Tag: Undo Records (Page 3 of 5)

MARSHEAUX Safe Tonight

MARSHEAUX SafeTonight_CDFollowing the huge success of their DEPECHE MODE covers album ‘A Broken Frame’ in 2015, MARSHEAUX make their highly anticipated return with their first self-penned material since 2013’s ‘Inhale’.

Sunny but succinct, Marianthi Melitsi and Sophie Sarigiannidou have launched their fifth studio album ‘Ath.Lon’ with a single entitled ‘Safe Tonight’.

As well as an extended version, the bundle also contains remixes by FOTONOVELA and NIKONN.

A spectacular video for ‘Safe Tonight’ filmed in Valencia, Spain has now been unleashed. With high production values, it’s like a Mediterranean take on a Nordic Noir drama while in an enigmatic cameo, MARSHEAUX themselves exude that classy sophistication which is omnipresent in their appealing synthpop.

Sparkling, punchy and melodic, ‘Safe Tonight’ is the first fruit of a new found confidence in the MARSHEAUX camp. This has come as a result of the varied international environments they have experienced from increased touring and in Marianthi’s case, a relocation to the city of London.

After the mixed reception for ‘Inhale’ in 2013, ‘Ath.Lon’ is undoubtedly a return to form, with that MARSHEAUX trademark wispiness now blended in with a subtle tone of aggression. The album is released by Undo Records on 16th June 2016.


‘Safe Tonight’ is available as a download bundle or a 4 track CD single from http://www.undorecords.bigcartel.com/product/cdun61-marsheaux-safe-tonight-cd-single

http://www.marsheaux.com/

http://www.undorecords.com/


Text by Chi Ming Lai
2nd June 2016

MARSHEAUX Monument

Work all of my days for this kind of praise…

MARSHEAUX first revealed they were covering the entire of DEPECHE MODE’s ‘A Broken Frame’ in an interview with ELECTRICTYCLUB.CO.UK in January 2014.

They had previously covered ‘New Life’ for the ‘Around The World & Back: A Greek Tribute To Depeche Mode’ album released on Undo Records and met through the local Hysterika DM fan club, so the project was not entirely a surprise. Very much a transitional record, ‘A Broken Frame’ contained a number of songs that were to become fan favourites such as ‘My Secret Garden’, ‘The Sun & The Rainfall’, and ‘Shouldn’t Have Done That’.

The album’s opening gambit ‘Leave In Silence’ even made a return to the DEPECHE MODE live set during 2006’s ‘Touring The Angel’, albeit in stripped down piano form with Martin Gore on lead vocals. A worthy re-assessment of ‘A Broken Frame’ has been long overdue and as the DM album closest to the MARSHEAUX aesthetic, Marianthi Melitsi and Sophie Sarigiannidou have certainly given its songs some interesting arrangements. ‘See You’ in particular has had a radical rhythmical overhaul yet still retains its teenage innocence, while a beefed up ‘Nothing To Fear’ comes over as an optimistic Hellectro statement.

The reworking’s pivotal track ‘Monument’ takes on a starker twist though, with a bassline borrowed from latter day DEPECHE MODE B-side ‘Painkiller’. It adds a sombre sonic undercurrent that compliments the girls’ wispily resigned vocals. Even the lyrics have now taken on a new resonance and could be viewed as a passing commentary on the economic situation in Greece. A new cinematic visual accompaniment for ‘Monument’ has just been unveiled. Filmed on the outskirts of Athens, the video enigmatically conveys the emotional tension of the new arrangement.

The original 1982 long player was the first recorded by DEPECHE MODE without their then main songwriter Vince Clarke, who had left to form YAZOO with Alison Moyet. Martin Gore took over writing duties but while several of the songs such as ‘Meaning Of Love’ and ‘A Photograph Of You’ were naïve, a dark realism started to permeate in the music. MARSHEAUX’s respectful and intuitive approach towards reimagining DEPECHE MODE’s most under rated album has been well received among electronic music fans and Devotees alike.

