Tag: Paul Humphreys (Page 3 of 5)

On Tour with VILE ELECTRODES

“Mein Kaninchen Ist Tot…”

When up-and-coming synth duo VILE ELECTRODES were named as OMD’s support for the German leg of the ‘English Electric’ tour, understably, their front woman Anais Neon was in total shock at the news.

Prior to confirmation, she said on Facebook “we have received an email of epic proportions but cannot divulge any more information until further notice”.

Meanwhile for her partner Martin Swan, it was the fulfillment of a boyhood dream as OMD had been his first concert experience back in 1986! VILE ELECTRODES had been spotted by OMD’s Andy McCluskey while he was perusing ELECTRICITYCLUB.CO.UK and obviously recognised a kinship via their exquisite songs such as ‘Deep Red’, ‘My Sanctuary’ and ‘The Last Time’. There was a definite magic with this duo who bring a unique twist to the sound of classic synthpop.

Much preparation took place as Team Vile, augmented by technican and roadie Simon Forsyth, tour manager/merchandiser Rob Buxton and for the first part of the trip, merchandiser Graham Caley, readied themselves for life on the road. It was all terribly exciting and there was so much to organise including buying a vehicle worthy of transporting all the equipment and getting them across Europe too! The new van was also swiftly modified so that Anais and Martin could sleep on top of their highly valuable analogue synthesizers.

Meanwhile, Simon would be following with all his wires and boxes in his faithful truck Nellie. Instruments were carefully chosen and these included Martin’s trusty Korg MS20 and Anais’ Roland RS09 String Machine. This late stage was probably not the time to be introducing a new bit of kit, but Martin being Martin (like a kid in a candy store) couldn’t resist getting his hands dirty on the appropriately named Leipzig that had arrived the day before.

The first night of any tour is daunting but in Hamburg, there was one potentially trouser soiling surprise! “So whose stupid idea was this? Oh, Karl Bartos is here!” announced Anais on Facebook.

The ex-KRAFTWERK percussionist who co-wrote ‘The Model’ and ‘Kissing The Machine’ (one of the highlights on OMD’s new album) had come to catch up with his buddies from The Wirral.

He was already at the venue when VILE ELECTRODES arrived. “He just sat in a corner” a shocked Anais recalled, “I didn’t instantly recognise him but when I did, a wave of cold terror washed over me. Not only would we be performing in front of OMD, but in front of one of the classic line-up of KRAFTWERK?! The stuff of dreams and nightmares! It just felt absurd if I’m honest”

The late sound check finished just twenty minutes before the doors opened and there was just enough time for a light snack sitting alongside Andy and Karl in the catering quarters before dashing off to the dressing room to prepare for opening night. Anais did sound a little nervous, but to the untrained ear, the nerves were undetectable. Local music fan Sony was thrilled to see VILE ELECTRODES live for the first time: “I had listened to some of their songs with much enthusiasm. The crowd greeted VILE ELECTRODES with lots of applause when they entered the large, well-lit stage. The synths were tuned up and then, there was one adventure after another. The crystal clear voice of Anais and the wonderful pure synthesizer sounds gave me goosebumps!!!”

Backstage after the show, “Karl Bartos, Paul Humphreys and Andy McCluskey were LOVELY” remembered Anais. “They were really happy to chat, which was lucky, as I’d had a drink and was high on adrenaline, so there was no shutting me us! We talked about my outfits and, of course, whether Andy and Paul should consider something similar for their shows! When we said our goodbyes, we expressed delight and honour at having gotten to meet the great KB. His reply? ‘No, no! We are colleagues’… COLLEAGUES OF HERR BARTOS! Amazing!”.

Meanwhile, Martin talked gear: “Paul and I had a few chats whilst I was tidying up the spaghetti of our wires after coming off stage. I said to him ‘I bet you miss this, don’t you?’… of course with OMD, he doesn’t, but he said when he’s working with Claudia Brücken, he has to do all that still! Andy mentioned that they have a Mellotron, but that it would be silly to take stuff like that out live when they can use some really great samples”

First night nerves over with, Bielefeld turned out to be another big success and a sure sign that the rest of the tour was going to go be a blinder.

With the tour moving to Berlin, Anais and Martin were taking everything in their stride and feeling quite calm about performing in front of their next big audience, having already tucked two dates successfully under their belts. After the soundcheck, it was time to everyone to chill down.

Team Vile tucked into the scrumptious delights that had been provided by a local catering company and relaxed alongside OMD’s crew members including Chicky, the chief sound engineer to watch ‘Star Wars – How It Should Have Ended…’ which brought about shrieks of laughter. In the vastness of Berlin’s Tempodrom, VILE ELECTRODES entered the stage, all colour co-ordinated in red and black, to a ripple of applause. Anais’ few words of German were very much appreciated and by the time they had played ‘Drowned Cities’, ‘Empire of Wolves’ and ‘Proximity’, they genuinely had the crowd on their side.

