Tag: Throbbing Gristle (page 1 of 2)
Influenced by the experimental side of Synth Britannia and the groundbreaking electronica of Warp Records, Bristol-based Finlay Shakespeare has presented one of the most impressive releases of 2020 in his second album ‘Solemnities’.
Finlay Shakespeare kindly took time out and spoke to The Electricity Club about the making of 'Solemnities', its lyrical inspiration and gave a fascinating insight into the equipment involved in the album’s realisation. Continue Reading ›
For Bristol-based Finlay Shakespeare, his interest in synths came from his parents’ record collection.
The material on his debut album ‘Domestic Economy’ was initiated by improvisation whilst being recorded live, with one of its highlights ‘Amsterdam’ being an example in modern Motorik. But ‘Solemnities’ is a definite progression, offering more shape and structure than its predecessor, but maintaining a distinct post-punk anguish.
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The soundtrack of The Blitz Club was provided by its resident DJ Rusty Egan and its story is more than well documented.
Using Dave Rimmer’s 2003 book 'New Romantics: The Look' as an initial reference point and calling on the memories of Rusty Egan himself to verify whether he had actually played these songs in his DJ sets, here are The Electricity Club’s 25 Songs Of The Blitz Club to celebrate the flamboyant legacy of that Blitz Spirit.
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Best known as a founding member of THROBBING GRISTLE, Chris Carter releases his first solo album in 17 years. Together with Cosey Fanni Tutti, Peter Christopherson and Genesis P-Orridge, THROBBING GRISTLE enthralled and irritated audiences.
Over a generous helping of 25 tracks, ‘Chemistry Lessons Volume One’ captures Carter’s enthusiasm for the limitless possibilities of science, with more than a nod towards the work of THE BBC RADIOPHONIC WORKSHOP. Continue Reading ›
Possibly one of the best electronic albums of 2017, ‘Zombies 1985’ is the latest release by I SPEAK MACHINE, the enticing audio / visual collaboration between musician Tara Busch and filmmaker Maf Lewis.
What had been intended to be a more abstract EP turned into a full length album. The end result will no doubt satisfy the curiosity of those with a penchant for stranger things. I SPEAK MACHINE kindly chatted to TEC about the creative in-roads that led to their own day of the dead… Continue Reading ›