With a pair of excellent albums ‘Like Before’ and ‘Utopia’ now under his belt, Swedish synthesist JOHAN BAECKSTRÖM has more than established his solo credentials.
From his studio utopia via the wonders of online communication, Baeckström challenged The Electricity Club to a round of Vintage Synth Trumps and told a few interesting stories about his fabulous collection of electronic keyboards and much more. Continue Reading ›
A truly international line-up gathered for Synth Wave Live 3, with acts from three continents present at London’s Electrowerkz on a rare sunny day in what has been a very rainy June. Combining synthpop and new wave, it was as if acid house had never happened.
Featuring a range of musicians from original Some Bizzare trailblazers and prog synthpop veterans to various musical descendants of Mute Records, things all came nicely together for a varied but coherent bill with no rude awakening.... Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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It was a year when the veterans re-established their standing within electronic pop. That was not to that comparatively newer acts weren’t making a good impression, it was just that a fair number of established acts gave their all and were producing some of their best work since their imperial heyday.
So restricted to purchasable releases only and one song per artist moniker, here are The Electricity Club’s 30 Songs Of 2017… Continue Reading ›
Hailing from Stoke-on-Trent, WHITE DOOR formed from the ashes of prog rock combo GRACE and released one critically acclaimed album ‘Windows’ in 1983. Led by the sensitive vocal presence of Mac Austin, he was ably backed by the Davies brothers Harry and John on synths.
With renewed interest in WHITE DOOR, Mac Austin kindly chatted to The Electricity Club about the band’s brief flirtation with the pop charts and guesting recently with DAILY PLANET. Continue Reading ›