Sony remembered Anais’ apology between the songs: “She said ‘Sorry für mein kleines bisschen Deutsch sprachen’… it was very sweet and likeable. All the people around me were very impressed and cheered”. For a support band, they got a terrific reception from the already packed hall. German OMD enthusiast 7und70 remembered there was lots of positive responses: “people were saying things like ‘love her voice’, ‘love the outfits’ and ‘great music’ while one person remarked VILE ELECTRODES were the only OMD support band he’d really enjoyed since they started again in 2007”

After their set, a handful of the audience came to the merchandise stand to see what was on offer although very few made a purchase. However, after the OMD set, it was a very different story.

The fans returned and the EPs were soon flying off the shelf. Anais and Martin were more than happy to pose for photographs, sign postcards and more importantly, talk to their new fan base.

“There was a big rush at the merch stand where Anais and Martin greeted each new fan with a big welcome” said Sony, “They were just great and marvellous. Now I have gained some new lovely friends who point to my musical tastes perfectly. I’m looking forward to hearing their new album and seeing them soon again”

But not all the crowd had been charmed by VILE ELECTRODES, least of an OMD fan who bizarrely had a dislike of electronic bands as a puzzled 7und70 recollected: “There was this stupid woman who said: ‘I don’t like them, they’re not using real instruments’. So I said to her: ‘erm, you are here watching OMD, a synthpop band which means they make music with synths. VILE ELECTRODES are using those instruments so that’s not a good reason for saying that you don’t like them, what is the difference?’ But she replied: ‘they’re using sequencers… do you know what a sequencer is? Everything is pre-recorded, everything on stage!’”.

It was amusing to see how people could draw strange arbitrary lines to suit their purist stances; maybe she should have listened more closely to OMD songs like ‘Metroland’, ‘Sailing On The Seven Seas’, ‘Locomotion’ and ‘Messages’ in her quest for a sequencer free nirvana?

The following day was Leipzig so it was imperative that images of Martin’s Analogue Solutions Leipzig were captured in front of significant landmarks and prominent signage. Armed with the Leipzig and umbrellas, cameras were set up for the photo opportunity at the Battle of Nations Memorial despite the pouring rain.

“The Leipzig is a crazy-ass mutha of a synth” said Martin, “it’s obviously a modern synth but it’s been designed with all discreet components – no integrated circuits – so it’s more like one of the synths from the 70s than the 80s. As such, it’s not a digitally controlled analogue synth, it’s got real VCOs. Most of the time it behaves but like the synths of old, it can be very sensitive to temperature, to humidity, voltage fluctuation! It’s kind of similar to the SCI Pro-One but it’s definitely the angrier, spikier cousin! It has bass like a mountain and is LOUD! Several people commented that they’ve never heard bass like that at a gig!”

The Haus Auensee in Leipzig is a fabulous venue and has played host to many great names but specifically synth musicians ERASURE, PET SHOP BOYS and of course, the mighty KRAFTWERK. It is located in the heart of a forest, with a lake to the rear and a campsite opposite. From the front, it is a fairly nondescript building.

However, the inside has a very different feel. The upstairs was already overwhelming with its semi-circular stone steps that overlooked the stage and its imposing ornate oval aperture that stood between the bar and viewing area. Due to renovation, only the ground floor was to open to the public so VILE ELECTRODES and OMD wouldn’t be playing to the full 3,500 capacity.

With the merchandise stand set up inside the main hall, Team Vile were very much visible throughout OMD’s performance and could be seen singing and dancing very energetically, particularly to the encore of ‘Electricity’.

After a comfortable night and a decent breakfast, they set off for the very long journey to Cologne with the prospect of a relaxing night off before the final gig of the tour. It rained, then rained some more and just when they thought they could give the wipers a rest, the rain started again.

Stopping off at a little service station, Simon Forsyth’s trusty truck Nellie was topped up too with some transmission fluid. As they rolled out of the car park, Simon made a critical observation: “We don’t appear to have a reverse gear”!

They crawled up the road far enough to establish that the situation was actually a lot worse. The Chevy was not changing gear. Nellie was poorly and needed immediate assistance.

About an hour later they were rescued and found themselves at a dealership in Kassel. Essential equipment was quickly transferred from one wagon to another so that Anais and Martin could continue their journey while Simon would stay with his van until it was repaired. The team was now separated and the rest of Team Vile were left to their own devices to get to Cologne.

Everyone arrived at the venue in plenty of time but there was no sign of Simon. Team Vile were clearly disappointed but the show had to go on and it just meant a re-configuration of duties. With the added news that the venue was going to take a commission on merchandise sales, everyone were all wondering if the last night might have a bit of grey cloud hanging over it.

But during a soundcheck break, Paul Humphreys stopped by to talk to Andy McCluskey so Team Vile took the opportunity offer them both a Vile MS20 T-shirt which had been designed by Rob.

