IONNALEE is both a new start and the continuation of a story that began with IAMAMIWHOAMI.
Although as enigmatic and delightfully odd as IAMAMIWHOAMI, IONNALEE is Jonna Lee’s attempt to be more upfront and less abstract than in the past. No doubt buoyed by the success of touring with RÖYKSOPP, guest contributors figure on ‘Everyone Afraid To Be Forgotten’. Continue Reading ›
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As a cardinal of the European avant-garde and co-founder of TUXEDOMOON, Blaine L Reininger is both schooled and shrouded in mystery.
He currently lives in Greece – ground zero for the continent’s myths and a portal for all things Oriental. The influence can be seen on his new solo album 'The Blue Sleep'. Strikingly beautiful, it reveals its secrets like a Japanese puzzle box. Continue Reading ›
When CHVRCHES released ‘The Mother We Share’, it was described as “the sound of TAYLOR SWIFT gone electro”. And now with the kaleidoscopic ‘Get Out’, the bouncy first song to be previewed from CHVRCHES’ as-yet-untitled third album, Lauren Mayberry, Iain Cook and Martin Doherty have gone the full Taylor and presented their most overt pop statement to date. Continue Reading ›
Although he became a noted producer during the height of punk, it was with THE HUMAN LEAGUE’s ‘Dare’ that Martin Rushent’s reputation as an electronic music pioneer was forged.
Focussing primarily on his work with synthesizers and technology, here is a look back at the post-punk career of Martin Rushent. With a limit of one track per album project, here is a Beginner’s Guide to the late, great man… Continue Reading ›
Following some singular adventures in the neo-stateside pop of ‘The Same Road’ and the experimental reggae of The One’, avant-pop songstress FIFI RONG is back with a 4 track EP entitled ‘Awake’.
She says: “Awake is about waking up to the truth after you have hypnotised yourself and deconstructing the paradoxes of human nature: subordination and rebellion, pain and joy, self-limitation and liberation”. The Beijing-born beauty is in a buoyant artistic mood. Continue Reading ›
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