The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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Used to the fact that the vast majority of prolific European electronic acts emerge from either Scandinavia or Germany, one wouldn’t necessarily look towards Russia to discover a shiny synth gem within that cold and inhospitable environment.
But the Russians love their electro and synth, just like the next person, often welcoming many established acts to play live gigs, regardless of the off-putting visa requirements from their government. More Inside ›
Every now and again an album passes under the radar, being understated and not necessarily given the attention it deserves.
But as we are entering the fully autumnal atmospheres, one opus stands out to fulfil the musical void, heading towards the wintery blues. ZOLA JESUS debuted in 2009 with the magnificently underrated 'The Spoils'. Having quickly aligned herself with the Ice Maiden Of Synth, Sweden’s FEVER RAY, who she supported live, Danilova started building a rather faithful fan base. More Inside ›