MARSHEAUX 2015 by George KatsanakisWriting for ELECTRICITYCLUB.CO.UK, Monika Izabela Goss said: “Expressive, innovative and full of character, they denote exactly what this cover album is”.

Meanwhile, Numan friendly blog I Die: You Die said: “…if even a doubter like myself can get excited by the new life Marsheaux breathe into these tunes, then the devout for whom all things DM are sacred should find even more to love”.

‘A Broken Frame’ is now available as a double CD set with bonus B-sides ‘Oberkorn’ and ‘Now This Is Fun’ featuring MIRRORS’ James New, plus a special extended version of ‘A Broken Frame’.


The various formats of ‘A Broken Frame’ and the ‘Monument’ CD single can be ordered from the Undo Records online shop at http://undorecords.bigcartel.com/products

MARSHEAUX play Electronic Summer in Gothenburg on Saturday 29th August 2015, more details at http://www.electronicsummer.se/

http://marsheaux.com/

https://www.facebook.com/marsheaux

http://www.undorecords.com


Text by Chi Ming Lai
Photo by George Katsanakis
5th July 2015

MARSHEAUX A Broken Frame

marsheaux_a_broken_frame_LP“We laid the foundations down…”

DEPECHE MODE themselves would rather prefer to forget the existence of ‘A Broken Frame’, the album which was Martin Gore’s first attempt at songwriting on a bigger scale following Vince Clarke’s departure after ‘Speak And Spell’.

Aside from the stripped back appearance of ‘Leave In Silence’ during ‘Touring The Angel’ in 2006, none of the songs from this record will ever find themselves performed live by the band again, and this transitional piece certainly is not what they boast about.

To a weathered DM fan, it is unclear why; after all, Martin’s genius starts shining through those early pieces and the mood is set for darker things to come. Ten songs, each of them with a different aura and character to form an album which paved DEPECHE MODE’s way onto bigger and greater things.

To think anyone would want to cover it, in its entirety, could have been a conversation point in itself. But MARSHEAUX have gone and done just that on Undo Records. Many artists have had a good go at trying to cover DEPECHE MODE songs with varying success, some releasing surprisingly poor quality substitutes, mainly due to a lack of understanding what the synth legends were all about. Some would seek to attempt to capitalise on something, which over the years had proven rather iconic. In this instance, it is neither. The record is fresh, filled with unique sounds, sexy voices and re-packaged in a manner to attract a new listener.

The order has been adhered to, and the first song, like on the original, is ‘Leave In Silence’. Beefy synths and luscious vocals hit from the beginning, with many DM elements preserved, yet brought to life by modern digital provisions. Dancier than its older sister, but with the all-important synth solos in place, it is mesmerisingly contemporary and en vogue.

MARSHEAUX 2014 by George Katsanakis‘My Secret Garden’ comes in with brilliant drum patterns and a fresh approach to those signature Depeche sounds, interspersed with newer, digitally enhanced gems. With the female vocals throughout, the tune changes into a LADYTRON-like extravaganza, filled with sex appeal and sensuality, very unlike the original, which now sounds flat in comparison with this perfect version.

‘Monument’ steps in with fabulously innovative synth beats canvassing delicately mellow voices. It could not be more different from the Basildon boys’ blueprint. The structure of the song has been retained, and certain remix versions of the original can be recognised, yet the modern accents make it uniquely superb.

There is an underlying warmth, transforming the tune into a floating, dream-like tune, richly textured with architectural accents. Also exquisitely sublime is ‘Nothing To Fear’, which has all the elements of its DM precedent; modern digital beats are intertwined with the old wavetable synthesisers like the PPG Wave 2, which Martin Gore bought after the success of ‘Speak And Spell’ and DM would have used at Blackwing Studios on this track (and the rest of the album).

Next it’s the first single from ‘A Broken Frame’, ‘See You’, which Martin Gore wrote whilst still at school, and originally released in January 1982. A poppy and candy-coated version from MARSHEAUX is exactly what the doctor prescribed, lacking, however, the obvious beefy bass line DM provided on this record. Tonally, it sounds more like SHANK & BIGFOOT’s ‘Sweet Like Chocolate’, rather than The Kings of Electronica’s version. This could potentially limit the likability factor for some, but it certainly increases the danceability element over its predecessor.

