Tag: Gaptooth


East London’s Hannah Lucy aka GAPTOOTH, first emerged onto the indie / electro scene in 2013, releasing her debut album ‘Connections-Departures’.

The single heralding the production, ‘Ladykillers’, was full of girl attitude and feisty feminist power, and it received an ample airplay on BBC 6 Music, as well as being featured on numerous compilations.

2016 sees the return of the strong minded artist with ‘Pillow Fort’ EP, mixed by Oli Horton, who was previously involved on ‘Connections-Departures’, duetting with Ms Lucy on ‘Enduring Freedom’.

Horton was a core member of a great synth hope TRADEMARK, who not only supported Human League and Chicks On Speed, but also remixed various artists, such as THE MODERN (aka MATINEE CLUB featuring Nathan Cooper aka KID KASIO), GOLDRUSH, KISH MAUVE, BOY KILL BOY and CAS FOX.

Nowadays Horton is an artist and producer under the pseudonym Dreamtrak, being involved in various projects, including QUEEN OF HEARTS and further remixes such as ‘No Pressure’ for LITTLE BOOTS.

‘Pillow Fort’ minimalistically sees only four tracks, with Stay Away From Me’ as the opening gambit. It’s a song written to celebrate the “final unfriending of a toxic ex”, where GAPTOOTH feels that she “must erase you”. Rough vocals over a synth melody fortified with harsh guitar continue the feminist themes, and can be compared to those of Saffron of REPUBLICA. The video accompanying the title has been directed by Bristol based singer/songwriter Laura Kidd aka SHE MAKES WAR.

‘Good Guys’ sounds punky and rugged and describes dating mishaps, angrily wrapped up into a synthy piece, while ‘Such A Girl’ slows the tempo somewhat at first, describing the harshness of the modern world and the roles imposed on both men and women.

The closing track, ‘I Built A Fort’, with its minimalist sounds, depicts a child-like solution to the issues of the world of today. Every problem can be seemingly sorted, when one builds a fort made out of duvets and sings a grown up version of ‘If You’re Happy And You Know It’.

While the debut album bore heavier guitar and louder sounds, the EP, while still being angry, raw and in-your-face, deploys more electronic tones and is rather tongue-in-cheek.

The readiness of the sound of GAPTOOTH will probably appeal more to the younger electronica fans, or to those who enjoy the matters of importance being tackled using quirky sarcasm and light-heartedness, SUDDEN CREATION style.

The ‘Pillow Fort’ EP is released on 4th March 2016 by Gaptooth Music and available as a CD or download from https://gaptooth.bandcamp.com/



Text by Monika Izabela Goss
Photos by Steve Dawson
29th February 2016

Introducing GAPTOOTH

2013 has been a fantastic year for electronic pop with a number of the evergreens from the first phase returning to produce some of their best work for many years while new forms have also flourished, particularly from North America.

And although several acts from the EU have impressed, the domestic scene on both sides of the channel has been disappointing with some acts taking the term synth revival a little too literally!

However, from East London comes a burst of snarling energy under the name of GAPTOOTH. The moniker of singer/musician Hannah Lucy, she will shortly be releasing her debut album ‘Connections / Departures’.

A fierce blend of indie electro disco and sexual politics, the album opener ‘Ladykillers’ is her calling card with an amalgam of feisty Swedish combo THE SOUNDS and GOSSIP’s more recent pure pop experiments. BBC 6 Music’s Camilla Pia said GAPTOOTH “combines electronic music with scuzzy riffs to danceable effect”.

‘Connections / Departures’ has been co-produced by production team A Scholar & A Physician who have worked with CHICKS ON SPEED and PINEY GIR from the much missed duo VIC TWENTY. Among its highlights is a duet ‘Enduring Freedom’ with Ollie Horton from one-time great white synth hopes TRADEMARK who supported THE HUMAN LEAGUE in their time and produced a cover version of DEPECHE MODE’s ‘Enjoy The Silence’ for lost girl group RED BLOODED WOMEN in 2009.

There’s also the endearing chip pop blend of ‘Baggage’ and kitchen sink drama of ‘Plans and Friends and Records’which comes over like a fantasy collaboration between DUBSTAR and a less shouty SHAMPOO! While her debut is not flawless and at times, the prominent guitar can get over bearing, GAPTOOTH shows great promise and potential. Her development over the next few years will be an interesting journey.

‘Connections / Departures’ is released as a download album on 18th November 2013 but available as a limited edition CD from www.gaptoothmusic.co.uk


Text by Chi Ming Lai
Photo by Steve Dawson
5th November 2013