Tag: Taxx

THE ELECTRICITY CLUB… The Next Generation?

Sitting on the sofa with my now thirteen year old daughter, who over the years has acquired a rather sarcastic sense of humour (who on Earth does she get that from?!) and pondering how to approach this task of reviewing ‘The Electricity Club’ compilation, makes us both burst out with hearty laughter.

After all, she wants to rise to the occasion properly, and review things “just like Mummy does”, or maybe not, as “Mummy always says it as it is!”

Children have the innate ability to always tell the truth; my daughter, however, has an uncontrollable need to please people, so this could really go either way. She will either be pulling her disgusted face, saying “what a load of rubbish!”, or candidly praise, without certainty.

My own adventure with music dates back many years indeed. I was brought up within, what they used to call in communist Poland, “an intelligence family”, meaning both my parents were white collar workers, rather than working class.

My father, a respectable judge, had loved his music greatly and was an avid guitar player himself, while my mum, a teacher, enjoyed listening to pretty much anything within the popular genre (usually via her radio, which, to this day, is always on).

Recalling the baby book entry, which my mum recorded when I was at the tender age of five, saying “Monika loves listening and dancing to records, she could spend all day doing so”, makes me try and remember the old record player and hundreds of vinyl albums which my parents owned.

All this said, I hold my older by ten years brother solely responsible for my eventual music choices. As I was growing up, I just had to endure what he was listening to (at great volume, may I add!).

As legal copies of western music were incredibly hard (or, simply, impossible) to get, his room was full of pirate cassette tapes of everything from THE HUMAN LEAGUE to MICHAEL JACKSON and anything and everything in between.

He would take great pride in inviting me into his musical cave and fed me with DEPECHE MODE, ERASURE, ELECTRIC LIGHT ORCHESTRA and OMD.

And all this worked… during his absence, I’d sneak in and put my favourites on, which would primarily include the works of DEPECHE MODE, with the vinyl of ‘Black Celebration’ and maxi-single vinyl of ‘Stripped’ being the firm first choices. And that’s how I acquired the electronic music bug. From then on, not much else mattered but coming home from school and playing the entire back catalogue of the Basildon boys, dotted with the works of YAZOO and ERASURE.

My Allie has had little choice, since her musical adventure dates back to being in my womb. At the age of three she would sing ERASURE’s ‘You Surround Me’ on top of her little baby voice, and her sweet childish vocal was sampled and recorded by a well-known UK electronic duo.

Her first gig was at the age of five, and she went to see ERASURE at six and DEPECHE MODE twice at the grown-up age of seven, keenly taking part in the experience.

Although since she’s found love for KATIE PERRY, ARIANA GRANDE and TAYLOR SWIFT, and electronic music hasn’t been on her radar much lately, she absolutely loved ASHBURY HEIGHTS’ ‘The Looking Glass Society’. She also has a lot of vintage DEPECHE MODE on her Spotify playlist, interestingly enough none of it past ‘Songs Of Faith & Devotion’, and plays it at least twice a week.

Having heard that, I would include her opinion in the tongue-in-cheek review of The Electricity Club compilation, she keenly decided to be a serious contributor, and so it goes…

MAISON VAGUE Synthpop’s Alive

Allie: I don’t like it but I like it…

Mon: Bit GARY NUMAN this is! But a tad laboured and rough and ready.

Allie: I like the synth sounds, the voice sounds a bit weird.

KID KASIO Full Moon Blue

Mon: Ah, my favourite of Nathan’s! Love it, love it, love it!

Allie: I like the sounds, the first bit sounds a bit like DEPECHE MODE!

Mon: Yeah, a tribute to ‘Two Minute Warning’!

Allie: That’s it! I like it a lot. I like his voice.

ELECTRONIC CIRCUS Roundabout

Allie: Oh my God! Rubbish!

Mon: Why? *cannot contain the laughter*

Allie: It’s just rubbish!

Mon: Erm, the synth is good, not sure about the vocal…

DAYBEHAVIOR It’ s A Game – Marsheaux remix

Mon: I like this, analog synth! Lovely…

Allie: I like it, like the vocal, but it’s not something I’d listen to if I had a choice.

Mon: Oh, I would. Very good song and well produced by MARSHEAUX.

MARNIE The Hunter

Allie: Reminds me of something but I don’t know what. I like it, love the vocal.

Mon: I hear a bit of LADYTRON, BJÖRK and MARSHEAUX. It’s fresh and enticing.

Allie: Yes, LADYTRON! That’s it!

NIGHT CLUB Cruel Devotion

Allie: Ohhhh, I like that!

Mon: You’ve met them last year Allie! Very good!