MARSHEAUX_shadow‘See You’ is excused with the exquisite ‘Satellite’. An atmospheric version of this reggae track, with a progressive sounding electronic theme, is as quirky, as it is un-laboured. The superb strings and ethereal rolling bassline with uncommon elements is astounding. The simplistic approach makes the track appear uncomplicated, yet one of a kind.

The ever so uplifting ‘The Meaning Of Love’ may not be DEPECHE MODE’s best loved tune, yet MARSHEAUX make it theirs by introducing fresh approach with interesting sound combinations and simple vocals, which have been pre-packed with effects equating to a bright pop song. The clean sounds of a rather well-executed ‘A Photograph Of You’ follow, which again, has all the elements of a good synthpop tune that is fuller and even more interesting than the original.

‘Shouldn’t Have Done That’ is probably the best track on the original DM album, a good indication as to what followed for the Basildon lads… and MARSHEAUX do not disappoint either. It’s a great use of familiar sounds with many more new ones added. Remarkable skill has been put into layering the synths and an unexpected ending with the marching sound DEPECHE MODE used substituted with bass beats.

The firm favourite from the album, ‘The Sun & The Rainfall’ closes this listening pleasure with an utterly different approach to the song. With a bassline resembling AND ONE, and vocals vibrating alongside unique synth variations, this differs vastly from the more measured and sombre Dave version. Somehow the soul of this amazing tune drifts away until the very end, with some quite remarkable goodbye notes.

Released in 1982, ‘A Broken Frame’, being the DM transitional record and wholly unloved by DEPECHE MODE band members themselves, certainly deserved a re-evaluation. MARSHEAUX have used unconventional sounds and vocals to make this record their own, and in the sea of poorly executed Depeche covers, they are definitely swimming above most. Expressive, innovative and full of character, they denote exactly what this cover album is.

MARSHEAUX themselves said: “We know that it sounds strange to listen to ‘Leave In Silence’ and ‘My Secret Garden’ with female vocals. Even we feel surprised! But we hope that we give a whole new dimension to it. And we hope that you’ll love it as we did love it during the recording process”.

Many will say it is indeed vastly better than DEPECHE MODE themselves… will you?


MARSHEAUX’s reinterpretation of ‘A Broken Frame’ is available now as a download via the usual online outlets.

A yellow vinyl LP is released on 23rd February 2015 via Undo Records, pre-order at
http://undorecords.bigcartel.com/product/lpun52-marsheaux-a-broken-frame-lp-yellow

A double CD set with B-sides and an extended version of ‘A Broken Frame’ is set for release in Spring 2015

https://www.facebook.com/marsheaux

http://marsheaux.wordpress.com/

http://www.undorecords.com


Text by Monika Izabela Goss
29th January 2015

A Beginner’s Guide To UNDO RECORDS

UNDO-blkUndo Records is the Athens based record company founded by Nick Bitzenis and George Geranios.

Continuing the tradition of iconic labels like Factory and Mute with an attention to detail and a tasteful if occasionally eccentric design aesthetic, Undo’s physical products have captured the hearts of music fans worldwide and become highly sought after collector’s items.

Legend has it that the name Undo was actually an abbreviation of “United Donkeys” after the name “Gaga” was rejected!

The label was conceived by the pair as a better way of utilising their business interests in light of a lucrative sponsorship deal for Bitzenis’ band MIKRO that saw little return for the power pop combo after a three album tenure with Warner Music Greece.

Undo’s first release though was actually ‘E-Bay Queen’ by MARSHEAUX in 2004, featuring the catalogue number KUCD001 which reflected Undo’s then partnership with distributor Klik Records. Meanwhile, MIKRO’s fourth album ‘180°’ was the label’s second release as KUCD002.

