Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
‘Millennial Girl’ by SARAH P. is a musical commentary on societies’ obsession with perfection and the perception that others' lives seem so much more accomplished.
More guitar assisted and faster paced than her more dreamy but afflicted offerings, 'Millennial Girl' does capture a spacey vibe despite the use of more live sounding elements. Filmed near Athens by George Geranios, Sarah’s hair and make-up on a brand new visual accompaniment Sophie Sarigiannidou of MARSHEAUX. Continue Reading ›
Despite the absence of new material lately, MARSHEAUX have been busy on the live circuit with prestigious gigs at Hansa Studios in Berlin and Electronic Winter in Gothenburg.
Following the success of their previous album ‘Ath.Lon’ which came out in 2016, MARSHEAUX have backtracked to 2013 for a brand new video to the song ‘To The End’ from the ‘Inhale’ album, filmed at various London locations including the city’s underground system and the trendy enclave of Hoxton. Continue Reading ›
Of GIRL ONE & THE GREASE GUNS, Undo Records say "Imagine a place where THE HUMAN LEAGUE meet LUSH, but on the way they stumble on Sarah Records' Heavenly and all together, they finally meet Alan Vega and SUICIDE!!! Confused, that's the point!!"
GIRL ONE & THE GREASE GUNS confirm their intentions “to thrive on causing confusion with a mixture of pure synthpop and more experimental electronic sounds”. Continue Reading ›
Following the success of MARSHEAUX’s most recent long player ‘Ath.Lon’, Marianthi Melitsi and Sophie Sarigiannidou present a limited edition cassette EP comprising of seven rejected demos from those recording sessions.
Entitled ‘Ath.Lon - Rejected Demos’, the release is limited to 300 copies of the revived analogue format pioneered by Philips in 1962 which provided the provided hours of fun as the late 20th Century’s equivalent of illegal downloading.
“Home Taping Is Killing Music” bore the legend on the paper inner sleeves of LP releases when the UK record industry lobbied the government to impose a blank tape levy in 1982. But with ‘Ath.Lon - Rejected Demos’, MARSHEAUX readily show how the modern day version of home taping is skill in music. Continue Reading ›