Allie: Oh yes, I do like this! I like the background sound and the vocals. I’d play that in my room… She doesn’t sound American! Is she American?

Mon: Yes! *laughs*

Allie: I’d make music like that!

ELEVEN ELEVEN Through The Veil

Mon: I like the beginning, bit of KYLIE there.

Allie: I don’t know who that is! I like the vocals!

Mon: I like the sound! (Note to self: “must educate Allie on KYLIE”).

QUEEN OF HEARTS United

Mon: Oh I’m liking this, fat synth and decent voice…

Allie: I like it, both synth and the vocal.

KATY PERRY Hot N Cold – Marsheaux remix

Allie: It’s KATY PERRY! I like this! I like this remix, it’s different from the original! *singing out loud*

Mon: I never liked the original and this doesn’t do it for me either.

Allie: What?! I love it! But her voice is a bit screechy, like on the normal version!

ERASURE Be The One – Paul Humphreys remix

Allie: Sounds like ERASURE…

Mon: It is!

Allie: Ah, I knew it! Is it a remix?

Mon: Yep.

Allie: I love ERASURE, this is lovely.

Mon: Totally agree.

KID MOXIE The Bailor

Allie: I don’t like her vocals.

Mon: I do, it’s a good song.

Allie: I like the music, the melody is nice.

Mon: It’s a grown up song, very atmospheric and cinematic. Great use of synth. My kind of electronica.

KEEP SHELLY IN ATHENS Oostende

Allie: I like it! The vocals are great. I’d listen to it in the car.

Mon: Yes, it’s good, both vocally and musically.

FOTONOVELA featuring JAMES NEW My Sorrow

Allie: I’ve heard it before.

Mon: Really? I haven’t! You must be thinking of something else.

Allie: It’s ok, reminds me of something you’ve played before.

GIRL ONE & THE GREASE GUNS Jessica

Allie: I don’t like it, vocals aren’t great, don’t like the music.

Mon: It’s not my cup of tea either, but I’m sure it’ll appeal to few people.

AUTOMATIC WRITING Continuous

Mon: Interesting start! It’s different, I shouldn’t like it but I do.

Allie: It’s ok, again, it reminds me of something.

METROLAND Thalys – London edit

Mon: Oh I like that. Simple arrangement and that’s all you need. Not sure about the voice sample though.

Allie: It’s very robotic, like science fiction. It’s like something from another planet. It’s KRAFTWERK!

RODNEY CROMWELL Black Dog

Allie: Yeah! That’s ok! *does a little dance*

Mon: Hmmm, not sure. It’s not unpleasant.

SIN COS TAN Trust

Allie: Don’t know, not sure about that one.

Mon: It’s ok.

Allie: Bored now!

POLLY SCATTERGOOD Other Too Endless – Vince Clarke remix

Mon: Good synth on this one. Liking this a lot. Competent vocals and arrangement, a real stand out.

Allie: Not my cup of tea.

TENEK What Do You Want?

Allie: Is that MESH? Sounds like it!

Mon: No, it’s not, it’s TENEK. It’s a good song.

Allie: Yes, I really like it. I like the instruments.

ANALOG ANGEL We Won’t Walk Away

Allie: It’s fast. Not my kind of thing.

Mon: It’s very well written. It needs more oomph! Very OMD.

ARTHUR & MARTHA Autovia

Allie: It’s not in tune… I don’t know, I don’t like it.

Mon: It’s different, not me either…

MARSHEAUX Suffer The Children

Mon: A cover. Good.

Allie: It is good, bouncy.

SECTION 25 My Outrage

Mon: Oh dear, messy! Too candied for me, bit all over the place.

Allie: Yes, I don’t think it’s good. I can’t describe it but it’s not something I’d listen to.

047 featuring LISA PEDERSEN Everything’s Fine

Allie: Clubby! Like it. Yes, I do! *bounces away*

Mon: Good, isn’t it? I like the club feel to it. A good dance song.

TAXX Is It Love?

Mon: Oh yes, good stuff! Progressive. Decent vocal too.

Allie: It’s ok, but I wouldn’t listen to it in the car. At a disco, maybe…

LIEBE I Believe In You

Allie: You know the ding-ding sounds? They remind me of PET SHOP BOYS!

Mon: “Ding-ding sounds!” To me the vocal technique resembles NEW ORDER. It’s good.

QUIETER THAN SPIDERS Shanghai Metro

Mon: It’s ok.

Allie: Too poppy, way too poppy. Chow mein? *laughs*

iEUROPEAN feat WOLFGANG FLÜR Activity Of Sound

Mon: That’s it! The synth is all there. Semi-modular synth? Very tidy!