But it was following the cult success of MARSHEAUX’s breakthrough release ‘Peek ABoo’ in 2007 that the label secured a wider distribution deal with EMI Greece. With fans such as Andy McCluskey, Tom Robinson, Stuart Maconie and Jared Leto, the Athens based synth maidens have since become Undo Records’ most acclaimed and prized asset, with MARSHEAUX’s most recent album ‘Inhale’ becoming their biggest seller to date.

A decade later and the label have nearly fifty releases to its name including some key names from classic and modern electronic music. “We make electro pop records!” Undo say, so quite why a representative from a UK music distributor approached them about licensing the BEADY EYE debut long player still remains a mystery!

So here are eighteen songs affectionately chosen for a fantasy CD compilation that represents the ethos of Undo Records. Restricted to one song per artist moniker or guest vocalist combination and arranged in catalogue number / chronological order, this is A Beginner’s Guide to Undo Records…


FOTONOVELA But Not Tonight (2005)

Greek Tribute to DMNick Bitzenis and George Geranios had initially met through the Greek DEPECHE MODE fan club Hysterika. So a DM covers album featuring the best of Greece’s independent bands was a natural artistic undertaking for the pair. MARSHEAUX contributed ‘New Life’ while MIKRO did ‘World In My Eyes’. But the highlight turned out to be from Bitzenis and Geranios themselves via their own music production platform FOTONOVELA with a lounge cover of Da Mode’s often forgotten but popular B-side ‘But Not Tonight’ featuring Bitzenis on lead vocals.

From the CD compilation ‘Around The World & Back: A Greek Tribute To Depeche Mode’ (V/A) – KUCD003

http://www.facebook.com/undofotonovela


MESH Crash (2006)

MESHwecollide62005’s ‘We Collide’ was MESH’s best album to date at that point, so it was a major coup for Undo to have been able to license it for their fourth catalogue release. With ‘Crash’, MESH continued on their usual regular lyrical gists on the conflict within the human condition, providing the sort of synthesized anthems that the blues obsessed 21st Century DEPECHE MODE no longer delivered. For one of the album’s extras on the Undo variant, MARSHEAUX contributed a brilliant electro disco remix of ‘Crash’.

From the CD album ‘We Collide’ – KUCD004

http://www.mesh.co.uk/


NIKONN Sunday (2006)

Although a cult success in Greece via his power pop outfit MIKRO, Nick Bitzenis wanted an outlet to express some of his more soundtrack based ideas… enter NIKONN. His beautiful solo debut album ‘Poladroid’ opened with ‘Sunday’, a rich chill out tapestry in the vein of MOBY featuring expansive synths, soothing vocoder and the exquisite vocals of Maria Papadopoulou. Incidentally, ‘Poladroid’ sold out its original KUCD005 run and was reissued as an ‘SX70 Edition’ with bonus material in 2013 while NIKONN’s work has appeared on ‘CSI: Miami’ and numerous bar compilations.

From the 2CD album ‘Poladroid – SX70 Edition’ – CDUN05

https://www.facebook.com/undonikonn


ESTE Ready For Love (2007)

Undo LM.End_1While ‘Ready For Love’ was actually a Eurodisco hit from the film ‘Deep End’ featuring the Greek actress and Playboy model Maria Korinthiou on lead vocals, the song appeared on a CD compiled by Undo Records that was given away free with domestic music magazine ‘Pop+Rock’ in Spring 2007. Breathy and highly alluring, the mysterious connection that enabled ‘Ready For Love’ to be included was that ESTE turned out to be Bitzenis and Geranios’ production wing FOTONOVELA in disguise!

From the CD compilation album ‘Undo LM.End_1’ (V/A) – MPH049

https://www.facebook.com/maria.korinthiou.official.Fan.Page


MIKRO Kalinihta (2007)

Originating from Greece’s other big city Thessaloniki, MIKRO were noted for their catchy uptempo party anthems. ‘Kalinihta’ from their fifth album ‘Restart’ perfectly captured the imminent conclusion of a rousing night out with some seductive Greek language vocals by Ria Mazini. ‘Restart’ was the first Undo release that featured a ‘CDUN-’ catalogue prefix, reflecting their new distribution deal with EMI Greece. Meanwhile, MIKRO’s next album was released by Undo in separate Greek and English CD editions as ‘Download’ and ‘Upload’ respectively in 2009.