These had been spotted by OMD in Oxford when they both claimed “we want one of those”! Their wish was now granted and Mr McCluskey was later seen performing on German TV with his VILE ELECTRODES T-shirt on! 😉

With Anais now clad in black trousers, under bust corset, sparkly bra and a vivid blue bolero styled jacket (all in latex of course), and Martin dressed as dapper as ever in matching colours, VILE ELECTRODES took to the stage, sounding awesome and delivering every song with total confidence.

Martin was visibly relaxed and in control, even caught on camera singing his heart out with passion. They were on fire and once again the crowd responded favourably.

Anais even threw caution to the wind and spoke again in German: “I studied German at GCSE but can remember very little – one thing happens to be ‘Mein Kaninchen ist tot’… I genuinely did have a rabbit at GCSE time called Creampuff who had died! I mentioned the rabbit thing, and all throughout the tour, Team Vile were encouraging me to say it on stage. The German audiences were wonderful, friendly and enthusiastic, but I really thought that ‘Mein Kaninchen ist tot’ would result in a tumbleweed moment, so I kept deciding not to say it. Basically what made it happen was that Nellie, Simon’s tour bus, broke down on the way to Cologne. It meant he missed our last show so he made me promise to say it, as a tribute to him and Nellie. I plucked up the courage – and it elicited laughter and applause aplenty!! It’s all part of the ‘silly’ human element of our band. We’re (definitely!) not too cool for school. We just try to be just ourselves!”

As it was the final night of the tour, VILE ELECTRODES were granted an additional ten minutes so they could play ‘Deep Red’, the most epically OMD sounding track in their catalogue. Andy McCluskey was watching in the wings and said “It’s great to hear that played live” but after finishing the number, Anais apologised to the crowd as it seemed like her and Martin were at times playing two different songs.

No matter, Cologne was another huge success. Crowds flocked to the merchandise stand again and Anais was even spotted singing ‘Happy Birthday’ into a video camera at one point. It was a moment she seemed to revel in, but not as much joy as when she spotted Simon in among the masses of new fans. “You made it” she shrieked, giving him a huge hug. Simon had unfortunately missed most of the concert but nevertheless his presence was most welcome. Team Vile were back together again.

Cologne and indeed the tour had been a total triumph. Whilst OMD’s crew dismantled the set and packed up for their onward journey, Andy, Paul, drummer Malcolm Holmes and keyboardist Martin Cooper along with VILE ELECTRODES mingled among friends and some special guests.

They just happened to be Wolfgang Flür, ex-KRAFTWERK and Ralf Dörper from PROPAGANDA.

“After each of our shows, we helped man our merch stand… a bizarre experience for a small band, having a queue of folk wanting you to sign merch!” Anais recalled, “but it meant we didn’t get to chat to Wolfgang Flür at length, as he was being pulled from pillar to post backstage, plus he was getting ready to leave by the time we made it backstage. He was saying how much he was looking forward to coming to London for Playground Festival (which didn’t happen in the end sadly). So two KW members down and two to go! KRAFTWERK BINGO!”

With a prestigious TV slot on ‘Later With Jools Holland’ performing ‘Dresden’, ‘Enola Gay’ and ‘Kissing The Machine’ to do the following day, the OMD frontmen had to leave the aftershow. “You’ve got my email address now so keep in touch” Andy remarked. “I’ll definitely come and see you when you play London” said Paul.

When the guests had drifted away, only a handful remained with Malcolm and Anais plus the two Martins, Cooper and Swan, congregating in what was Andy McCluskey’s dressing room. The conversation was easy, with the other boys from OMD showing a great deal of interest in how Anais and Martin came to be together to form the band. All too soon, security were ushering everyone out. They stuffed the last of their belongings into holdalls and Team Vile slowly and somewhat reluctantly made their way to the doors.

It was time for one last photo opportunity in the rear car park of E-Werk. Huddled in a circle, Team Vile bowed their heads downwards and with big cheesy grins snapped one last image. Germany was done. It had been a totally and utterly awesome experience for each and every one of them, but especially for Martin and Anais.

Anais summarised it all beautifully. “If I never play another live gig again, I’ll still be a very happy bunny”


ELECTRICITYCLUB.CO.UK gives its grateful thanks to VILE ELECTRODES, OMD and all their crews

VILE ELECTRODES’ three-track CD EPs ‘Play With Fire’‘The Last Time’ and ‘Re-Emerge’ are available now via their online store at http://vileelectrodes.bigcartel.com/ along with T-shirts etc

The new album ‘The Future Through A Lens’ will be released on digipak CD, limited edition hand-finished mirror steel sleeve CD and download sometime in June 2013 and can be pre-ordered at the store. Please note the nine tracks from the EP Trilogy are exclusive to those releases and will NOT be appearing on the album

http://www.vileelectrodes.co.uk

http://www.facebook.com/vileelectrodes

http://vileelectrodes.blogspot.com/

http://www.sonicstate.com/news/2013/05/20/tech-diary-on-the-road-with-vile-electrodes/

https://www.facebook.com/KarenABuxtonBoudoirPhotography


Text by Karen Buxton
Interviews and Additional Text by Chi Ming Lai
Photos by Karen Buxton and Rob Buxton
27th June 2013

CLAUDIA BRÜCKEN Everyone Says Hi

Claudia says HI

Last Autumn saw the release of ‘The Lost Are Found’, an emotive body of songs recorded by Claudia Brücken in collaboration with top producer Stephen Hague, best known for his work with PET SHOP BOYS, OMD, NEW ORDER and ERASURE.

