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Tag: Underworld (page 1 of 2)

TEC’s 2019 End Of Year Review

2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979. Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›

UNDERWORLD Live at Wembley Arena

UNDERWORLD have now (in a variety of incarnations) been in existence for nigh on 40 years and this Wembley show was their biggest UK arena performance to date. It provided a fitting anniversary for an act that has continued to push the envelope of electronic music production. In an effort to make this less of an “ordinary” gig, the show had a heavy focus on the band’s ‘Drift Series’ set of tracks. Continue Reading ›

UNDERWORLD Drift Series 1

The start of November saw the official release of a huge body of work by UNDERWORLD that functions more like a musical diary than a premeditated set of album tracks. ‘Drift Series 1’ first started to take shape a year ago to the release date with the track ‘Another Silent Way’ and a statement from UNDERWORLD that “Drift is the opposite of ‘normal’ or ‘usual’ practice; we’ll do this until we’re dust.” Continue Reading ›

UNDERWORLD & IGGY POP Teatime Dub Encounters

IGGY POP’s 2016 ‘Post Pop Depression’ album was seen by many as his swansong with an also mooted retirement from the live arena because his failing eyesight meant that he had become unable to see the edge of the stage. But in a surprising twist, dance legends UNDERWORLD have coaxed the 71 year old out of retirement and collaborated on the quintessentially British sounding ‘Teatime Dub Encounters’ EP. Comprising of four tracks, the EP clocks in at a lengthy 27 minutes. Continue Reading ›

THE PRESETS Hi Viz

Along with artists such as GRAFTON PRIMARY, CUT COPY and VAN SHE, THE PRESETS were part of the first wave of early millennial Antipodean electronic artists to start having global success. Formed of Julian Hamilton (vocals and synths) and Kim Moyes (drums and synths), activity in THE PRESETS camp started to ramp up again at the end of 2017 with the release of a trilogy of singles which all feature on the new album ‘Hi Viz’. Continue Reading ›

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