Tag: The Normal
The soundtrack of The Blitz Club was provided by its resident DJ Rusty Egan and its story is more than well documented.
Using Dave Rimmer’s 2003 book 'New Romantics: The Look' as an initial reference point and calling on the memories of Rusty Egan himself to verify whether he had actually played these songs in his DJ sets, here are The Electricity Club’s 25 Songs Of The Blitz Club to celebrate the flamboyant legacy of that Blitz Spirit.
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Without doubt, Mute Records is one of the most important record labels in the history of electronic music. While the early electronic legacy of Virgin Records helped the genre gain its first foothold in the mainstream, the discerning ethos of Mute has maintained its presence in both pop and more experimental fields.
So what twenty albums or EPs best represent Mute’s electronic legacy? With a restriction of one release per artist moniker, here are The Electricity Club’s choices. Continue Reading ›
B-sides have been a wondrous platform of adventure for the music fan, a hidden treasure trove of experimentation that was often a secret society that positioned the listener into being part of a mysterious taste elite. So here are The Electricity Club’s favourite 25 Synth B-sides… but how was this list defined?
These artefacts are flipsides of vinyl or bonus tracks on CD singles; basically songs that were not featured on the original issue of a full length album, or subsequently included on a new one. Continue Reading ›
Some of the most successful and influential underground acts of the last 30 years performed over the two day programme at Short Circuit Presents Mute, curated by the innovative independent record label started by Daniel Miller in 1978 to originally release his single 'Warm Leatherette' / 'T.V.O.D.'under the moniker of THE NORMAL.
But added to that was a unique and possibly equally exciting lecture series featuring production luminaries including Gareth Jones and Flood. Continue Reading ›
'Synth Britannia' traced the rise of the synthesizer and how it changed popular music forever, particularly in the UK. Superbly produced and directed by Ben Whalley with interlinking cultural commentary provided by Simon Reynolds, it was an empathetic documentary that captured the spirit of a golden era in pop.
This is a very personal account of the BBC4 'Synth Britannia' documentary from early 2010 with the programme now embedded onto the article. Continue Reading ›