From the CD album ‘Restart’ – CDUN07

http://www.mikro.gr


CLIENT Zerox Machine (2008)

CLIENT Heartland undoBy 2007, CLIENT had left Mute Records and had secured a new European deal with Out Of Line for their third album ‘Heartland’. In 2008, Undo licensed the album for the Greek and Cypriot markets. ‘Zerox Machine’ was a futuristic pop cover of the cult ADAM & THE ANTS favourite that was simultaneously glamorous, cold, emotional and sexy. In a touring tie-in which also saw MARSHEAUX sign to Out Of Line for the rest of Europe while Undo developed a close friendship with lead singer Client B aka Sarah Blackwood that continues to this day.

From the CD album ‘Heartland’ – CDUN09

http://www.clientlondon.com/


KID MOXIE Selector – Fotonovela remix (2009)

KKidMoxie_undoKID MOXIE is the musical project of stunning LA based actress Elena Charbila whose film career has seen her appear alongside Al Pacino and Malcolm MacDowell. Prior to her current cinematic phase on songs like ‘The Bailor’, her first album ‘Selector’ dabbled in what Charbila termed “Gutter Pop”. For the Greek physical edition of the release, FOTONOVELA took the title track and imagined ‘Are Friends Electric?’ reworked as an electro disco track for one of the bonuses while MARSHEAUX remixed ‘Medium Pleasure’.

From the CD album ‘Selector’ – CDUN11

http://www.facebook.com/kidmoxie


RED BLOODED WOMEN You Made Your Bed (2009)

‘Electronically Yours’ was a compilation that gathered a number of the new synthesizer acts such as HIDDEN PLACE, TECHNOLOGIC and TIGER BABY. A trio of feisty ladies with a vibrancy in their passion for pop with an edgy synthetic sound not heard before in the world of the girl group, RED BLOODED WOMEN were like GIRLS ALOUD produced by Daniel Miller. ‘You Made Your Bed’ was a satirical look at the IKEA generation’s relationships. The electronic bassline wass octave shift heaven carried by a throbbing sequence and beat!

From the 2CD compilation album ‘Electronically Yours’ (V/A) – CDUN14

https://myspace.com/redbloodedwomenmusic


MARSHEAUX Radial Emotion (2009)

With two albums to their name, Marianthi Melitsi and Sophie Sarigiannidou delivered on their promise with their most accomplished work to date in ‘Lumineux Noir’. ‘Radial Emotion’ with its infectious chorus and vibrant syncopated beats almost stole the show on an album which also included some of MARSHEAUX’s best songs like ‘Sorrow’, ‘Breakthrough’, ‘Summer’, ‘So Far’ and ‘Exit’. The innovative packaging for ‘Lumineux Noir’ consisted of a perforated black box that needed breaking to access the CD… thus, many fans bought one to play and one to display!

From the CD album ‘Lumineux Noir’ – CDUN16

https://www.facebook.com/marsheaux


ROCKETS IN A COMA You In Me (2009)

ROCKETS IN A COMA CDROCKETS IN A COMA’s striking front woman Elektra first came to prominence as a guest vocalist on FOTONOVELA’s 2008 debut ‘Mistakes Are Good’. With her feisty vocal style coupled with musical partner Java Kid’s eclectic production style, the duo delivered a mutant strain of dominatrix electro rock disco with hints of MIKRO, THE CURE and GOLDFRAPP. This was wonderfully showcased on their first single ‘Psycholover’ and ‘You In Me’. But despite these sexily provocative overtures, Elektra has since effectively retired from music in order to raise a family.

