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Tag: Yellow Magic Orchestra (page 1 of 4)

ALVA NOTO & RYUICHI SAKAMOTO Two

Capturing the essence of their performance at Sydney Opera House in October 2018, Alva Noto and Ryuichi Sakamoto present ‘Two’, a part live-part studio prepared collection. Incorporating computers, synthesizers, glockenspiel and grand piano, the German Japanese duo undertook a series of live events entitled ‘Two’ before culminating in Sydney where the two hour set was recorded and edited down to form this album. Continue Reading ›

SHOOK Music For City & Nature

Capturing the mood of a busy metropolis during the rush hour, the self-explanatory ‘Music For City & Nature’ is the latest work by SHOOK, the musical vehicle of Dutch composer Jasper Wijnands. Now if there was a more apt instrumental embodying the commuting way of life, then the subtle funk of ‘City’ would be it. ‘Music for City & Nature’ has a delicate timeless quality in its search for balance and peace of mind. Continue Reading ›

Technopolis: The Legacy of YELLOW MAGIC ORCHESTRA

YELLOW MAGIC ORCHESTRA formed in 1978 as an intended one-off project for producer and bass player Haruomi Hosono. After Hosono hired two session musicians drummer Yukihiro Takahashi and keyboardist Ryuichi Sakamoto to record that debut self-titled album, the rest was history... ten bodies of work originally released by Alfa Records between 1978-1983 are being reissued as part of #YMO40. Continue Reading ›

DISQO VOLANTE Yellow Fervor

DISQO VOLANTE is Korean-American multi-instrumentalist Matthew Booth, a man who loves his synthpop, but also his sax! Following his debut EP ‘re: lit’ in 2016, Booth’s latest offering is a five track affair entitled ‘Yellow Fervor’; having learned some lessons from some of the more overdriven aspects of that first release, ‘Yellow Fervour’ has better production values and adds a funkier twist to proceedings. ‘Yellow Fervor’ has better production values and adds a funkier twist to proceedings. Continue Reading ›

TEC’s 25 CLASSIC SYNTH COVERS

human league only after dark“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette. SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›

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