Allie: I do actually like it! It’s club but different.

TWINS NATALIA Destiny

Mon: Not me vocally but decent synth I suppose.

Allie: I like the vocals! I don’t know, all confused now, too many songs!

Mon: No, that’s awful.

MESH Tuesday

Mon: YAZOO cover Allie!

Allie: I knew that I knew it! Is that MESH?!

Mon: Yes!

Allie: Thought so. I like anything MESH!

Mon: Now, there’s a surprise!

Allie: You know me!

MIRRORS Between Four Walls

Allie: Like this one, nice music.

Mon: Bit laboured… it’s not bad though.

OMD Time Burns – Fotonovela rework

Allie: Very robotic.

Mon: Not me!

VILE ELECTRODES Deep Red

Allie: I like the vocals, sounds a bit like Sarah Blackwood!

Mon: It’s Jane actually!

Allie: Ahhhh! Doh! I like that a lot. It’s slow! *laughs*

Mon: It is good, but no surprise there.

Allie: Is that the last song?!

Mon: Yes…

Allie: Thank god, I’m tired now!

She will sleep well! I have to say, she did surprise me with some songs and disappointed with others but that just proves to me, that tastes do indeed vary, and even if I’m vehemently against something, others will find it enticing.

‘The Electricity Club’ compilation is a marvellous collection of tunes, and that’s a given. There’s something for everyone here and what a cross-section of all electronica. Still, I come to conclusion that thirteen year olds are probably not mature enough to fully appreciate certain synth music…

Will she follow in my steps? Not for a while… if ever! The one thing we certainly have in common: WE SAY IT AS IT IS!


‘The Electricity Club’ is released on 3rd December 2018 by Amour Records / Minos EMI / Universal Music in collaboration with Undo Records as a 34 track 2CD set in a deluxe 6 panel digipak with track-by-track commentary and ‘O’ card; the compilation can be pre-ordered from the following retailers:

Europe http://www.poponaut.de/various-artists-electricity-club-p-18056.html

North America https://stormingthebase.bandcamp.com/merch/various-the-electricity-club-2cd

Please note this product is NOT on sale through The Electricity Club website and only via retailers

A Spotify sampler of the compilation can be listened to at: https://open.spotify.com/playlist/7xwTYTeH6b5vgCqjZudfGE

http://www.amour-records.com

https://www.facebook.com/amour.records/

https://twitter.com/Amour_Records

https://www.instagram.com/amour_records/

https://www.minosemi.gr/

https://www.facebook.com/MinosEmi/


Text by Monika Izabela Trigwell
1st December 2018

THE ELECTRICITY CLUB 2CD Compilation

Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club.

Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre. Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era and have a desire to hear new music seeded from that ilk.

Little did The Electricity Club know when it launched on 15th March 2010, it would go on to interview many of the key players in Synth Britannia, get granted an audience with two former members of KRAFTWERK and be influential in helping some of the best new synthesizer talents gain a profile within a reinvigorated scene. So it is highly apt that WOLFGANG FLÜR should make an appearance on this collection.

The Electricity Club is pleased to showcase its ethos in the form of this tangible audio artefact. Among the impressive cast, there are prime movers from the classic era like PAUL HUMPHREYS and VINCE CLARKE. Without the influence of the bands they respectively co-founded, OMD and DEPECHE MODE, electronic pop as The Electricity Club likes it would not exist.

Meanwhile the next generation are represented by acts such as KID MOXIE, NIGHT CLUB, RODNEY CROMWELL and VILE ELECTRODES. Incidentally, the latter were invited to support OMD on their 2013 German tour following ANDY McCLUSKEY’s discovery of the duo while perusing The Electricity Club’s virtual pages. The bloodline from ‘Radio-Activity’ to ‘Romance Of The Telescope’ and then to ‘Deep Red’ is easily traceable and deeply omnipresent.

The Electricity Club has always relished its diverse taste credentials. It doesn’t do retro or contemporary, just good music. No other compendium could dare to include the spiky post-punk of GIRL ONE & THE GREASE GUNS and the rousing electro-rock of MESH alongside pop princesses such as QUEEN OF HEARTS or KATY PERRY. Be it Glasgow’s ANALOG ANGEL and MARNIE, Manchester veterans SECTION 25 or Essex boys TENEK, it all fits into The Electricity Club’s avant pop playground.

With international representation also from Gothenburg’s DAYBEHAVIOR and 047, Shanghai synthpoppers QUIETER THAN SPIDERS, Texan dance duo ELEVEN: ELEVEN, Belgium’s own passengers METROLAND and the self-explanatory KEEP SHELLY IN ATHENS, the tracks gathered capture a special moment in time where innovative musical aspirations and good tunes have again manifested themselves in the same context.

