The Count and Countess of Swedish electronic pop are back-back-BACK! Eddie Bengtsson and Marina Schiptjenko initially came together in PAGE as far back as 1980, releasing their first single ‘Dansande Man’ in 1983.
Having already covered GARY NUMAN’s ‘Tracks’ in Swedish as ‘Spår’ and paid an initial Numanoid tribute on ‘Utanför’ for ‘Det Är Ingen Vacker Värld Men Det Råkar Vara Så Det’, PAGE have gone the full hog with the ultimate homage to the imperial years of the man born Gary Anthony James Webb. Continue Reading ›
SYNTH GURU Paul Wiffen has moved between working for manufacturers, artists and technical magazines in the decade when synths really came to the foreground.
The musicians he has worked for reads like a Who’s Who of music, including Vangelis, Jean Michel-Jarre, Paul McCartney, Peter Gabriel and Stevie Wonder. Paul Wiffen kindly reminisced with The Electricity Club about his varied music career. Continue Reading ›
There are many bands from the Synth Britannia-era that are often perceived as being electronic, when in fact they either started off in a traditional band format and integrated synthesizers/sequencers or remained like that throughout most of their career.
ULTRAVOX, NEW ORDER and GARY NUMAN all fell into that format, but what about others who have successfully managed to meld the rigidity and coldness of electronics with the more human element of guitars. Continue Reading ›
Giving your back catalogue an orchestral rework has become the thing to do of late, be it using classical musicians as a bolster for a full band performance such as the farewell live A-HA shows at the Royal Albert Hall, or the recent performances by the likes of COVENANT, VNV NATION or OOMPH as part of the Gothic Meets Classics concerts where synths are replaced by wood, brass and strings.
One musician who has worked with large orchestral groups over the years is MIDGE URE. Continue Reading ›
MIDGE URE needs no introduction as one of the UK’s most highly regarded songwriters and musicians. Having become fascinated by KRAFTWERK when they hit the UK charts with ‘Autobahn’ in 1975, he purchased his first synth, a Yamaha CS50 in 1977.
Best known for his involvement in ULTRAVOX and VISAGE, The Electricity Club looks back at MIDGE URE’s great adventure in electronic music via this twenty track Beginner’s Guide, with a restriction of one track per album / project… Continue Reading ›