Each of the compositions came from their very own world and were respectively adopted to form an eleven episode triste drame. One of the album’s highlights Everyone Says Hi’ has just been released as a single ahead of Claudia’s upcoming UK and German tour.

Claudia Brücken’s lively reinterpretation of one of David Bowie’s latterly compositions from ‘Heathen’ is dressed with catchy synth riffs and fuzzy shades. And the fabulous accompanying promo video could be interpreted as a visual dramatisation of Major Tom’s final voyage from ‘Space Oddity’.

Claudia only features halfway through but also look out for cameos from Glenn Gregory, Andrew Poppy, Paul Humphreys and even Claudia’s dog Patsy… joyous it may be but poor Major Tom is ultimately doomed, left to drift in space’s wilderness. So “Tell my wife I love her very much…”

As well as touring in March. Claudia will be making a very special guest appearance on the new OMD album ‘English Electric’, to be released on 8th April 2013. She will feature on a new version of ‘Kissing The Machine’, a track written by Andy McCluskey with the electronic godfather Karl Bartos in 1993 for the ELEKTRIC MUSIC album ‘Esperanto’ which has been reworked by her ONETWO partner and OMD founder member Paul Humphreys. The track which could be perceived by many to be KRAFTWERK vs OMD vs PROPAGANDA is eagerly awaited.


‘Everyone Says Hi’ and ‘The Lost Are Found’ are released by There (there)

Claudia Brücken ’s 2013 Spring tour includes:

Glasgow O2 ABC2 (12th March), Birmingham O2 Academy 3 (13th March), Manchester Academy 3 (15th March), London Borderline (16th March), Brighton Concorde 2 (17th March)

http://www.claudiabrucken.co.uk

http://www.theremusic.com


Text by Chi Ming Lai
26th February 2013

PAUL HUMPHREYS & DOUGLAS COUPLAND Electric Ikebana

Not a track from the new OMD album ‘English Electric’ but an indication of where it’s heading.

Electric Ikebana

This is ‘Electric Ikebana’, a collaboration between Paul Humphreys and ‘Generation X’ author Douglas Coupland which Mr Humphreys first told ELECTRICITYCLUB.CO.UK about back in 2010.

An audio/visual installation to act as the voice of the network, it was a commission for Alcatel-Lucent as part of their online 2011 Annual Review. The beautiful piece has Humphreys’ musical stamp and  conceptual hints of KRAFTWERK’s ‘The Voice Of Energy’ but with a far less Teutonic style. There’s even a charming mathematical formula recital “x = [-b +- √(b² -4ac)] / 2a” by Humphreys to the tune of the nursery rhyme ‘Pop Goes The Weasel’ which recalls ‘ABC Auto-Industry’ from ‘Dazzle Ships’…

The global communications company said: “we have asked Douglas Coupland, writer and artist, together with the musician Paul Humphreys, to bring the data that represents network usage to life through an audio visual installation. Together they have responded by creating ‘Electric Ikebana’, an artwork that captures the spirit of innovation that lies at the heart of our company”.

It all bodes well for the new OMD album ‘English Electric’ which is a true musical collaboration between its founder members Paul Humphreys and Andy McCluskey.

Humphreys said in Summer 2012: “Andy and I are really excited by ‘English Electric’. We’ve really gone to another level from ‘History Of Modern’ which was too much remote work. We realised we don’t work very well passing files back to each other; we work best when we sit in a room together… What we’d do is flesh out the ideas together and then we’d both take parts back to work on separately. But the spark of this record is us sitting together in a room. We really had a mantra for this album which was “What does the future sound like?”…we’re pushing boundaries”.


‘English Electric’ will be released on 8th April 2013

OMD’s 2013 ‘English Electric’ UK Tour

Margate Winter Gardens (28th April), Birmingham Symphony Hall (29th April), Nottingham Royal Centre (1st May), Ipswich Regent Theatre (2nd May), London Roundhouse (3rd May), Bristol Colston Hall (5th May), Oxford New Theatre (6th May), Sheffield City Hall (8th May), Leeds Academy (9th May), Manchester Academy (10th May), Glasgow Royal Concert Hall (12th May), Gateshead Sage (13th May), Liverpool Empire (14th May)

http://www.omd.uk.com/

https://www.facebook.com/omdofficial/


Text by Chi Ming Lai
Illustration by Supersonic Creative Inc
2nd February 2013

A Short Conversation with CLAUDIA BRÜCKEN & PAUL HUMPHREYS

To celebrate the launch of her new live DVD ‘This Happened’, Claudia Brücken reprised her triumphant appearance at The Scala captured on that DVD with another guest filled show at London’s Bush Hall.

