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Tag: Taylor Swift (page 1 of 2)

QUEEN OF HEARTS Interview

QUEEN OF HEARTS is the musical vehicle of Elizabeth Morphew. Her debut album 'Cocoon' was a fine collection of electropop that reflected “love, loss, heartbreak, betrayal”.  The sessions featured three notable collaborations with the Berlin based producer Mark Reeder. Following a break from music, QUEEN OF HEARTS returned in 2018 with 'Cold' and 'The Water Between Us'. She invited The Electricity Club to her palace to chat about her career to date and much more… Continue Reading ›

DOCUMENTARY EVIDENCE Interview

Documentary Evidence is an unofficial Mute Records website run by freelance music journalist Mat Smith. Smith compiles an end of year Top 10 albums listing and in 2017, he controversially included TAYLOR SWIFT’s ‘Reputation’ at No4 above the No6 placed ‘Spirit’ from DEPECHE MODE. Mat Smith gave an explanation as to why last year, he preferred Taytay over Essex Dave and presented his Documentary Evidence… Continue Reading ›

CHVRCHES Love Is Dead

Having delivered the decent second album that LITTLE BOOTS, LA ROUX, LADYHAWKE or HURTS never managed, can CHVRCHES’ continue the upward momentum with their third album ‘Love Is Dead’? With the kaleidoscopic lead single ‘Get Out’ and its supreme singalong showcasing Lauren Mayberry, Iain Cook and Martin Doherty in full bouncy Taylor mode, nothing more than their most overt pop statement to date can be expected. Continue Reading ›

CHVRCHES Get Out

When CHVRCHES released ‘The Mother We Share’, The Electricity Club described it as “the sound of TAYLOR SWIFT gone electro”. And now with the kaleidoscopic ‘Get Out’, the bouncy first song to be previewed from CHVRCHES’ as-yet-untitled third album, Lauren Mayberry, Iain Cook and Martin Doherty have gone the full Taylor and presented their most overt pop statement to date. With a highly infectious chorus and bridge, ‘Get Out’ is one of those supreme singalongs. Continue Reading ›

TAYLOR SWIFT New Romantics

TAYLOR SWIFT New RomanticsA conceptual opus based around George Orwell’s ‘1984’ but looking at the spectre of ‘Big Brother’ five years on, TAYLOR SWIFT’s ‘1989’ sold over a million physical copies during its first week in the US. One track that did not fit in with the ‘1989’ concept was deluxe bonus track ‘New Romantics’. But the now New York based pop princess’ celebration of the most colourful of youth movements in the 20th Century has now been released as a single. Continue Reading ›

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