From the CD album ‘Square Strawberries’ – CDUN17

http://www.undorecords.com/RocketsInAComa.html


TAREQ Mosquito (2010)

IMG_127Greco Jordanian vocalist TAREQ was a member of TECH SOIR who released their only album ‘Dark Room’ on Undo in 2007. So it was not a total surprise when his solo debut appeared on the label in mid-2010. The relaxed but pacey drum ‘n’ pop of ‘Mosquito’ was enhanced by a charming vocal croon that was not that different from INXS’ Michael Hutchence. Indeed, the parent album ‘Cocoon’ featured a cover of ‘Need You Tonight’ to further substantiate the link. TAREQ’s second album on Undo entitled ‘Fish’ came out in 2013.

From the CD album ‘Cocoon’ – CDUN24

http://www.facebook.com/Tareqdisco


OMD Green (2010)

‘Green’ was a demo from the solo phase of OMD that Andy McCluskey wrote with Stuart Kershaw and sounded like a ploddy rock ballad. Taking ‘Almost’ as a reference point with its white noise-like cymbal, Paul Humphreys reworked the track with a classic but contemporary electronic feel that became one of the highlights of ‘History Of Modern’. For its Greek release, Undo put the standard album into a lavish box with a bonus remix EP and ribboned it with a unique OMD wax seal.

From the 2CD+DVD boxset ‘History Of Modern’ – CDUN25

http://www.omd-messages.co.uk


ROLLA SCAPE featuring MARSHEAUX Heaven Is Real (2011)

Rolla_Scape_st__CoverMARSHEAUX found themselves in funky disco mode on this guest appearance with ROLLA SCAPE, a pseudonym of K.BHTA, an Athens based Australian electronic musician. While the wispy vocal tones of Marianthi Melitsi are unmistakeable, the repetitive and sparse dance flavour of ‘Heaven Is Real’ augmented by rhythm guitar is quite unlike anything else in the MARSHEAUX catalogue and an enjoyable diversion away from their more obvious synthpop sound.

From the CD album ‘Rolla Scape’ CDUN28

https://www.facebook.com/pages/Rollascape/148634268497058


MIRRORS Somewhere Strange (2011)

A unity of art and technology, MIRRORS were the perfectly modern take on the Synth Britannia era. The outstanding ‘Somewhere Strange’ was possibly the most euphoric and roaring train ride since NEW ORDER’s ‘Temptation’ with a hypnotic assault of propulsive blips and cacophonies of percussive noise. Undo’s special 2CD release of ‘Lights & Offerings’ chronicled the album and the brilliant B-sides. The Undo arrangement led to singer James New contributing the brilliant ‘Our Sorrow’ and ‘Romeo & Juliet’ on FOTONOVELA’s ‘A Ton Of Love’ in 2013.

From the 2CD album ‘Lights & Offerings’ – CDUN31

http://mirrorsofficial.bandcamp.com/


LIEBE Flamingo Nights (2012)

With the spectre of Moroder and the slight, unorthodox vocal vibe of PULP’s Jarvis Cocker looming, the Thessaloniki based electro duo LIEBE borrowed an Italo style reminiscent of PET SHOP BOYS but added an extra sense of tongue-in-cheek. Also fusing elements of THE HUMAN LEAGUE to their highly immediate sparkling disco sound, the first single from the ‘Somewhere In Time’ album, ‘Strangers’ was a radio success in their home country while ‘Flamingo Nights’ took their uplifting retro euphoria even further.

From the CD album ‘Somewhere In Time’ – CDUN34

http://www.liebe.gr


VIENNA Rendez-Vous Sur La Mer Noire (2013)

VIENNA were a cult French synth act who were led by Odile Arias, best known for being Martin Gore’s girlfriend at the time when the iconic DEPECHE MODE ‘101’ documentary was filmed. Lively and sublime with an almost Middle eastern derived melody, ‘Rendez-Vous Sur La Mer Noire’ was originally released in 1984 as the B-side to their debut single ‘Say You Love Me (Tu As Juré)’. VIENNA captured a promising Gallic electro sound that never got fully realised back in the day. But in Undo’s first retrospective product, they were rescued from obscurity in this lavish boxset.