With a sparkling band led by her erstwhile Onetwo musical partner Paul Humphreys, on a slightly cramped stage they were additionally augmented by the skills of legendary ZTT producer Stephen J Lipson who worked with Claudia on PROPAGANDA’s ‘A Secret Wish’ and Act’s ‘Laughter, Tears & Rage’ albums. Also present from the Scala gig line-up was Susanne Freytag who performed ‘Dream Within A Dream’ while Claudia took a mid-set break.

HEAVEN 17’s Glenn Gregory participated in some playfully fun renditions of ‘Snobbery & Decay’ and ‘When Your Heart Runs Out Of Time’, while Martyn Ware joined them for a Teutonically ripe ‘Temptation’. Central to the evening though was her stripped down covers of ‘In Dreams’ and ‘Running Up That Hill’ with pianist Andrew Poppy which showcased Claudia’s emotive range and diversity.

But in the absence of Andy Bell came another Andy of the McCluskey variety who duetted with Claudia on Act’s ‘Absolutely Immune’ and OMD’s evergreen ‘Messages’. With other great tunes aplenty from Claudia’s repertoire like ‘Thank You’, ‘Absolut(E)’, ‘Sequentia’, ‘Night School’, the Martin Gore co-write ‘Cloud Nine’, ‘p:Machinery’ and of course ‘Duel’, it was another warm, heartfelt evening with plenty of love from Claudia’s loyal audience in return for an elegantly refined performance.

Just prior to the Bush Hall show, Claudia and Paul talked to ELECTRICITYCLUB.CO.UK about what their futures might sound like…

With regards to playing live at festivals as ONETWO, you did Vintage and Back To The Phuture Night at Bestival in 2011…

Paul: Vintage was a good line-up. Thomas Dolby was great…

Claudia: …Thomas was brilliant!

Paul: It was great to see Alan Wilder too cos I’d not seen him since Depeche Mode’s ‘101’ tour in America, we had a real good catch up. I really like Alan a lot.

ONETWO seem to be invited to play the cool festivals but is there any reason OMD don’t seem to get asked?

Paul: We will… we’re having an easy year in 2012. But next year, we’re pushing for some really good festivals.

Claudia, have you ever been tempted to accept an offer to play Here&Now or Rewind?

Claudia: I’ve not been asked before…there is this thing about me going out as Claudia Brücken and me going out as PROPAGANDA. If PROPAGANDA was set-up with everybody there, I think it is most likely we would have been approached, but not as Claudia Brücken.

Paul, you’re actually going to do Rewind as part of OMD…

Paul: Yes, this is going to be our first and maybe last concession to the retro thing, but we just fancied doing it really. For four consecutive years, we were asked to headline Here&Now and we turned it down every year! And then they stopped asking…

Claudia: …they stopped asking and then you said “we want to do it!” *laughs*

Paul: Then, we got offered Rewind and almost said no but we discussed it and we thought it might be nice to do a couple of British festivals this summer. The bill for our night is ok; Marc Almond, The Lightning Seeds, Midge Ure, The Christians…

You’ve both worked on some interesting projects like the ‘LA Noire’ computer game soundtrack for you Claudia, which was quite different as it was jazz…

Claudia: During Christmas 2011, I received an email which I thought was spam from the head of Rockstar Games saying there was this part of a German singer for a new game called ‘L.A. Noire’…

Paul: She nearly deleted it! *laughs*

Claudia: They wanted to ask if I would be interested in being the voice on three songs for that game. I thought: “why not?”. I heard the songs and thought they were so beautiful. I found it a really good challenge doing something I hadn’t done before.

Paul: It was out of your comfort zone…

Claudia: …I liked the whole idea.

Paul: What was interesting is that it tuned Claudia onto a much younger audience. Those songs are all over YouTube and some of the comments are from 16 year old gamers going “OMG, who’s this singer, where can I get an album like this?”…so they WILL have an album like this. We’re doing a noire album.

Claudia: What was really nice was that the producer Stephen Coates is London based so that made it all plausible and Paul recorded the vocals.

Paul: Later this year, we get the rights to those songs back from the game but there were some other songs they did that were fantastic which didn’t make it onto the game. Stephen’s written a few other songs so we’ve got enough for an album. It will be with a different twist, not completely jazz, it will be a bit more David Lynch…

Claudia: …a bit dark. Like ‘The Third Man’ meets ‘Twin Peaks’

Paul, you’ve done the ‘Electric Ikebana’ with Douglas Coupland…

Paul: The feedback’s been amazing and I’ve been interested in the comments on the OMD site. People are saying “Oh my god, it’s like Dazzle Ships’ for this century” and “I hope the new album’s got something like this on it”… and IT DOES!

So what about the future projects then?