The collection features a number of covers including MESH’s take on YAZOO’s ‘Tuesday’ and MARSHEAUX’s reinterpretation of TEARS FOR FEARS’ first single ‘Suffer The Children’. In addition, tracks such as MARSHEAUX’s stomping remix of KATY PERRY’s ‘Hot ‘N’ Cold’ and MIRRORS’ ‘Between Four Walls’ make their premiere in CD format.

The tracklisting is:

CD1

01 MAISON VAGUE Synthpop’s Alive
02 KID KASIO Full Moon Blue
03 ELECTRONIC CIRCUS Roundabout
04 DAYBEHAVIOR It’s A Game (Marsheaux remix)
05 MARNIE The Hunter
06 ELEVEN:ELEVEN Through The Veil
07 NIGHT CLUB Cruel Devotion
08 QUEEN OF HEARTS United
09 KATY PERRY Hot ‘N’ Cold (Marsheaux remix)
10 ERASURE Be The One (Paul Humphreys remix)
11 KID MOXIE The Bailor
12 KEEP SHELLY IN ATHENS Oostende
13 FOTONOVELA featuring JAMES NEW Our Sorrow (Original mix)
14 GIRL ONE & THE GREASE GUNS Jessica 6
15 AUTOMATIC WRITING Continuous
16 METROLAND Thalys (London Edit)
17 RODNEY CROMWELL Black Dog

CD2

01 SIN COS TAN Trust
02 POLLY SCATTERGOOD Other Too Endless (Vince Clarke remix)
03 TENEK What Do You Want? (Alternate TEC version)
04 ANALOG ANGEL We Won’t Walk Away
05 ARTHUR & MARTHA Autovia
06 MARSHEAUX Suffer The Children
07 SECTION 25 My Outrage
08 047 featuring LISA PEDERSEN Everything’s Fine
09 TAXX Is It Love?
10 LIEBE I Believe In You
11 QUIETER THAN SPIDERS Shanghai Metro
12 iEUROPEAN featuring WOLFGANG FLÜR Activity Of Sound
13 TWINS NATALIA Destiny
14 MESH Tuesday
15 MIRRORS Between Four Walls
16 OMD Time Burns (Fotonovela rework)
17 VILE ELECTRODES Deep Red


‘The Electricity Club’ is released by Amour Records / Minos EMI / Universal Music in collaboration with Undo Records as a 34 track 2CD set in a deluxe 6 panel digipak with track-by-track commentary and ‘O’ card; the compilation be purchased from the following retailers:

Europe http://www.poponaut.de/various-artists-electricity-club-p-18056.html

North America https://stormingthebase.bandcamp.com/merch/various-the-electricity-club-2cd

Please note this product is NOT on sale through The Electricity Club website and only via retailers

http://www.amour-records.com

https://www.facebook.com/amour.records/

https://twitter.com/Amour_Records

https://www.instagram.com/amour_records/

https://www.minosemi.gr/

https://www.facebook.com/MinosEmi/


Text by Chi Ming Lai
12th November 2018, updated 16th January 2020

Five Years of TEC: 30 Lost Songs of The Electricity Club 2010 – 2014

Over the five years since its inception on 15th March 2010, The Electricity Club has aimed to highlight the best new music within the electronic pop world.

But with so much music and only a finite allocation of time, songs have slipped under the radar occasionally, or perhaps only received a glancing mention.

However, a bit of time and distance can reveal if these recordings really are actually lost gems and whether The Electricity Club missed the boat.

So here are 30 songs from the cover the period between March 2010 to December 2014 which The Electricity Club feels are worthy of rediscovery. They have been released as physical product or purchasable / free downloads and are listed in chronological and then alphabetical order.


YVY DEMINA Alley of Aces (2010)

Zwischenfall - A New Decade Vol. 01Sounding like night meeting day with an omnipresent gothic allure, YVY DEMINA has been making music since 2007 but despite having songs on compilations, so far she has yet to have a release in her own right. A debut EP scheduled for July 2009 never materialised but the excellent ‘Alley Of Aces’ crept out on the ‘Zwischenfall – A New Decade Vol. 01’ compendium which also featured XENO & OAKLANDER. No more has been heard since…

Available on the compilation album ‘Zwischenfall – A New Decade Vol. 01’ via Real Voice Of Underground

https://soundcloud.com/yvy-demina/yvy-demina-alley-of-aces


LYLEE Sternentanz (2010)

LYLEE SternentanzSeductive, Weimer Cabaret styled electropop with a rich, layered atmosphere, ‘Sternentanz’ was a gloriously vibrant song from this promising German songstress. But aside from three mixes of ‘Sternentanz’ and another track titled ‘Kein Weg Zu Weit’ on the single release, that was it. LYLEE’s website has long since gone offline so despite Google, there appears to be no extra information on her whatsoever… so a song and artist truly lost.

