Tag: The Durutti Column
To celebrate the four decade legacy of Factory Records, Rhino / Warner Music Group have released two lavish boxed sets. ‘Use Hearing Protection: Factory Records 1978-1979’ gathers facsimile editions of the first 10 Factory items issued with a catalogue number. The second boxed set 'Factory Records: Communications 1978-92' is a reissue of the 4CD collection originally released in 2009.
Label historian / biographer James Nice took time out to chat about all things Factory… Continue Reading ›
Europe is the spiritual home of electronic music, inspiring it not just artistically but forming an important bond with the continent’s classical tradition through the romance of its historical imagery.
From Paris to Vienna back to Düsseldorf City, With a restriction of one track per artist moniker, here are The Electricity Club’s favourite twenty electronic tunes that were inspired, either directly or obliquely, by the legacy of Europe… Continue Reading ›
James Nice is a music publisher and writer whose acclaimed 2010 book ‘Shadowplayers: The Rise and Fall of Factory Records’ provided a detailed and objective account of the legendary label. He also worked for the prestigious Belgian label Les Disques du Crépuscule between 1987-91, which he has recently resurrected.
Set to open TEC004 on SATURDAY 5TH NOVEMBER with a DJ set of classic tunes from the Crépuscule era, James Nice kindly chatted about his various endeavours. Continue Reading ›
Factory Records was one of the most iconic record labels that emerged post-punk. Founded in 1978 by Granada TV presenter Tony Wilson and actor Alan Erasmus, Wilson became more widely known for his TV series ‘So It Goes’ so was seen as a champion of new music.
Via its great and not so good and using a restriction of one song per artist moniker, The Electricity Club gives its own take on Factory Records’ arty, but chaotic adventure. Continue Reading ›