Claudia: I’ve done a solo album, it’s in the can and we’re hoping to release it in November. The theme is melancholy songs…they’re sad but they don’t make you slash your wrists. I recorded it in four months with Stephen Hague and we had this real clear vision of what we wanted to do. It was recorded after the Scala gig…

Paul: …yes, I went on a big American tour with OMD and Claudia thought “I’m going to make a record”! *laughs*

Claudia: We’d work on the song arrangements remotely but when I was ready to sing, I’d go over to Stephen’s studio in Hastings and that was an amazing experience. I’m so happy about this album because you really can’t put it into a certain time, it kind of ignores what’s current and it’s not competing with it.

Stephen is playing all the instruments and that’s a great gift he has. He loves his electronic references, but he enhances it as he’s a multi-instrumentalist.

So Paul, what’s happening with OMD?

Paul: I’ve been working on ‘English Electric’ which will be out in 2013 and it’s fab by the way. Andy and I are really excited by ‘English Electric’. We’ve really gone to another level from ‘History Of Modern’, which was too much remote work.

We realised we don’t work very well passing files back to each other; we work best when we sit in a room together. And so I’ve been up to Liverpool loads. What we’d do is flesh out the ideas together and then we’d both take parts back to work on separately.

But the spark of this record is us sitting together in a room. We really had a mantra for this album which was “What does the future sound like?”…we’re pushing boundaries. There is a song called ‘Night Café’, which is like ‘She’s Leaving’ meets ‘Souvenir’ and lovely.

The album’s a little bit more musical than ‘Dazzle Ships’, but it is ‘Dazzle Ships’ for the 21st Century in a sense because it’s not just a collection of songs. The album is themed although it’s not a concept album. There are sections that maybe only last a minute and a half, there’s pieces that are three minutes and nine minutes as well. We’ve also got a song called ‘Metroland’ which I think is going to be really fantastic.

And when can we look forward to the next ONETWO album?

Claudia: It’s coming along but obviously with all these projects, the DVD etc, there’s only so much we can do and you need focus. So Paul and I have been writing and recording but personally I thought it would be great if Andy and Paul could make a great album as OMD.

Paul: Who knows if there is going to be another OMD album after this? Maybe there will but if this was to be our last album and I have to think in these terms now, I want to leave an album that is really special. And I think ‘English Electric’ has a good chance of being that album. I’m really happy with it.


ELECTRICITYCLUB.CO.UK gives its grateful thanks to Claudia Brücken and Paul Humphreys

CLAUDIA BRÜCKEN ‘This Happened’ DVD+CD set is available now through the There(there) shop.

OMD play Rewind Festival on Sunday 19th August 2012 in Henley-on-Thames

http://www.claudiabrucken.co.uk

http://www.theremusic.com


Text and Interview by Chi Ming Lai
Photos from Claudia Brücken, Propaganda, Onetwo and OMD Facebook pages
2oth July 2012

CLAUDIA BRÜCKEN & PAUL HUMPHREYS Discuss How ‘This Happened’

Photo by Hege Saebjornsen

Claudia Brücken’s ‘This Time’ career celebration at The Scala in London was without doubt, one of the best live presentations of 2011.

On this wonderful evening, the first lady of cinematic electronic pop was joined by some very special guests in Erasure’s Andy Bell, Heaven 17’s Glenn Gregory and Martyn Ware, Ralf Dörper and Susanne Freytag from Propaganda and one time ZTT label mate Andrew Poppy for an unforgettable and almost certainly unrepeatable concert. The superb event has been captured as a DVD film and accompanying CD soundtrack entitled ‘This Happened’.

This is the perfect souvenir for those who were there (and those who wished they were there). It captures all the warmth of appreciation from that evening when Claudia performed a selection of songs from her career accompanied by a superb backing band led by ONETWO partner and musical director Paul Humphreys.

Featuring Philip Larsen, James Watson, Dawne Adams, Sam Sallon, Melissa D’Arcy and Dave Watson, the company delightfully tackled a catalogue songs made famous by Claudia as a member of Propaganda, Act, Onetwo and as a solo artist. There are many highlights to savour including a exceptionally groovy ‘Absolut(E)’, playful duets with Glenn Gregory and Andy Bell, the Bond theme meets Massive Attack chic of new song ‘Thank You’, the three quarters reunion of PROPAGANDA and the surprise inclusion of ‘Dream Within A Dream’ from their highly regarded album ‘A Secret Wish’.

But that’s not all. To celebrate the release of ‘This Happened’, Claudia Brücken will also be playing a new version of the show, ‘This Time Too’ at London’s Bush Hall on Thursday 19th July 2012 featuring OMD’s Andy McCluskey as one of the special guests.

Taking a break from preparing for this upcoming performance, Claudia Brücken and Paul Humphreys kindly invited ELECTRICITYCLUB.CO.UK to their London studio to talk about the live DVD and reminisce about that wonderful evening at The Scala last March.

It was an amazing night at The Scala, how do you look back on it?

Claudia: It was a complete success, it was great to have all the people, who I have collaborated with, agree to perform with me. It was quite a difficult task to get all of the musicians together and to organise it all.

Paul: Getting everyone to rehearse on the same day was a nightmare.

