Originally released in October 1981 by Alfa Records in Japan, ‘Hidari Ude No Yume’ was a product of Ryuichi Sakamoto’s most prolific year.
This period that followed his acclaimed second solo album ‘B-2 Unit’ in September 1980 came between two YELLOW MAGIC ORCHESTRA long players ‘BGM’ and ‘Technodelic’, although it is now widely known that Sakamoto was largely absent from the ‘BGM' sessions. Continue Reading ›
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Although SCARLET SOHO went into hiatus after the release of their third album ‘In Cold Blood’ in 2015, interest in them has been rejuvenated thanks to the success of front man James Knights and his Britalo focussed exploits with his solo vehicle KNIGHT$.
There was always a pop element throughout their career despite the darkness... Continue Reading ›
WE ARE REPLICA present an uncomfortable if slightly alluring visual accompaniment for their song ‘Angel’.
The London-based Franco German dark synth duo of Nadège Préaudat and Martin Kinz have always been into the idea of translating the intensity of the world into music. “That helps to capture emotions in its rawest state” said Préaudat while Kinz added “We always liked heavy music as much as electronic music and therefore often use synths like electric guitars.” Continue Reading ›
“People” sang Jim Morrison, “Are Strange” and none more so than the dedicated music fan. This has been shown in the past couple of weeks with the backlash against Steven Wilson with the new single ‘King Ghost’.
And the thing is, the pitchfork wielding mob who want to torch the new album ‘The Future Bites’ before it is released are wrong. Continue Reading ›
Having reflected on the ‘Scary World’ of 2018, LA based synth rock couple NIGHT CLUB go on the attack in 2020 with their excellent third album ‘Die Die Lullaby’.
Front woman Emily Kavanaugh talked to ELECTRICITYCLUB.CO.UK on behalf of NIGHT CLUB about their existential dread and riding the ‘Misery Go Round’…
Continue Reading ›
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