As innocent and idyllic as the new album title from GAZELLE TWIN sounds, those who are well familiar with Elizabeth Bernholz’s previous output, won’t be fooled. The queen of all things weird and wonderful is back after the highly acclaimed ‘Unflesh’.
‘Pastoral’ should be glorifying her new found life in the depths of Old England, a move amidst other life changing events; instead, it “exhumes England’s rotten past, and shines a torch over its ever-darkening present”. Continue Reading ›
Norwich duo LET’S EAT GRANDMA were just 17 when they released their debut album 'I, Gemini' in 2016. Despite not being related, the pair presented themselves as twins but over the two years since, Rosa Walton and Jenny Hollingworth have developed their own lives and identities.
Now coming together with a new found confidence as individuals, their experiences have manifested themselves onto their second album 'I'm All Ears', resulting in a more much diverse record. Continue Reading ›
Following the remarkable success of her latest album, the American songstress, who loves all things Russian, comes back with a few “additions” to the stunningly personal record that was ‘Okovi’.
Nika Roza Danilova, also known as Nicole Hummel, is the artist behind the ZOLA JESUS project. Known and adored for her darker fuller synth productions, the intensity of her vocals and the poignant subjects of her lyrics, Danilova brought back the frosty aura to her recent offering. Continue Reading ›
From DEAD ASTRONAUTS, the lo-fi synth project of Jared Nickerson and Hayley Stewart, a new star is born. With the name transcending Toronto based Stewart’s fascination with Japanese culture, cyber space and the love of vintage synthesis, MECHA MAIKO releases her debut album ‘Mad But Soft’.
The Geisha-like robot brings a much needed freshness and romance into the world of electronica, and she’s doing it with grace, sensuality and poise. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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