Claudia: Everybody was individually rehearsed. We told everyone what parts they were doing so they were all well prepared and then we did two days rehearsal…

Paul: …that was mainly for the band really as we were playing a whole load of songs we had never played before. *laughs*

Which songs were the most challenging to reproduce in a live situation?

Paul: ‘Dream Within A Dream’ was probably the toughest because it’s such a complex piece, there’s all these solos and Dawne our percussionist had all these things to do, there were different cues and all the bar counts are changing all the time! To be honest, we never got ‘Dream Within A Dream’ right in rehearsals; the only time we got it right was live on stage at the Scala. On stage, we were all just secretly nodding at each other!

I remember all the gasps of excitement from the audience when Susanne uttered those first few words…

Paul: Yes, you can hear it on the mikes when I mixed it!

Claudia: That was a little personal challenge; it’s such a great Propaganda piece. As Susanne was there as a guest, I really wanted to put that song out there in a live context.

Paul: All the chords are very complex and we had to get in our mate Sam who hadn’t played flugelhorn since he was a kid. So he bought one and he spent two weeks rehearsing…but he did really well *laughs*

The setlist was very well paced and as good as perfect. How did you decide what to perform?

Paul: We played the obvious ones from the ‘ComBined’ album as it was a celebration based around that.

Claudia: Also through Onetwo, we had so many songs already rehearsed. It was just a matter of organising everyone. So it became obvious when we had Glenn as a guest that we do ‘Snobbery & Decay’ and ‘When Your Heart Runs Out Of Time’. ‘When Your Heart Runs Out Of Time’ was pure self-indulgence because we’d never done it before. We thought we might as well do it.

Paul: We completely reworked it, it’s nothing like the original; we did a very electro version.

Claudia: Then Glenn and Martyn remembered they had done an electro version of ‘Temptation’ which was a demo…

Paul: …apparently that was the demo which got HEAVEN 17 their deal. And they had a German singer actually talk it before they reworked it with all the high vocals and the strings.

Claudia: I had this demo as a template and I really like that almost detached attitude so I thought that’s a good way to go with the idea.

Paul: But the biggest challenge for Claudia was ‘Running Up That Hill’ and ‘In Dreams’ with Andrew Poppy because you’re so exposed and any slight mistake, it really stands out.

Claudia: It was quite daring because most people attending the show, their background is electronic music so for me to just come out and bring it right down to just piano and voice…I really liked it for a change of scene. I did a show with Andrew Poppy the other day for his new album ‘Shiny Floor, Shiny Ceiling’. We did a couple of performances at the Chelsea Arts Centre. He’s very clever and such an artist, he’s got his own ideas and he sees it through.

Paul: It was an amazing show.

Were there any songs that you considered, but discounted for various reasons?

Claudia: I would have liked to have played more from ‘Love: And A Million Other Things’ like ‘Baby Sign’ or ‘Love: In Another World’ but there was just so much to choose from.

The crowd particularly enjoyed the three quarters reunion of PROPAGANDA…

Claudia: It was great, I’ve always wanted to do it. I’ve been working towards the possibility of trying to get PROPGANDA on the road again and there’s always been hurdles, it’s never been easy! Everything else with ONETWO and the band has always been very easy and pleasurable.

So when Susanne and Ralf agreed to join me, it was the closest at that point of getting those Propaganda songs back up live. I’m someone who doesn’t give up easily and I try different ways to make something happen. I’ve known them for such a long time and it just kind of fell into place.

Is it true Ralf never played live with PROPGANDA first time round when you were on ZTT?

Claudia: That’s right, he was working as a banker and couldn’t get time off. The first time was the Trevor Horn Wembley concert in 2004. Wow! That was a bit of a band wasn’t it? *laughs*

Yes, I’ve seen the video clip of that! Stephen Lipson, Lol Creme, Anne Dudley, Geoff Downes, David Palmer AND an orchestra!

Paul: Now that’s what I call a band! *laughs*

Claudia: A band, Trevor Horn style! *laughs*

There’s an obvious onstage chemistry between you and Glenn Gregory, what do you put that down to?

Claudia and Paul: Mates! *laughter*

Claudia: But we genuinely love each other as well, I’ve known him since the ‘Dr Mabuse’ video shoot which his first wife Sarah did the make-up for. One of my earliest memories about England was going to Glenn’s old house in Notting Hill…I was discussing make-up and stuff with Sarah and there were Heaven 17 sitting on a couch in a darkly lit room. We just became really good friends and went through a lot of things together on ZTT as Trevor Horn used to use him as a session singer a lot on recordings by Grace Jones and stuff.

We’ve already mentioned Andrew Poppy but you couldn’t have had a more polar opposite guest than the other Andrew, Mr Bell?

Claudia: I did some gigs with Andy Bell back in 2005 at Madame Jo-Jo’s and Koko, it was just so natural.

Paul: Again, we’re mates with Andy, we’ve been on holiday with Andy too. He’s a sweetheart. We adore him.

