Although he became a noted producer during the height of punk, it was with THE HUMAN LEAGUE’s ‘Dare’ that Martin Rushent’s reputation as an electronic music pioneer was forged.
Focussing primarily on his work with synthesizers and technology, The Electricity Club looks back at the post-punk career of Martin Rushent. With a limit of one track per album project and presented in chronological order, here is a Beginner’s Guide to the late, great man… Continue Reading ›
Bridging the gap between Synth Britannia and Acid House, PET SHOP BOYS first found international success with ‘West End Girls’ in 1986.
Since their imperial phase, they have shown their versatility in projects ranging from producing or remixing other artists and running their own Spaghetti Records label to assorted theatre, film and ballet commissions. So presented in chronological order with a limit of one track per artist project, here are 20 tracks by PET SHOP BOYS… collaboratively!
Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
James Murphy has never been afraid to wear his influences on his sleeve. In the past, DAVID BOWIE, BRIAN ENO, TALKING HEADS, JOY DIVISION, KRAFTWERK and DAFT PUNK have been mined for LCD SOUNDSYSTEM.
Seven years after the acclaimed album ‘This Is Happening’ which featured the wonderful electronic pop of ‘I Can Change’, the Brooklyn new romantic with an industrial edge continues his magpie ways with a new long player ‘American Dream’. Continue Reading ›
While acts like THE ART OF NOISE and DEPECHE MODE pioneered the use of sampling found sounds to use as new virtual instrumentation, eventual improvements in the technology meant whole recognisable phrases could be cut, manipulated and looped to create new compositions and arrangements.
So The Electricity Club has put aside some of its snobbery to seek out 25 of the most inventive, and some would say, sacrilegious uses of classic synth samples in popular music. Continue Reading ›