Tag: Thomas Leer
From Cherry Red Records, the makers of the ‘Close To The Noise Floor’ trilogy showcasing formative and experimental electronic music from the UK, Europe and North America, comes their most accessible electronic collection yet.
Subtitled ‘Independent British Synth Pop 78-84’, ‘Electrical Language’ is a boxed set covering the post-punk period when all that synthesizer experimentation and noise terrorism morphed into pop.
This was pop in a very loose manner with melodies, riffs and danceable rhythms. Largely eschewing the guitar and the drum kit, this was a fresh movement which sprung from a generation haunted by the spectre of the Cold War, Mutually Assured Destruction and the Winter of Discontent. Continue Reading ›
Vinyl still holds a special affection with the emotional attachment given to a piece of music captured on bit of plastic almost unparralled.
So here are 30 synth friendly obscure alternatives from the era when vinyl was king, which for whatever reason, have been lost in the mists of time. These are great but obscure singles and album tracks from places as far flung as Australia, Japan and Canada that were overlooked at their time of release in the UK, but which all deserve critical reappraisal. Continue Reading ›
Two years in the making, ‘Close To The Noise Floor’ is a Cherry Red Records compilation which binds together many of the formative roots of UK electronic music.
It mixes up recognised artists such as THE HUMAN LEAGUE, BLANCMANGE, BEF, OMD and THROBBING GRISTLE side-by-side with those that for a variety of reasons, managed to remain in the shadows of obscurity. This compilation makes a worthy companion piece to the ‘Mute Audio Documents’ set . Continue Reading ›
The late Ronnie Peterson has been acknowledged as one of the fastest Grand Prix drivers of all time, yet he was never crowned World Champion. Statistics can often not be a good indicator of quality and so it is that sometimes, a great single never actually attained the sales recognition it deserved.
So here are 25 singles from predominantly established acts, or collectives featuring figures who are now well known in the music scene, that did not reach the UK Top 40 Singles Chart. Continue Reading ›