Susanne almost didn’t make it on stage in time for ‘Light The Way’. How did you make sure the evening ran like clockwork while still being able to vibe off the special occasion?

Paul: It was funny while mixing the sound for the DVD and album, all the way through the intro of ‘Light The Way’, Claudia’s going: “Where’s Susanne? Where’s Susanne?”…we didn’t have a stage manager! *laughs*

Claudia: We forgot actually about that didn’t we!! *laughs*

Paul: We relied on everyone to remember their cue, I posted a sheet up in the dressing room! There’s only one dressing room at The Scala and it’s tiny…there were fifteen of us!!

Claudia: All these men dressed in black standing there, it was like a Magritte painting *laughs*

Paul: There were three chairs, all for the girls of course.

Claudia: It was very funny!

How was it trying to fix situations like when Susanne’s microphone cut out during ‘Dr Mabuse’ in the final audio mix? Is it a matter of retrieving sections of the recording or overdubbing?

Paul: It was actually there. It went to record, but our soundman Chicky had it muted on the desk! He had so many cues to remember that he forgot that one! *laughs*

Claudia: It was a bit “let’s see what happens” as well. There was so much information for him there.

With so many people involved, was it a matter of tying it all together during the soundcheck? Martyn Ware mentioned to me it had been a long day.

Claudia: We did have a soundcheck but there were a few technical hiccups which no-one could foresee. At 6.45pm, I said to Paul: “Shouldn’t we be hearing a sound of some sort by now?”

Paul: I was trying to keep Claudia calm and saying “Don’t worry, everything is fine” but knowing that it really wasn’t! What happened was James from the band’s laptop blew up and he didn’t have a back-up….all his virtual instruments were on there. So he was programming all these different sounds on another keyboard that he had using his headphones! But also at The Scala, we had so many lines, mikes and inputs that the stage box wasn’t good enough. You have to split it to monitor desk and front of house but with their box, you could have one or the other, but not both! So I had to hire one really quickly and get it delivered. But I didn’t tell Claudia this! *laughs*

How does the finished DVD look and will it satisfy those fans who there, and also those were unable to make it to the gig?

Paul: It’s fantastic!

Claudia: It’s been a real labour of love, it’s taken us so long to make. We get asked to play Canada, Russia, Finland and the USA but we can’t tour everywhere, it’s not so simple.

So I wanted there to be a documentation of what I’m like live so I hope they like it. We put a lot of love into it… it’s 100% and more to make this an entertaining piece of work.

Is it in 5.1 surround sound?

Paul: It’s not actually, so many people I know don’t have 5.1, so I didn’t think it was necessary. Plus it would have made it far more expensive to make because I mixed it in my own studio, and I don’t have a 5.1 system in here. I’m happy with stereo and most people will enjoy it stereo. In 5.1 you’ve got mix everything twice as you have to do a stereo mix anyway, those balances are completely different. It took a long time to just to mix 98 minutes of music in stereo.

You have ‘This Time Too’ at Bush Hall coming up on 19th July as a follow on event. This time you have another Andrew, ie Mr McCluskey as a guest. What song will he be performing with you?

Claudia: He’s doing ‘Absolutely Immune’ in place of Andy Bell…

Paul: …but instead of ‘Delicious’, we’ll be doing something else which Claudia and Andy will sing as a duet.

Would it ever be a possibility for you to go out with a touring version of this show in Europe, albeit maybe without all the wonderful guests?

Claudia: If I did it, it would make sense for everyone else to join us…anything is possible.

But if they did come on tour with me, I would want them to show more of themselves. I couldn’t ask them to sing just one song…

Paul: Hopefully, Claudia will be touring to promote her new solo album and she will playing some of these songs in the show so it will kind of be happening…


ELECTRICITYCLUB.CO.UK gives its sincerest thanks to Claudia Brücken and Paul Humphreys

The DVD+CD set ‘This Happened’ is released on 23rd July 2012 via There(there).

The tracklisting is:

1   Kiss Like Ether
2   Sequentia
3   Dr. Mabuse  – with Susanne Freytag and Ralf Dörper
4   Absolut[e]
5   Cloud 9
6   Snobbery & Decay – with Glenn Gregory
7   Temptation – with Glenn Gregory and Martyn Ware
8   When Your Heart Runs Out of Time – with Glenn Gregory and Martyn Ware
9   Running Up That Hill – with Andrew Poppy
10 In Dreams – with Andrew Poppy
11 Dream Within A Dream – with Susanne Freytag and Ralf Dörper
12 p:Machinery – with Susanne Freytag and Ralf Dörper
13 Night School
14 Light The Way
15 Home (Tonight)
16 Delicious – with Andy Bell
17 Absolutely Immune – with Andy Bell
18 Duel – with Susanne Freytag
19 Thank You

http://www.claudiabrucken.co.uk

https://www.facebook.com/ClaudiaBruckenMusic


Text and Interviewby Chi Ming Lai
Photos from the Claudia Brücken, Propaganda and Onetwo Facebook pages
4th July 2012

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