Available as a download single via Batleth Records, extended version available on the compilation album ‘electropop.5’ via Conzoom Records

http://www.last.fm/music/Lylee


TIKKLE ME Remind The World (2010)

tikkle meSick of female fronted synthpop? Well, tough! We want “synths with balls” cry the electro fraternity still stuck in their shouty, chauvinistic cauldron! But as the feminist synth combo TIKKLE ME put it on their song ‘Remind The World’: “I’ve got no balls you see… I’ve already checked!”. This Swedish collective certainly made a positive impression with some thought provoking lyrics on their feisty self-titled debut album and have tunes too! Their second album ‘What Is Real’ is even better!

Available on the download album ‘Tikkle Me’ via Gaphals

http://tikkleme.se/


047 Featuring LISA PEDERSEN Everything’s Fine (2011)

047 Everythings FineWith some rich Scandipop in the vein of ROBYN courtesy of guest vocalist LISA PEDERSEN, ‘Everything’s Fine’ showed that Swedish electronic duo 047 could produce quality song based material. Sebastian Rutgersson and Peter Engström started out as a chiptune act before expanding their sonic template on their second album proper, ‘Elva’. It is territory they’re continuing in with the much anticipated follow-up, currently being recorded.

Available on the album ‘Elva’ via Killing Music

http://www.047.se/


JOHAN AGEBJÖRN & LE PRIX featuring LAKE HEARTBEAT Watch The World Go By (2011)

johan-agebjornJOHAN AGEBJÖRN is better known as cult Swedish songstress SALLY SHAPIRO’s right hand man, but for his debut solo album, he brought in a number of guest vocalists like QUEEN OF HEARTS for ‘Casablanca Nights’, a rather danceable electronic pop album. ‘Watch The World Go By’ was an uptempo highlight with a longing, melancholic vocal from Janne Kask of LAKE HEARTBEAT that was treated to the point of being almost feminine.

Available on the download album ‘Casablanca Nights’ via Paper Bag

http://www.johanagebjorn.info/


CITIZENS! True Romance (2011)

citizensProduced by FRANZ FERDINAND’s Alex Koupranos, CITIZENS! ‘True Romance’ had a hint of HOT CHIP collaborating with Vince Clarke about it. Catchy and quirky, it was released in late 2011 and even had a slight passing resemblance to the CCS remix of LYKKE LI’s ‘Little Bit’. From a so-called indie band, ‘True Romance’ had a fresh, synth assisted approach that didn’t involve too many guitar interventions.

Available on the album ‘Here We Are’ via Kitsuné

http://www.citizenscitizens.com/


HIGH PLACES Year Off (2011)

HIGH PLACES Original colorsHIGH PLACES are a duo based in Brooklyn. Dark but danceable, Mary Pearson’s half spoken / half wispy vocals on the haunting ‘Year Off’ are unearthly. As a percussive mantra takes hold, the cacophony of synthetic sound produced by musical partner Rob Barber only enhances the cerebral experience of this magnificent track, with an electronic bassline solid enough to knock your head on.

Available on the album ‘Original Colors’ via Thrill Jockey Records

https://www.facebook.com/pages/High-Places/83873543030


NIKI & THE DOVE Mother Protect (2011)

NIKI&THEDOVE Mother ProtectWhile quite obviously derived from THE KNIFE and the hanutronica mood of the times, ‘Mother Protect’ was a great brooding tune from NIKI & THE DOVE. Malin Dahlstrom had a menacing growl that strangely sat between Karin Dreijer and Cyndi Lauper on this doom laden percussive rattle. The pair had potential and while THE KNIFE go to Eurovision of ‘DJ, Ease My Mind’ was another good tune in their cannon, they lacked consistency and the debut album ‘Instinct’ was not quite as impressive.

