Toronto based Glaswegian MICHAEL OAKLEY rode the Synthwave with his debut solo EP ‘California’ in late 2016. Admittedly more synthpop than Synthwave, Oakley’s songcraft was what set him apart from much of that Trans-Atlantic influenced movement.
His debut full-length offering ‘Introspect’ sees MICHAEL OAKLEY re-exploring the music of his teenage years. In particular, Oakley has studied that era's now retrospectively unique sound design. Continue Reading ›
Here are 30 songs which may have escaped attention as the world went grunge and then had an ongoing hangover in the wake of Britpop. Denied mainstream recognition and now lost when looking from a UK perspective even within the dwindling synth music community, these offerings come from artists who have mostly remained in total obscurity.
Starting from 1992 when the CD established itself as the dominant format to the year before TEC came into being, here are 30 Lost Art School Bops. Continue Reading ›
With her distinctive ice maiden delivery, CLAUDIA BRÜCKEN is the undoubted queen of cinematic avant pop. She first came to prominence with PROPAGANDA and the Trevor Horn produced film noir drama of ‘Dr Mabuse’.
Although her catalogue is wide and varied, she is perhaps still very much regarded as a cult figure. The Electricity Club offers a twenty track Beginner’s Guide to her work… Continue Reading ›
‘Let's Make Lots of Money: Secrets of a Rich, Fat, Gay, Lucky Bastard’ is the frank autobiography of Tom Watkins, the Pop Svengali best known for managing PET SHOP BOYS, BROS and EAST 17. Co-written with Matthew Lindsay, the title is provocative. But then, Watkins has always been that kind of a personality.
Called “A big man with a loud voice” by Neil Tennant, his high profile as a manager came with a bolshy ability to extract favourable deals, whether it was his various charges or for himself. With his earlier success founding the design agency XL, it could be argued that Watkins helped shaped an era in modern pop. Continue Reading ›
Trevor Horn is a producer who can be said to have shaped modern pop music. In 1981, Horn started a run of producing and co-writing four singles for pop duo DOLLAR; this attracted the attention of NME journalist Paul Morley and they would later establish the ZTT label
Listing some of his more interesting adventures in modern recording, The Electricity Club chooses eighteen works from Trevor Horn that fit closest to its ethos. Continue Reading ›