Tag: The Knife (page 1 of 4)
As Zola Jesus said recently, looking inwards is something she does a lot of, and in these unprecedented times, isolation and concentration on self, will be something that even the biggest extroverts will have to work on.
Not too dissimilar from Ms Jesus, Sufi inspired Iranian born, Berlin based artist MENTRIX, debuts with her long player ‘My Enemy, My Love’ in which she looks towards the core of her existence. Continue Reading ›
So how did The Electricity Club arrive at its discerning musical ethos?
This is a very personal list of 30 tracks that shaped The Electricity Club. These are primarily songs that solidified and expanded the interest in synth or later provided hope in the face of real music snobbery and the return of the guitar in the wake of Britpop. This is the history that the too cool for school media, who think everything jumped from KRAFTWERK to Detroit Techno in one fell swoop, don't like to mention... Continue Reading ›
If Karin Dreijer and Trent Reznor made a record together, then they might sound like Norwegian leftfield duo SOFT AS SNOW. After two EPs ‘Glass Body’ and ‘Chrysalis’ released in 2014 and 2015 respectively, the Berlin based pairing of Oda Egjar Starheim and Øystein Monsen finally make the plunge on the long playing trail with their first album ‘Deep Wave’ out in April 2018.
‘Snake’ is a fine calling card for ‘Deep Wave’, with stuttering drum machine and whirring synth bass. Continue Reading ›
The First Lady of the Swedish electronic scene Karin Dreijer returns and the comeback is indeed a bit of a ‘Plunge’. Being one half of THE KNIFE who shook the foundations of Swedish synth music and created new directions in all things electronic, Dreijer has for years embodied the most influential figure in darker, artier synthpopia.
THE KNIFE, formed in Gothenburg with her brother Olof, released a few notable albums, including the uncompromising ‘Shaking The Habitual’ in 2013. Continue Reading ›
Swedish duo KITE have unleashed their darkest offering yet in ‘Demons & Shame’. Shaped by a ritualistic drum mantra and brooding bass drones, as the title suggests, the song confronts the despair that life occasionally throws up while pursuing visions and dreams.
Nicklas Stenemo literally screams his frustration over an epic synthetic soundscape from Christian Berg, laced with nocturnal Arctic overtones and the spectre of THE KNIFE. Continue Reading ›