Available on the EP ‘The Drummer EP’ via Sub Pop

http://www.nikiandthedove.com


SPLENDOR PROJEKT Darkest Days (2011)

electropop6Full of European melancholy, ‘Darkest Days’ did what it said on the tin and appeared on the ‘Electropop.6’ compilation alongside VILE ELECTRODES and OBLIQUE. The vehicle of French producer Peter Rainman whose remixed for artists on labels such as Dependent, A Different Drum and Out Of Line, to date this has been his last offering as SPLENDOR PROJEKT. It is often quite puzzling how some musical ventures never get beyond a few released songs, while other less satisfactory acts keep going on and on…

Available on the compilation album ‘electropop.6’ via Conzoom Records

http://www.discogs.com/artist/1034736-Splendor-Projekt


PATRICK WOLF In The City – Richard X Mix (2011)

the-city-patrick-wolf1PATRICK WOLF once claimed to have had his image and act nicked by LA ROUX, but he seemed to do alright for himself as a kind of 21st Century’s answer to MARC ALMOND. With the synthetically accessible Richard X remix of ‘This City’, he actually came over like the lost Glaswegian band H20 through a Eurodisco filter. If Wolf actually stopped worrying about having his thunder stolen and actually did more stuff like this, he might then be able to outstrip LA ROUX.

Available on the download single ‘In The City’ via Hideout Recordings

http://www.patrickwolf.com


CHROMATICS Kill For Love (2012)

Chromatics_-_Kill_for_LoveHailing from Portland, CHROMATICS were one of the brace North American electronic acts who appeared on the ‘Drive – Original Motion Picture Soundtrack’ with their song ‘Tick Of The Clock’. ‘Kill For Love’ from their fourth album of the same name could have been THE JESUS & MARY CHAIN if they were a female fronted synth band. With a lo-fi, punkier edge to their sound, CHROMATICS straddle several camps and bring a unique template to the alternative music table.

Available on the album ‘Kill For Love’ via Italians Do It Better

https://www.facebook.com/CHROMATICSBAND


COMPUTE Goodbye (2012)

seventies revisitedGothenburg’s Ulrika Mild is COMPUTE whose first two releases ‘This’ in 2009 and ‘The Distance’ in 2012 impressed with their wispy, emotive DIY synthpop. Since then, she also found time to record a fabulous cover of ‘Goodbye’, written by Paul McCartney and first recorded by Mary Hopkin, for a tribute CD that also featured Swedish synth veterans PAGE with a great electro version of SLADE’s ‘Coz I Luv You’. Known for taking her time over things, COMPUTE’s third release is still eagerly awaited.

Available on the download compilation album ‘The Seventies Revisited’ via Friends of Electronically Yours

http://www.compute.se


MORTEN HARKET Scared Of Heights (2012)

MORTEN HARKET Scared Of HeightsFollowing the second disbandment of A-HA in 2010, MORTEN HARKET has sat again in that awkward artistic hinterland where he has the voice and the cheekbones, but is more challenged in the songwriting department. However, the spritely ‘Scared Of Heights’ written by Espen Lind, a mentor on the Norwegian version of ‘The Voice’, recalled the best of A-HA’s classic singles with Harket’s trademark falsetto allowed to let rip. However, Harket is unlikely to ever escape A-HA…

Available on the album ‘Out Of My Hands’ via Island / Universal Music

http://mortenharket.com/


LIZ & LASZLO Rien À Paris (2012)

LIZ & LASZLO Rien À ParisWhile bandmate Sean McBride was busy with his MARTIAL CANTEREL solo project, XENO & OAKLANDER’s Liz Wendelbo took a parallel busman’s holiday and contributed string synths and vocals to some tracks recorded by Xavier Paradis of AUTOMELODI fame. Perhaps lighter than XENO & OAKLANDER and more obviously in key, ‘Rien À Paris’ captured Wendelbo’s Gallic charms in a manner than was Francoise Hardy rather than her usual Jane Birkin.

Available as a download single via Visage Music

https://www.facebook.com/lizandlaszlo


PURITY RING Belispeak (2012)

PURITY RING BelispeakThe act that influenced CHVRCHES, Edmonton duo PURITY RING combined synths and glitch techniques with a clattering, off-kilter drum machine backbone. Megan James’ vocals aren’t that far off Lauren Mayberry’s sweet tones but while ‘Belispeak’ was a good tune full of invention and atmosphere, overall PURITY RING have perhaps lacked the pop oriented immediacy and focus of their Glaswegian contemporaries. Where they head next in the light of this will be interesting…

Available on the album ‘Shrines’ via 4AD

http://purityringsongs.com/


TOMORROW’S WORLD So Long My Love (2012)

TOMORROW’S WORLD So Long My LoveThe enticing project of NEW PONY CLUB’s Lou Hayter and Jean-Benoît Dunckel from AIR, ‘So Long My Love’ was a wonderfully motorik number with hypnotic drum machine, brash synth effects and sexy nonchalance all thrown into the bargain. Such an interesting combination had so much potential, but the resultant self-titled album released in 2013 lacked the vibrancy of this calling card and was sadly a disappointment.

