Shannon Hemmett has many creative talents. Best known internationally as the keyboardist and backing vocalist of Vancouver post-post-punk band ACTORS, running in parallel is LEATHERS, an electronic pop project.
To tie in with the recent release of a new single in the detached dark disco of ‘Highrise’, she kindly took time out and chatted about the ethos and background of LEATHERS. Continue Reading ›
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Formally of synth-tinged Portland band FRINGE CLASS, front woman Madeline Goldstein went solo in 2019 having discovered Ableton to free herself of the traditional band format.
2022’s ‘One More Day’ signified a revitalised approach in more song-based structures. Madeline Goldstein’s latest single ‘Seed Of Doubt’ is a brooding slice of gothwave in a manner akin to LEATHERS. Continue Reading ›
Born in Dresden, Jennifer Touch presented her first recordings in 2014 although only released her first album in 2020.
The now Berlin-based daughter of DDR flower-power children presents her second album ‘Midnight Proposals’. With its imminent release, Jennifer Touch spoke about her career to date and the making of her “Post-Wave-Cold-Pop-Acid-Romance” opus… Continue Reading ›
In addition to albums, several standalone singles were to be key to 1983 for those with a preference for the synthesized form. NEW ORDER’s ‘Blue Monday’ and KRAFTWERK’s ‘Tour De France’ became iconic works.
So here are 20 albums contributing to the electronic legacy of 1983. Listed in alphabetical order, there is a restriction of one album per artist moniker... Continue Reading ›
Following one of the most traumatic years of her life, Alison Lewis is back as ZANIAS to present more of her emotional catharsis to music.
The first fruit of labours is the excellent ‘Simulation’ which is a bittersweet ode to the Australian’s adopted home of Berlin where she "landed here at twenty-three". It is from the forthcoming album ‘Chrysalis’, out soon on Lewis’ own Fleisch Records. Continue Reading ›
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