From the 4CD boxset ‘History 1984-1991’ – BXCDUN39

http://www.undorecords.com/ViennaComilationBox.html


FOTONOVELA feat SARAH BLACKWOOD Justice (2013)

The concept of FOTONOVELA’s sophomore offering ‘A Ton of Love’ was to produce a supreme electronic record featuring vocalists from all stages of classic synthpop as a homage to the genre. Andy McCluskey was the first to come on board but the resultant song ‘Helen Of Troy’ turned out so well that it ended up on OMD’s ‘English Electric’! Undeterred, the duo recruited MARSHEAUX, KID MOXIE, MIRRORS and Sarah Blackwood who took FOTONOVELA onto a cloudier but enjoyable hitchhike through the North West of England with her feisty contribution to ‘Justice’.

From the CD album ‘A Ton Of Love’ – CDUN46

http://www.eblackwood.com/


SAD DISCO Beat (2014)

Sad_Disco_Lp_Cover“If Dimitris Biniaris and Theod Kopoul hadn’t formed SAD DISCO, they would probably hate each other” said their enlightening press release. Creative tension can be a positive thing in music, so with interests as disparate as heavy metal, post-punk and err… sad disco, the duo set about making music that was like “the sound echoing in your head while you are walking away from a club”. With hints of THE PRESETS and CUT / COPY, the grooving disco lento on ‘Beat’ provides an appropriate backing for the introvert melancholy of Binaris’ high register vocals.

From the vinyl LP ‘Sad Disco’ – LPUN47

https://www.facebook.com/saddisco.official


undo-logoFor further information on Undo Records and their online shop, please visit www.undorecords.com

https://www.facebook.com/undorecords/

https://twitter.com/undorecords

https://www.instagram.com/undorecords/


Text by Chi Ming Lai
8th September 2014

Introducing LIEBE

ELECTRICITYCLUB.CO.UK have just returned from a visit to Undo Records HQ in Athens.

One of the acts they discussed were LIEBE, a Greek electro disco duo comprising George Begas and Dimos Zachariadis who coincidentally released their second album ‘Somewhere in Time’ on Undo back in 2012. Hailing from the Hellenic art capital Thessaloniki, LIEBE released their debut album ‘Club Royal’ in 2010 on Planetworks.

Their sound really does hark back to somewhere in time when Giorgio Moroder and Bobby Orlando were models of dancefloor cool, sitting on that difficult bridge between pastiche and post-modern. Brilliant songs such as ‘Strangers’, ‘Another Story’ and ‘Flamingo Nights’ all highlight the pairing’s love of synthpop and Italo, both much maligned music forms in the eyes of hipsters.

But whatever retrospective tendencies LIEBE have, what Begas and Zachariadis do is fun, melodic and danceable but with a tinge of melancholy… and they do it with panache and style, as can be seen from their promo videos.

‘I Believe In You’ is LIEBE’s most recent single and the video has been gaining traction on MTV Europe. Filmed by Nikos Tsaldaris and choreographed by Nadia Koutziabasi, the visuals see four dancers practicing their art for the cameras while a monochromatically captured Begas stares upwards at the screen, looking strangely disinterested. The music ain’t bad either…imagine if PULP’s Jarvis Cocker had joined PET SHOP BOYS in 1987 and actually tried to sing instead of speak 😉

Already onto their third album, entitled ‘Airport’ and featuring ‘I Believe In You’, it continues on the sunny, synth assisted holiday vibe as showcased on ‘Somewhere in Time’. ‘Airport’ also features highlights such as ‘Save The World’, ‘Into Your Arms’ and ‘The Distance’ which reinforce why classic European pop can still have a place in people’s hearts.


With thanks to George Geranios at Undo Records

LIEBE Airport‘I Believe In You’ is taken from the album ‘Airport’ released by Hawaii Records and available from iTunes

‘Somewhere in Time’ is still available as a CD via Amazon or Undo Records online shop at http://www.undorecords.com/

http://www.liebe.gr

https://www.facebook.com/pages/LIEBE-official-page/257440579094


Text by Chi Ming Lai
21st August 2014

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