Available on the album ‘Tomorrow’s World’ via Homebase

http://tomorrowsworld.fr/


CLUB 8 Stop Taking My Time (2013)

Club-8-Stop-Taking-My-TimeReleased on Sweden’s Labrador Records who launched THE SOUND OF ARROWS, ‘Stop Taking My Time’ was proof that a danceable electronic tune didn’t have to be a journey into death by four-to-the-floor or longer than five minutes. With Karolina Komstedt’s dramatically assertive vocal and a bursting bassline, CLUB 8 showed in a crisp 180 seconds that glorious, uplifting synthpop could still have an impact.

Available on the album ‘Above The City’ via Labrador Records

http://www.club-8.org/


DELPHIC Baiya (2013)

DELPHIC BaiyaLike fellow Mancunians HURTS, DELPHIC were hailed as one of the great hopes for male fronted electronic pop with a sound not unlike A CERTAIN RATIO gone right! Their debut album ‘Acolyte’ showed what they could be capable of, if they could only turn their extended jams into songs. However, the follow-up album ‘Collections’ disappointed with a misguided excursion into rap. The launch single ‘Baiya’ though was a cracker, combining the anthemic vocal pomp of MUSE with the rhythmical overtures of PRINCE.

Available on the album ‘Collections’ via Polydor Records

https://www.facebook.com/delphicmusic


FORT ROMEAU Stay True (2013)

FortRomeauTrueGhostly are the innovative label founded by American electronic musician MATTHEW DEAR and home to electro-punksters ADULT. Their roster also includes a number of interesting acts like London based FORT ROMEAU. The project of producer Michael Greene, ‘Stay True’ takes on a pulsating electro influence, but is allowed to breathe and progress with the space permitted by the length of the piece.

Available as a download EP via Ghostly Records

http://ghostly.com/artists/fort-romeau


ISAAC JUNKIE featuring GLENN GREGORY Something About You (2013)

ISAAC JUNKIE+GLENN GREGORY Something About YouHaving toured both ‘Penthouse & Pavement’ and ‘The Luxury Gap’, HEAVEN 17 really needed to record new material to maintain their credibility. It could be argued that this collaboration with Mexican producer ISAAC JUNKIE and GLENN GREGORY went part of the way in kick starting that. A marvellously trancey electronic dance tune, the only thing that stops ‘Something About You’ from being perfect is the way Mr Gregory’s vocals have been processed and distorted.

Available on the single ‘Something About You’ via Isaac Junkie Records ‎

https://soundcloud.com/isaacjunkie


KEEP SHELLY IN ATHENS Oostende (2013)

KeepShellyInAthens_AtHomeLike MARSHEAUX crossed with POLLY SCATTERGOOD, the dream laden chillwave of ‘Oostende’ showcased what COCTEAU TWINS might have sounded like had they been a synth duo. Comprising of the gorgeous afflicted voice of Sarah P,. and the mysterious RΠЯ, KEEP SHELLY IN ATHENS actually hailed from the Greek capital, but sounded like they’d emerged from a frozen Fjord in Narvik. Sarah P. subsequently departed in 2014, but KEEP SHELLY ATHENS continue today with new singer Myrtha.

Available on the album ‘At Home’ via Cascine

http://keepshellyinathens.blogspot.co.uk/p/blog-page.html


KITE The Rhythm (2013)

kite VDespite having released their five EPs in five years, this Swedish duo have tended to be overlooked. There was a two year wait for KITE’s most recent EP ‘V’, but it was worth the wait when Nicklas Stenemo and Christian Berg offered some fine, if mournful electropop in the shape of ‘The Rhythm’. With layers of exuberant synth sounds and Stenemo’s almost chant like vocals full of brooding sadness but with a glimmer of hope, the next EP ‘VI’ is set for a Spring 2015 release.

Available on the EP ‘V’ via Progress Productions

https://www.facebook.com/KiteHQ


NATTEFROST Will I Get To Your Heart? (2013)

NATTEFROST futurizedNATTEFROST is Danish musician Bjørn Jeppesen whose tenth album ‘Futurized’ encompassed many of the spacey elements of yesterday’s tomorrow that fans of JEAN MICHEL JARRE and KRAFTWERK would enjoy. Featuring as a guest vocalist, Michel Moers of Belgian synth subversives TELEX, his Gallic nonchalance on ‘Will I Get to Your Heart?’ is particularly good with sequenced percussive effects and rich synth sweeps providing some old fashioned synthpop.

Available on the album ‘Futurized’ via Sireena Records

http://www.nattefrost.dk/


MULU featuring RUSSELL MAEL David – Frozen Smoke Remix (2013)

Frozen smokeSPARKS have never just been an exclusively synthpop act but with the Mael Brothers more orchestrated in their instrumental template these days, it is rare to hear the magnificent nuances of Russell Mael on an electronic track in the 21st Century. This rather good collaboration with MULU remained strangely unreleased until dance act FROZEN SMOKE threw caution to the wind and let their synth dominated remix with its meaty snare sounds out. Singer Laura Campbell sounded totally glorious next to the younger Mael.

