she wanted.

Available on the RÖYKSOPP album ‘Junior’ via Wall Of Sound / PIAS

http://royksopp.com/

http://robyn.com/


BLANK & JONES featuring CLAUDIA BRÜCKEN Don’t Stop (2010)

The Logic Of PleasureThe German dance duo had previously worked with Miss Brücken on ‘Unknown Treasure’, a most gorgeous electrobeat ballad from 2003. ‘Don’t Stop’ was a progression on that but with a wider texture pallet and more abstract electronic overtones. Despite being less song based, vocally it is classic Claudia with its spoken verse and sexy ice maiden delivery in chorus.

Available on the BLANK & JONES album ‘The Logic Of Pleasure’ via Kontor Records

http://www.blankandjones.info

http://www.claudiabrucken.co.uk


CRYSTAL CASTLES featuring ROBERT SMITH Not In Love (2010)

notinloveRe-recorded for single release, Alice Beer took a breather to allow guest Robert Smith from THE CURE to take lead vocals on ‘Not In Love’, a dark but accessible number from CRYSTAL CASTLES’ second album. Smith more than fitted in with the Canadian duo’s aggressive and occasionally chaotic electronic template on this frantic uncovering of a song originally recorded by obscure Toronto new wave combo PLATINUM BLONDE.

Available on the CRYSTAL CASTLES featuring ROBERT SMITH single ‘Not In Love’ via Last Gang/Fiction Records

http://www.crystalcastles.com/

http://www.thecure.com


MOTOR featuring MARTIN L GORE Man Made Machine (2012)

MOTOR’s electro stomper ‘Man Made Machine’ featured vocals by DEPECHE MODE’s Martin Gore in a collaboration which came over a bit like a camp IGGY POP. Gore certainly sounded a touch nervous and uneasy, luring over the duo’s brand of harder edged schaffel techno which only enhanced its appeal. Incidentally, the same titled parent album also featured guests such as GARY NUMAN, BILLIE RAY MARTIN and NITZER EBB’s Douglas J McCarthy.

Available on the MOTOR album ‘Man Made Machine’ via CLR

http://www.wearemotor.com

http://www.martingore.com


FOTONOVELA featuring MIRRORS Our Sorrow (2013)

tonofloveNot content with producing MARSHEAUX and collaborating with OMD on ‘Helen Of Troy’, Greek duo FOTONOVELA released a more song based second album featuring a number of prominent international vocalists entitled ‘A Ton Of Love’. One of the numbers ‘Our Sorrow’ featured James New from the much missed MIRRORS. In the vein of classic OMD, New’s majestic vocal touching the heartstrings, the wonderful melancholy was perfect, soulful electronic pop.

Available on the FOTONOVELA album ‘A Ton of Love’ via Undo Records

http://www.facebook.com/undofotonovela

http://www.facebook.com/theworldofmirrors


JOHN FOXX & JORI HULKKONEN Evangeline (2013)

John_Foxx_Jori_Hulkkonen_-_European_Splendour_CDFoxx and Hulkkonen had worked together previously on various one-off songs like ‘Dislocated’ and ‘Never Been Here Before’ but had never before attempted a body of work with a conceptual theme. When the two finally found some collaborative time together, he result was ‘European Splendour’, an EP with a grainier downtempo template than before. The lead track ‘Evangeline’ was full of depth, coupled with an anthemic chorus and vibrant exchange of overworldly character throughout.

Available on the JOHN FOXX & JORI HULKKONEN EP ‘European Splendour’ via Sugarcane Records

http://www.metamatic.com/

http://www.jorihulkkonen.com


SIN COS TAN featuring CASEY SPOONER Avant Garde (2013)

sin cos tan+casey spoonerSIN COS TAN’s Jori Hulkkonen first found fame as part of TIGA & ZYNTHERIUS back in 2001 at the height of the Electroclash movement. Partly recalling that era, ‘Avant Garde’ saw Casey Spooner from the scene’s flag bearers FISCHERSPOONER make a guest appearance on the duo’s second long player ‘Afterlife’. The track itself though was more like THE CURE produced by PET SHOP BOYS with Spooner providing a suitably cynical snarl to contrast Juho Paalosmaa’s impassioned lost boy cry.

Available on the SIN COS TAN album ‘Afterlife’ via Solina Records

http://sincostan.net/

http://www.fischerspooner.com


iEUROPEAN featuring WOLFGANG FLÜR Activity Of Sound (2014)

iEuropean+WolfgangAlthough Wolfgang Flür ’s last full album project was as YAMO with ‘Time Pie’ back in 1997, there was this marvellous electronic number entitled ‘Activity Of Sound’, recorded in collaboration with iEUROPEAN. The project of Dublin based artist Sean Barron, the additional female monologue  was provided by Barron’s wife, Izabella. The track sees Herr Flür quoting an archive interview with the late avant garde composer John Cage to a soundtrack of hypnotic synthetic bliss.

Available on the iEUROPEAN featuring WOLFGANG FLÜR download single ‘Activity Of Sound’ via Subculture Records

https://www.facebook.com/pages/iEuropean/149564838461817

http://www.musiksoldat.de


Text by Chi Ming Lai
25th May 2015, updated 15th April 2018