After a trilogy of EPs ‘y?’, ‘</3’ and ‘it feels like thunder’, Anglo-French singer-songwriter Julia-Sophie Walker releases her debut album ‘forgive too slow’.
Swathed in an intriguing electronic sound, her understated fulfilment combines emotional unease with an airy beauty for some satisfying thoughtful listening. Continue Reading ›
'Dream Machines: Electronic Music in Britain from Doctor Who to Acid House' is a fascinating book tracing several decades of British electronic music written by Matthew Collin.
The content covers early avant-garde experiments, psychedelia, space rock, art rock, reggae, synthpop, electro, sampling, Hi-NRG, house and techno across 400+ pages.
Matthew Collin spoke to ELECTRICITYCLUB.CO.UK about the research and writing behind 'Dream Machines: Electronic Music in Britain from Doctor Who to Acid House'. Continue Reading ›
Robin Rimbaud has been releasing music as SCANNER since 1993. His moniker came as a result of using police scanner devices.
With no less than three albums already released in 2024, ELECTRICITYCLUB.CO.UK had the pleasure of chatting to Robin Rimbaud about those and other aspects of his decades long role as a creative catalyst… Continue Reading ›
UTAH SAINTS were pioneers of what came to be known as stadium house. Their 1993 debut self-titled album spawned the hits What Can You Do for Me’, ‘Something Good’, ‘Believe in Me’ and ‘I Want You’.
With a busy 2024 schedule and plans to release new music, UTAH SAINTS collectively answered questions put to them by ELECTRICITYCLUB.CO.UK about their past, present and future… Continue Reading ›
Unlike “New Romantic”, “New Pop” was a term that never truly stuck… it was coined by Paul Morley, then a polarising writer for NME. It was used to describe forward thinking music that, while rooted in post-punk, was accessible and looked to overthrow rockist conventions by unashamedly blending a variety of styles.
The ever dependable Cherry Red present ‘Heaven Sent - The Rise Of New Pop 1979-1983’. Continue Reading ›
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