Originally available as a free download via Soundcloud, currently unavailable

http://www.allsparks.com/

https://soundcloud.com/frozensmoke


NIGHT ENGINE Give Me A Chance (2013)

NIGHT ENGINE Give Me A ChanceArt rockers NIGHT ENGINE are possibly the most interesting guitar driven band to come out of the UK for some time. What separates them from the pack is their use of whirring synths for their solos. The rousing ‘Give Me A Chance’ fuses DAVID BOWIE and TALKING HEADS before digressing into a punchy end section which would conscript the quartet into TUBEWAY ARMY. And this is without mentioning that lanky vocalist / guitarist Phil McDonnell has that menacing air of Thin White Duke about him too.

Available on the download EP ‘Night Engine’ via Demand Vinyl / Something In Construction

http://www.nightengine.net/


TAXX Is It Love? (2013)

TAXX Is it loveMining the heritage of Italo disco, enigmatic Greek singer / songwriter TAXX aka Taxiarchis Zolotas successfully combined atmospherics, propulsive bass sequences and a solid electro beat on the immensely catchy ‘Is It Love?’. With a moodiness reminiscent of PET SHOP BOYS, but with spacey buzzes and a harder kick, TAXX’s homage to the club based sub-genre was a worthy excursion into classic European pop.

Available on the download single ‘Is It Love?’ via Undo Records

https://www.facebook.com/pages/TAXX/136706069723907


TRENTMØLLER featuring SUNE ROSE WAGNER Deceive (2013)

TRENTMØLLER featuring SUNE ROSE WAGNER DeceiveAnders Trentemøller made a name for himself when he remixed DEPECHE MODE’s ‘Wrong’ in 2009. He succeeded not only in stamping his own vision with a far superior interpretation but highlighted shortcomings in DM’s production department. The muted synth trumpets and spacey swirls of ‘Deceive’ driven by an incessant drum machine made for a positively nocturnal atmosphere . And when crossed with an eerie vocal turn by Sune Rose Wagner, it all came over brilliantly like DM meeting DEATH IN VEGAS.

Available on the album ‘Lost’ via In My Room

http://www.anderstrentemoller.com/


ELECTRIC YOUTH feat ROOM 8 Without You (2014)

ey.11183Hailing from Canada, ELECTRIC YOUTH’s collaboration with COLLEGE entitled ‘A Real Hero’ was included on ‘Drive – Original Motion Picture Soundtrack’ in 2011. Their debut album ‘Innerworld’ finally came out in Autumn 2014 and one of its highlights was another collaboration, this time with ROOM8 called ‘Without You’. The bridge and chorus are particularly tremendous. Now if this electronic ditty had come out thirty years ago, there is no doubt it would have ended up in a Brat Pack movie.

Available on the album ‘Innerworld’ via Last Gang Entertainment / Secretly Canadian

http://www.electricyouthmusic.com/


EMIKA Let’s Dance (2014)

DAVID BOWIE - RECOVEREDPitch shifted to an almost asexual resonance, EMIKA delivered a wonderfully unique cover of one of Bowie’s best known tunes. The stabbing synth melody only vaguely sounds like it may have been derived from the original ‘Let’s Dance’. Indeed, this is more of a tribute with EMIKA herself describing it as “A new time-travel, gender twisting experiment in honour of one of my favourite artists…” – indeed, DURAN DURAN’s ‘Union Of The Snake’ sounds more obviously like a cover of ‘Let’s Dance’ than this does 😉

Available on the CD ‘David Bowie – Recovered’ free with Rolling Stone Germany – May 2014

http://www.emika.co.uk/


TAYLOR SWIFT New Romantics (2014)

taylor swift 1989 deluxeThe now New York based pop princess moved away from her Nashville roots for her first overtly pop album ‘1989’. Whereas tracks like ‘Blank Space’ and ‘Out Of The Woods’ merely flirted with synthpop in the mould of CHVRCHES, the appropriately titled deluxe bonus track ‘New Romantics’ almost went the full hog! In fact, if Miss Swift’s inherent Americanisms were not so apparent, this enticing number could easily be mistaken for the dreamy allure of Scandipodean twins SAY LOU LOU.

Available on the album ‘1989 – Deluxe edition’ via Big Machine Records

http://www.taylorswift.com


Text by Chi Ming Lai
26th February 2015, updated 2nd August 2017