With THE ART OF NOISE’s influential and innovative reputation, this live gig was never going to be an ordinary one. The British Library is certainly not your run of the mill venue either and this show was part of ‘A Season of Sound’.
With their reputation as early pioneers of sampling and use of the Fairlight to grab found sounds alongside more conventional drums and synth textures, this reboot of THE ART OF NOISE made a perfect fit to help celebrate the Library’s own collection of audio. Continue Reading ›
‘The Punishment Of Luxury’ is OMD’s thirteenth long player and could be considered a natural progression from ‘English Electric’. The album takes its name from an 1891 painting by Giovanni Segantini.
It begins with the title track and a mighty electro rhythm section enhanced by a bright infectious melody, robot harmonies and chants. Reflecting on the dilemma of first world problems, it’s a fabulous opener that captures elements of KRAFTWERK, THE ART OF NOISE and THE PRODIGY. Continue Reading ›
With the first two songs previewed from their new album ‘The Punishment Of Luxury’, could it be possible but OMD are even more electronic than ever before?
‘The Punishment Of Luxury’ is OMD’s thirteenth long player and they continue their retro-futurist themes with ‘Isotype’, inspired by the International System of Typographic Picture Education developed in 1935. Meanwhile, the recently unveiled album title song is a classic OMD number with Germany calling. Continue Reading ›
The switch to digital technology in the production of synthesizers caused a seismic shift not just in the way that music was produced, but also how analogue devices were perceived.
The choice of digital synthesizers here is a fairly personal one and it isn’t intended to endorse a particular product. The synths chosen are also from the first wave of digital synths and as such doesn’t include any of the current wave of digital-based products. Continue Reading ›
Trevor Horn is a producer who can be said to have shaped modern pop music. In 1981, Horn started a run of producing and co-writing four singles for pop duo DOLLAR; this attracted the attention of NME journalist Paul Morley and they would later establish the ZTT label
Listing some of his more interesting adventures in modern recording, The Electricity Club chooses eighteen works from Trevor Horn that fit closest to its ethos. Continue Reading ›